Zitat des Tages über Filmisch / Cinematic:
When I started out, I was very vociferously against theatre or what I saw theatre as being, so I tried to make my plays the opposite of that - something a bit more cinematic. I'm a film kid, so I'll never have the same love of theatre as I do of movies. It's just the way I was brought up.
My favorite review described me as the cinematic equivalent of junk mail. I don't know what that means, but it sounds like a dig.
Screenwriting is the most prized of all the cinematic arts. Actually, it isn't, but it should be.
I work intentionally to try and make dense, complex things. We can move between genres and forms, from something that looks like a PowerPoint lecture to something that looks like an informercial to something that looks like a cinematic melodrama.
Our music over the years has been very cinematic. It's surprising we never really got into film soundtracks.
Completely committed to adapting 'Fifty Shades of Grey'. This is not a joke. Christian Grey and Ana: potentially great cinematic characters.
With this silent film, I wanted to hide what was going on in the clinic. I wanted to cover it up in the best cinematic way and in an entertaining manner.
And then, I suppose, there's also a cinematic reality on top of that. Because it was extremely difficult to keep tabs on, it was quite confusing acting that.
Cinematic icons of the police detective are more male role models than female.
Lawrence of Arabia is the ultimate movie, deeply cinematic.
The CGI landscape is another world. It has its own physical laws; it can defy gravity. But surely the wonder of cinematic space is that it is wedded to reality?
I think violence in a cinematic context can be, if handled in a certain way, very seductive.
I have never seen a connection between cinematic violence towards women and actual violence towards women in society.
All of Wes Anderson's films are confections, memoirs created in cinematic snow globes, with the subtext that memory is the most extraordinary confection of all.
There's a way in which filmmaking is a director's medium and television is a writer's medium, so even as TV gets more cinematic, it's still guided by the writer.
What he's done is recognise the cinematic nature of the book. It's beautifully realised - it's a beat film.
I think in the wake of the domination of the Marvel Cinematic Universe, everyone is now looking for a grand plan.
I was doing well in TV as a freelance cameraman, but it wasn't the direction I wanted to go in. I directed videos and tried to put something cinematic in every one. Dialogue, action sequences, helicopter, Steadicam.
I love nonfiction the most. It's hard to find a good nonfiction story, and that's why I'm not as prolific, I guess, as a lot of people. They're hard to find. I love the nonfiction writer Ben Macintyre. I think he's terrific at the form of telling a story in a cinematic way.
As a kid, as a poor-ish, working-class kid, even visiting America seemed like an impossible dream. Every time I ever went anywhere in America, it always felt cinematic and dreamlike and like a movie from the '70s or something.
Spike optioned my first book, 'Now the Hell Will Start,' and he trusted me to write the screenplay, too. That was an awesome learning experience - I grew up watching Spike's movies, and here he was giving me handwritten notes about structure and dialogue. His feedback taught me so much about how to craft a cinematic narrative.
If I never do another movie, I will have had the privilege of working on one of the big Hollywood movies with top people, creating a world that can only be described as totally cinematic.
Something impacts me emotionally, art is a kind of outlet, and I figure it's the same for a lot of artists. The way my mind deals with things is cinematic.
My cinematic crush has been pretty much the same since I was 12: Kevin Costner.
The action comedy 'Pirates of the Caribbean: Curse of the Black Pearl' raises one of the most overlooked and important cinematic questions of our time: Can a movie maintain the dramatic integrity of a theme park ride?
I think I've always been drawn to the notion of talk as cinematic.
I personally think a fight scene is the most cinematic thing you can witness because all the elements of filmmaking come together, you know, with the camera speed changes, editing, make up effects and general smoke and mirrors of trying to make it look like you are hitting someone when you're not. It's filmmaking in it's purest form, I think.
The guys I grew up with, my cinematic heroes, have always been men of few words, but of action. Clint Eastwood, Eli Wallach.
For city dwellers like me who don't get to vacation in the summer, no filmmaker can so effectively make you feel like you went to France for August, fell in love, got hurt, broke up, grew up, and figured some things out - all in 90 minutes or so. My favorite of Rohmer's cinematic escapes is 'La Collectionneuse.'
I really think that the 'Jersey Boys' musical - and this is just my opinion - lends itself to being cinematic in some way, because it's a jukebox musical; the characters break into song only for the scene transitions.
I went to Bruges for a weekend away from London. I was supposed to be meeting a girl there the next day. It was a tentative arrangement. From the moment I saw the town, I thought, 'This place is just so cinematic, so gorgeous.' Every corner seemed to offer a new image.
In Hong Kong, particularly, we craft this art for decades. The action choreographer actually is the action director. He takes over and he choreographs with - by himself or with his team, and place the camera where he feels cinematic effect to bring out that choreography.
I don't really buy the death-drive thing too literally; it feels overly neat and convenient. But I am suspicious of fighting back being the dominant model for cinematic conflict and personal conflict and political conflict.
Even though there's a lot of horror from Asia in the American cinematic tradition, I hadn't seen Asians at the center of it.
As I started to develop as a director, I wanted to do projects that were inherently more cinematic, where the freight was not so much in the dialogue, where it would be carried more by the camera.
I use cinematic things in a theatrical way on stage, and in film I use theatrical techniques in a cinematic way.