I grew up in a country that was in a civil conflict for most of my childhood and adolescence. I saw violence and lived as a teenager through the time of a brutal dictator called Idi Amin. I fled and became a refugee.
I think violence in a cinematic context can be, if handled in a certain way, very seductive.
We don't have any rules about how we depict violence, or how much violence is in a movie. It's a calibration on a case-by-case basis.
This is a formidable enemy. To dismiss it as a bunch of 'cowards' perpetuating 'senseless acts of violence' is complacent nonsense. People willing to kill thousands of innocents while they kill themselves are not cowards. They are deadly vicious warriors and need to be treated as such.
We improved the environment in which our children live, learn and play by decreasing crime and clamping down on abuse and violence in the home and on the streets.
I grew up in southern Africa but was born in England, so my family was afflicted with the stiff upper lip of the British. When coupled with the violence we saw as children, that can be a fatal combination. Fortunately, I have an outlet for trauma in my writing.
We seem okay with violence, but nudity we race to criticize and censor.
Let us reject violence and selfishness which could destroy our country's unity.
The only thing that's been a worse flop than the organization of non-violence has been the organization of violence.
Around the world, human traffickers trick many people into slavery by false promises of good jobs or good education, only to find themselves forced to work without pay, under the threat of violence.
I've learned that intelligence alone doesn't mean a damn thing. It only leads to violence and pain.
This will be our reply to violence: to make music more intensely, more beautifully, more devotedly than ever before.
There's no reason to continue including language in the federal spending bill to prohibit the CDC and NIH from studying the causes or effects of gun violence on public health.
Yes, he wanted me to do Funny Games before, which I didn't want to do because the film was very theoretical - the way people experience violence on screen. There was very little space for fiction, it was more like a sacrifice for the actors than anything else.
As a tactic, violence is absurd. No one can compete with the Government in violence, and the resort to violence, which will surely fail, will simply frighten and alienate some who can be reached, and will further encourage the ideologists and administrators of forceful repression.
We have not always agreed, but I have said repeatedly and publicly many times that Al Sharpton has never counseled violence, but he gets blamed for a whole lot of that.
I think the last one would have to be The Godfather because it was such a powerful story. There was lots of violence in it but I could take it because I thought there was a reality to it. It wasn't gratuitous, it was just these guys' story.
No matter where you go and what you do in America, you turn the tele on and you're confronted with violence.
It's politely assumed that democracy is a means of containing and restraining violence. But violence comes not from genes but from ideas.
There are competing studies on how much crime drops or doesn't drop when there are strict rules on gun possession and sale. I don't think there's any question that New York City's very tough laws have reduced violence.
There is no denying that unhappiness - even violence - exists in some arranged marriages. Or that some arranged marriages are borne out of cruelty. And part of that six percent global divorce rate can be attributed to the powerful stigma against divorce that's present in countries where arranged marriage is common.
You just have to open the newspapers in most Western news to see real violence.
I like a twisted sense of humour. On 'A History of Violence,' David Cronenberg and I would be doing the grimmest scenes and laugh a lot.
Sometimes I wonder if there is something about my family which invites violence. 'Is it envy,' you ask? I don't know... I've had so much, a son as president, two as senators, a son-in-law who's an ambassador... perhaps God doesn't permit that much.
I have never seen a connection between cinematic violence towards women and actual violence towards women in society.
A revolution is an act of violence whereby one class shatters the authority of another.
My people have been sucked into the violence because some feel they have to retaliate, and some feel they have to protect themselves.
What is real is that adultery destroys tens of thousands of families every year across America. What is real is that adultery scars tens of thousands of children emotionally and psychologically every year. What is real is that adultery is an open wound in a relationship which more often than not overflows into domestic violence or worse.
Libraries are filled with stories on generations of brutal men, trapped in a cycle of aggression. I wanted to write about the violence of women.
The Reform Bill has destroyed the ancient conduits and strainers, and brings Public Opinion to act upon the government with the rapid, turbulent, and uncertain violence of a flood!
Physical violence is always a bore in films today. We don't see how much it hurts. We don't learn the true consequences of it.
Violence is the last refuge of the incompetent.
I'm still very aware of the violence in our culture, more so than other people. I know where it comes from when someone is trying to suppress someone else, sometimes they fight back.
You can't change the system through violence.
Comparison is an act of violence against the self.
From a parent's right to know what their children are doing, to protecting citizens across the country from the growing threat of gang violence, the House Democrat leadership is simply out to lunch.