I was a full-blown tomboy; I was very mischievous and got into a lot of trouble. Everybody in my family smoked, and I started smoking probably when I was nine. My friends used to call me Huckleberry Tig.
I started playing guitar when I was 14 and eventually gained the confidence to start singing a little bit.
I really liked punk music and experimental music that my brother was taking me to go see in the city, when I was probably, like, 13 years old. I was seeing a lot of teenagers making 'weird' music, and I think that was probably a big part of the reason that I actually started to play myself.
To combat the monotony of gym workouts, I started playing soccer. I looked at workouts as training sessions. My soccer training includes squats, pushups, resistance-band work, and sprints. Ninety minutes of running became part of my love of the game rather than a chore.
Buffalo Springfield had three guitar players, and we thought they were so cool. So we started doing the three-guitar thing, and people started calling us the 'guitar army' and all this stuff.
Racial humor was about 35% of my act when I first started. But I realized that it was a crutch. What brought it home was when another comedian said to me, 'If you changed color tomorrow, you wouldn't have any material.' He meant it as a put-down, but I took it as a challenge.
I was 38 years old when we started trying to have a baby. I thought it would be no problem, but the 3 years it took us was the most difficult period of my life.
Personally, for my character, I started as the silent but deadly type.
I love the '60s and sort of wish all design had stopped in 1967. That would be my dream. They were really just nailing it - everyone looked great - but then it started getting a bit slippery after that.
Part of my advantage is that my strength is economic forecasting, but that only works in free markets, when markets are smarter than people. That's how I started. I watched the stock market, how equities reacted to change in levels of economic activity, and I could understand how price signals worked and how to forecast them.
I started 'Storyline' after I'd accomplished all my goals and still wasn't happy. I'd become a 'New York Times' bestselling author, which was my goal from high school, and yet I was less happy after accomplishing my goals than I was before.
I noticed that when my daughter was born, my son really, really liked her. But then as she started getting older, and as she started crawling around our house and touching different things that were his, sibling rivalry issues started appearing.
When we first started 'The Big Bang Theory,' I would get incredibly nervous because it's such a big show and I was just out of graduate school. I'd come in and have this huge responsibility for the one line that everyone hopes will bring down the house.
It was only when I saw films in my early 20s by Jane Campion, Mira Nair, Sally Potter and Kathryn Bigelow, I started to think, 'Oh, it's possible.' I dared to suggest that I wanted to train to be a film director.
I think that, initially, I was most passionate about music and particularly about playing the piano. I started playing when I was nine, and I was obsessed with it, really. I wouldn't even go spend the night at a friend's unless they had a piano. But I didn't have the chops, the extraordinary talent to be able to play the piano professionally.
I left school on a wet Thursday afternoon, found a room in a shared house in North London, and started my first job on the following Monday as a courier for an advertising agency.
I still the love classic period, but also the baroque period, and even 17th-Century music such as the music of Monteverdi. He's one of the greatest opera composers. He was the one who really started the opera.
People want to download publications quickly and read them without cruft. Publications that started in print carry too much baggage and usually have awful apps. 'The Magazine' was designed from the start to be streamlined, natively digital, and respectful of readers' time and attention.
I do think a lot of people are trying to do important things still, and I think it is really a great thing that entrepreneurship is getting easier. When I started, it was just much harder to begin a company.
At 16, I started a web development business and had clients from the Netherlands, Caribbean, and across the country - none of whom knew my age because I could conduct all my business with a phone, scanner, and the Internet.
I've performed in Auburn Hills, at The Palace, so I haven't really been in downtown Detroit, but I've been able to be here, and I can really see, what the city was. Like, I can feel why Motown started here and how amazing it was.
I started making art with art therapy. It's what I know how to do. I got a lot of criticism for that when I was in school. But I think it works for me.
There's a relationship between music and spirituality and inspiration and to a certain extent improvisation that draws me in, because I don't totally understand it. I know that those relationships have been telling me, since I started making records, where to go. What to write down.
It was definitely hard when I first started, and by no means do I consider my live show to be where I want it to be; it will develop step by step for the rest of my life.
When I started my blog, it was really this one goal - I said, 'I am not going to be famous to the world, but I could be famous to people on the Internet.' And I set a goal. I said, 'I'm going to win an award,' because I had never won an award in my entire life.
I've been amazed to learn all of the links between microbial health and our general health. This all started by trying to understand fermentation. The fermentation outside your body, and its relation to the fermentation inside your body. The key to health is fermentation, it turns out.
I started performing opera when I was 10 years old. I didn't perform as Zola Jesus until I was probably 18.
I wasn't intending to create a comic strip to begin with. So I think I wasn't aware that when the strip started, there had never been a woman's voice quite like this in the newspaper.
When I first started, I didn't really know how to structure a play.
I started studying music at the age of five and a half. My older sister was taking piano lessons. When her teacher left our apartment, I would get up on the piano bench and start picking out the notes that were part of my sister's lessons.
I started out in this business in rock and roll bands and stumbled into drag. Drag just happened to be my vehicle for my creativity. So, you know, it's afforded me the opportunity to create new shows, to make music.
When I started at the 'Guardian,' though, I couldn't think of anything we saw eye to eye on, except feminism, and even this would soon be arguable as 'Guardian' writers queued up to drool over Eminem.
The way that 'Vampire' was born was over a lunch. We got asked to do the show. A week later, we were hired. A week later, we were writing it. The minute we handed it in, it was ordered. The minute we shot it, it was picked up. Then we started working. There was never any, like, 'OK, here's what this show is...' We had to figure it out as we went.
I've grown up with a piano in the house, and that's where I started to be able to learn things by ear. Guitar kind of happened, and I was using it just for writing at first. Then, I was writing so much that I began to realise that I knew how to play, and that's when I started getting nerdy about it.
I started Friends of Finn to raise money and awareness about the issue of puppy mills, which are illegal breeding facilities where animals are often bred to death and mistreated. It's a prevalent problem and a million dollar industry in the United States.
I was in the bath at the time, and my dad came running in and said, 'Guess who they want to play Harry Potter!?' and I started to cry. It was probably the best moment of my life.
