India has a consistent and well-known position on terrorism. We oppose all acts of terrorism, wherever they occur. We have repeatedly said that no cause can justify violence and destruction, particularly aimed at civilians.
I've got a reputation for doing a certain type of film: lads' movies that glamorise violence. The more my reputation as a bad boy grows, the more my life moves away from that.
Poverty doesn't imply necessarily violence.
Actual violence has no attraction for me at all.
I shy away from showing cruelty on the page. A lot of the violence in my books actually happens off stage. The police come on to the scene after the event has occurred.
I run; I am a coward at heart. I swear, when I smell violence or aggression the coward comes out in me. I have no desire to fight anybody except myself.
This is certainly not to excuse the violence that exists on TV and films and on the Internet. But the truth is that wherever you go in Europe, there are American films and TV shows that are just as popular as at home. And you don't have that sense of violence in any other place other than America.
It's odd how violence and humor so often go together, isn't it?
The violence and burnings in Lebanon were the work of Syrian soldiers and workers dressed in civilian clothes.
My position does not give me the liberty to exclude anything, but my mood tells me there will not be violence.
Women and girls, men and boys all share the right to live free of violence, which is, unfortunately, experienced by both men and women. Women and girls, however, disproportionately experience violence due to a deeply rooted global culture of gender discrimination.
A belligerent state permits itself every such misdeed, every such act of violence, as would disgrace the individual.
It's always difficult to play a scene of physical violence because you're always afraid that you don't know your own strength and might hurt someone.
Philosophers are people who do violence, but have no army at their disposal, and so subjugate the world by locking it into a system.
Freedom is poetry, taking liberties with words, breaking the rules of normal speech, violating common sense. Freedom is violence.
I don't even call it violence when it's in self defense; I call it intelligence.
In Canadian comedy, you'll almost never see guns. If you bring a gun into a scene, it's like, 'Whoa! Wow, how are we going to deal with that!' Guns in an American comedy are a given. Violence in America is used in a much more cavalier way.
We still have a strong commitment to our original mission, which is to protect and assist people who are suffering from the impact of violence, but the violence has changed its character, format, and pattern so that we are now responding year after year.
Violence against women and girls touches every corner of the globe and is one of the world's most pervasive human rights violations.
Glorifying violence is terrible. Simulating sex is nothing - it's something so impersonal really.
People use location as a language in films, and Quentin uses action as a language in his films. There's really not a lot of violence. It's more of an emotional beat than it is a physical beat.
There is a cultural factor promoting violence which nowadays undoubtedly is highly effective is the mass media. And particularly everything that enters our minds through pictorial media.
I think there's something very dark in the South African psyche. I think we live a lot of the time in a state of a very low-grade civil war; the levels of violence in South Africa are extremely high. In a way, the civil war that never happened is being played out in a covert way, so we live with a lot of very ugly things.
The power which establishes a state is violence; the power which maintains it is violence; the power which eventually overthrows it is violence.
There is a correlation between economic inequality and personal violence. The explanation for the correlation isn't completely clear; there are a number of possibilities.
Violence is for mugs. War is for mugs.
Revenge and retaliation always perpetuate the cycle of anger, fear and violence.
But I don't think there has ever been anything written on the nature of violent man as deep and as thorough as Shakespeare's Titus. I think it puts all modern movies and modern exploitations of violence to shame.
I have to admit that when I watch a movie in which there is no moral context for the violence - I find that offensive. I think that's potentially damaging to society.
Puppet Papademos is in place, and as Athens caught fire on Sunday night he rather took my breath away - he said violence and destruction have no place in a democratic country.
Some of the worst violence in the world today between estranged religious and ethnic groups happens not on the battlefields. It happens smack in the middle of living rooms and between people who share a lot, who have a lot in common.
Supporting mental wellness is crucial to any goal of decreasing gun violence in America.
Homicide through gun violence is the leading cause of death among young African American males in the United States. If people look a certain way, they have a higher tendency of dying, of having their lives taken away.
Violence and irrationality were so long and thoroughly cultivated among the Irish, and so perfectly ingrained into their nature, that modern civilization has as yet been unable to extract the virus.
Violence is black children going to school for 12 years and receiving 6 years' worth of education.
What has violence ever accomplished? What has it ever created? No martyr's cause has ever been stilled by an assassin's bullet. No wrongs have ever been righted by riots and civil disorders. A sniper is only a coward, not a hero; and an uncontrolled or uncontrollable mob is only the voice of madness, not the voice of the people.
