Zitat des Tages über Gerührt / Moved:
Well, I was in the generation of CDs, so when I moved to L.A., I think I probably brought my Shania Twain 'Come on Over' CD and that's about it.
After the war, I returned to Minnesota, from which I soon moved to Brown University, and a year later, to Columbia University where I remained from 1947 until 1958.
I moved from Kentucky to Miramar, Florida, at about 8. I think I was in second grade. I still had my Southern accent, and down there, you got to experience a melting pot in full fury. All the kids I hung out with were, like, Sicilian kids from Jersey and New York.
I have no idea what a British sensibility or a British sense of humor is. I have no concept of what that is. I have no concept of what American sensibility is. I was born in Great Britain, but I was only there for six months, and we moved to Belgium, where I grew up.
When Niki and I moved to Paris, there was also the challenge of Paris, an extremely daunting city.
It was football I enjoyed most. When I moved to L.A. to become a stand-up comedian, I thought it might be a good comedy hook to also be the punter for USFL club The L.A. Express, so I started practicing for the tryouts. Luckily, my stand-up took off, and I didn't need to do it.
If we get caught up in a story, it's because we've started to care about the characters, and that can only happen if we've moved beneath the surface.
When I was a teenager I loved acting, but I really just loved it for myself. I didn't like the fact that anyone else saw the work I was doing. When I moved to New York, I started to realize that I wanted people to see the stuff that I was doing, and I wanted it to mean something to them.
And as part of my activity there, he had indicated he wanted me to work with him on that and conduct the various technical tests. And so a few months later I moved from Southern California up to the Monterey Peninsula where I still live today.
I grew up as a fifth-generation Jew in the American South, at the confluence of two great storytelling traditions. After graduating from Yale in the 1980s, I moved to Japan. For young adventure seekers like myself, the white-hot Japanese miracle held a similar appeal as Russia in 1920s or Paris in the 1950s.
My father moved out to Park City in in the mid-'70s and lived in a Winnebago behind a hippie joint called Utah Coal & Lumber that was one of only two or three restaurants at that time. Park City was a sleepy little mining town, with not a condo in sight.
I was 20 years old, working as a roofer and a telemarketer and driving a taxi, just barely getting by. A friend of a friend suggested I try acting. I was like, 'Why? What am I going to do? Community theater?' But I took a class, and the teacher thought that I had potential, so I moved to Vancouver and started auditioning.
My career has always kind of moved forward and upward. I've never had anything kind of stall out or go in the opposite direction. I've always kind of been moving in the right direction.
I'd grown up in the U.K., where the surveillance apparatus went into place in the 1970s in response to the Troubles with the IRA. When I was a kid, we moved to Chicago, and I was surprised to see you could live in a large city in which you didn't have cameras on every street corner.
I moved to California not to pursue acting but to get out of Albuquerque.
When I started, I was a theater actress, and there were roles that I couldn't imagine not playing, like Rosalind in 'As You Like It.' I used to think I would die if I could play that. But then I started doing movies, and I had children, and I moved to Los Angeles. And now I kind of can't remember what those roles would be.
Basically, what happened was, I had moved out to Los Angeles, I was pretty damn lazy and I put on some pounds.
My family moved to Buffalo, New York in 1940 where I was raised.
My heroes were Dylan, John Lennon and Picasso, because they each moved their particular medium forward, and when they got to the point where they were comfortable, they always moved on.
My brother's my best friend, without a doubt. Me and my big sister get along so well. She moved to East London, though, so points off, but she's wicked. And then my little sister is a little genius. She's super talented and such a great person, always been far more mature and cool than me.
The Minnesota spirit of compassion and help for people in need has moved countless Minnesotans to step forward to provide relief for the survivors of Hurricane Katrina.
If you go all the way back, I've always written science-fiction, I've always written fantasy, I've always written horror stories and monster stories, right from the beginning of my career. I've always moved back and forth between the genres. I don't really recognise that there's a significant difference between them in some senses.
I went to 13 schools in 12 years. We moved all over the place. Music was the only thing that I could get behind... I wasn't that good at socializing. I'm still not.
Either move or be moved.
As a precocious teen I dreamed of being Graham Greene. Well, as it turned out, I never wrote a great novel, sadly, and I never converted to Catholicism, happily, but I did do one thing he did. That is, in middle age I moved to a seaside town and got into a right barney with the local powers-that-be.
When I was 5, 6 - so you know, memories aren't that great - I remember coming home and I remember seeing all of our belongings on the street and a Salvation Army truck picking them up. We got taken to a shelter. And then we moved around a lot, finding places to stay.
I sat there in awe that some guy overseas, trying to protect our interests, was using a silly comedy as a survival tool. My brain had an explosion. I was really moved by that.
Like crime, terrorism is a fact of life. I grew up in Israel, where every unattended bag was a suspected bomb; when my family moved for a few years, it was to London in the early years of 'the Troubles.'
The first job I had with what you might call human dignity, meaning with an office of my own and a bit of self-determination, was in technical writing, and only after I moved to Tel Aviv, where being a native English speaker is a meal ticket.
When I first got famous in the '60s, I got a little too famous, and in order to escape showbusiness, I moved to Hawaii.
When I graduated from college, I moved to New York and started doing improv because I read all about the early 'Saturday Night Live' guys having come through Second City and learning how to improvise, so I wanted to get immediately into that.
The places I've worked in the past, I always stayed three years and moved on.
We're here so that Afghanistan does not once again become a sanctuary for transnational extremists the way it was when al-Qaeda planned the 9/11 attacks in the Kandahar area, conducted the initial training for the attackers in training camps in Afghanistan before they moved on to Germany and then to U.S. flight schools.
I moved to Nashville with the same kind of mindset that I had in L.A., and that is to make sure you don't get outworked by anybody and make sure you're always writing songs and take every opportunity to play that you can.
So after the Lewinsky scandal, everything changed, and we moved from using the Bible to address the moral issues of our time, which were social, to moral issues of our time that were very personal. I have continued that relationship up until the present.
I finished high school, moved to Nashville for college, and set out to break into the music business. Every night when I called home with news of my experiences, my mom and dad would encourage me to keep taking those small steps.
