I feel like my life experience is that of an outsider. Let me explain: my parents are from Panama, and they moved to the United States the year after I was born. They moved into an all-white neighborhood, where the previous black family had a cross burned on their lawn.
Thomas Dolby is part mad scientist, part nature boy, and entirely moved by the power of music.
I was born in Northern California and lived there until I was about eight years old. Then my parents moved me up to Seattle. I lived there from ages eight to 16. When I was a California kid, I remember running around in my bathing suit and barefoot all the time and getting a suntan.
I was a pretty delinquent little kid. My folks and I didn't get along, so I basically moved out... put myself through high school and then college by working. I'm only a half-year short of a degree in history.
The point I wanted to make was, as we have moved forward on the war on terrorism, FISA has been increasingly effective in terms of results.
Maya Angelou was the voice of three generations. Her poetry spanned our journey, chronicled our hearts and documented our struggles as we moved from the orations of Martin Luther King to the presidency of Barack Obama.
My family moved a lot as a kid. We started in Colorado, where I lived for five years. We moved to Chicago for two years, to San Francisco for one year, Connecticut for seven, Oregon for a couple years, and then I went to school.
My musical taste has always been wide. I started out as a folky before I moved on to blues and soul.
I moved from Moscow to Rome with my family and two bicycles in 1998, and spent a lot of that year- and the next - obsessed, I am sorry to admit, with the bicycles. Italy, after all, was a place where thousands of middle-aged men felt perfectly comfortable spending many hours a week in brightly colored spandex.
I left home to go to college, and then I moved back home. I moved back for three years from 21 to 24.
It was a small farm in a little rural town by the Indiana state border. I lived there from ages 5 to 12, I would say, before we moved to Dallas. We had chickens and a vegetable garden, and I had to get up to milk the goats at seven in the morning or do it at seven at night.
If I'm not moved by what happens at the end of this play, then I've completely failed, and so has the play, and so has our production. And if that's the case then there really isn't any reason to want to do it.
Gay culture is in a coming-out process of its own. From out of the closets in the '60s, the culture moved onto the disco floors of the '70s and through the hospital wards of the '80s and onwards to the streets.
At the New York Harvard Club, they've moved the memorial for those who died in World Wars I and II up to an obscure little hallway; they used to be in the main hall, in the most prominent location. The sacrifice of those young people I always found so stunning and so admirable.
My high-school years were so mediocre - I moved out when I was 16 and started living with my girlfriend who was 10 years older. Apart from that, I was just a video nerd.
I used to think that nails-down-a-chalkboard was the worst sound in the world. Then I moved on to people-eating-cereal-on-the-phone. But only this week did I stumble across the rightful winner: it's the sound of a baggage carousel coming to a grinding halt, having reunited every passenger on your flight with their luggage, except for you.
In barely one generation, we've moved from exulting in the time-saving devices that have so expanded our lives to trying to get away from them - often in order to make more time. The more ways we have to connect, the more many of us seem desperate to unplug.
I moved to New York to do a play when I was 18.
My parents divorced when I was 3 years old. They had a lounge act in Las Vegas, where I was born. The band broke up and the marriage dissolved, and my mother, my sister and I moved to Southern California. And I didn't see my dad a lot growing up; he was on the road a lot. I'd see him every couple years.
When my mother was raising me, she moved us upstate to the Woodstock area. Our closest neighbor was a mile away. She planted all her own vegetables.
It was the late '70s when my parents met. My dad was a lighting director for a soap opera, and my mom was a temp at the studio. They moved into a house in The Valley in L.A., to a neighborhood that was leafy and affordable.
After college, I went to Alley Theatre in Houston to work in their apprentice actor program. I thought I was gonna get discovered. It didn't happen. I moved back to Germantown, Tennessee, outside of Memphis, and taught at my old high school.
I was 20 when I moved to Los Angeles. I went on probably 600 commercial auditions and couldn't book any of them.
The prediction that glaciers will be gone from Glacier National Park has been moved up by 10 years to 2020, the same year it's predicted the Arctic Sea will be ice-free in the summer.
I've yet to use a cellphone, and I've never tweeted or entered Facebook. I try not to go online till my day's writing is finished, and I moved from Manhattan to rural Japan in part so I could more easily survive for long stretches entirely on foot, and every trip to the movies would be an event.
I've always been a big supporter of homeless charities across the board, ever since I first moved to London.
I feel like I almost didn't grow up in the business, because my parents worked so hard at sheltering us from that. I was raised in Connecticut. And I honestly wasn't aware that my dad was a celebrity until I moved to Los Angeles a year ago.
I graduated from Brown in 2001, moved to New York, and spent a year and a half just looking up 'Backstage' magazine auditions and grinding.
I'd had an early stint in acting school, and there was something satisfying about becoming a character, about being inside another mind that you had to create out of yourself. As I moved toward a life in writing, I found many of the things I'd learned in acting school still applied.
I moved away when I was young, when I was about 19. I'd literally come from an area with dirt roads and stuff like that, right to the centre of a city of about five million people. It's been great. I'm based in New York, and every day, it's amazing.
I kept saying that I'd never live in L.A., and I didn't think I would. But that's where the work is, and I ended up making a lot of friends there, and my old friends moved out to Los Angeles too. And also, I think when you're famous, its hard to live in a small town.
From one till seven, when we moved to England, I spoke only Portuguese. But I can't speak a word of it now.
When I first moved to New York, I had some colleagues who said I should be my straightest self - whatever that means - when I went into casting offices, but I didn't want to put on an act of what I thought was heterosexual. I just wanted to be myself, and I'm very grateful because I feel like I've been embraced for that.
I know a lot about systemic lupus erythematosus because I have it, too. I was diagnosed through the NHS when I first moved to England in 2008 following months of serious illness.
After three years in L.A., I began to dream of my glory days on the boards. But it's very difficult to make a living as a theater actor in New York, which is why I moved out here, and I always had an ambition to work in television. I am a great admirer of the format, and I think it's how we tell long stories.
We have moved beyond the point of trust being simply a key factor in product purchase or selection of employment opportunity; it is now the deciding factor in whether a society can function.