Zitat des Tages von Pedro Almodovar:
All my movies are difficult to classify because they are very eclectic in mixing genres.
I think that the consciousness of passion makes you act very differently.
Cinema can fill in the empty spaces of your life and your loneliness.
With this silent film, I wanted to hide what was going on in the clinic. I wanted to cover it up in the best cinematic way and in an entertaining manner.
The challenge to me as a director was for the audience to see the film as going on in a straight line, so that they did not sense all of these break-ups. I did not want a film to be a collage of all these images.
I am partly not conscious of structure with my movies, but this is when I am writing. I leave my mind very free, and then I correct it after.
Cinema has become my life. I don't mean a parallel world, I mean my life itself. I sometimes have the impression that the daily reality is simply there to provide material for my next film.
I don't want to imitate life in movies; I want to represent it. And in that representation, you use the colors you feel, and sometimes they are fake colors. But always it's to show one emotion.
For there to be communication within a couple, it is enough for there to be only one person who communicates or who really wants to communicate. Even though a couple consists of two people, if one of the people in a couple puts all their effort into moving a couple along they will move along.
I also wanted to express the strength of cinema to hide reality, while being entertaining. Cinema can fill in the empty spaces of your life and your loneliness.
Before shooting, I prepare with the actors much more like it's a theater play than a movie. Apparently, that way of working is very unusual.
The silent film has a lot of meanings. The first part of the film is comic. It represents the burlesque feel of those silent films. But I think that the second part of the film is full of tenderness and emotion.
It's a pity that I can never really enjoy my movies because, after the mixing, your capacity as a spectator just disappears. I have to think about what I felt just before the mixing.
The Flower of My Secret is definitely more based in true emotions. I also wanted to make something more realistic, but not naturalistic or simple.
I think my films are always political, even if I don't put explicitly political things in them.
Whenever I arrive on a real location, I have to move around and work out what the best angles are going to be. When I was moving around with the lens, I discovered things that the naked eye would not have.
If I had not been successful as a director, then I'm sure I would still be telling stories. I would have continued on 16mm or found a different medium through which to tell them.
I used this line to demonstrate how important colors are in movies: It's not a caprice.
I think decor says a lot about someone's social position, their taste, their sensibility, their work - and also about the aesthetic way I have chosen to tell their story.
In fact, it was the women in our house who were in the saddle. If men are the gods, women are not only the presidents but all the ministers of the government.
After the enormous success of All About my Mother, all the awards and everything, I wanted to start a movie in exactly the same place that I used to be before. I wanted to show that all of the success had not changed my perception.
Cukor is one of my favorite directors. He was a master at directing women.
Even though I love my mother, I didn't want to make an idealized portrait of her. I'm fascinated more by her defects - they are funnier than her other qualities.
I think that there is always a part of utopia in any romantic relationship.
The problem is that I work in more than one genre. It's impossible for me to aim for a single one because, for me, comedy is mixed with tragedy. That's very Spanish, the way in which comedy and tragedy are inextricable from each other.
If I make a movie in English, the money will come from Europe, so that I can keep my independence and freedom. The way they produce in Hollywood doesn't fit me.
You can make a thousand different movies about the same subject.
I'm an artist, and I'm part of every decision in a movie.
The life I live due to my work is difficult to share.
My first memory is of the eyes of my brother; he was looking at me all the time.
The 1980s really ended for me in 1992 with the film Kika.
There's something about uninterrupted singing that just doesn't work for me, because at some point, I need my characters to talk. Without meaning to offend anyone, a musical like 'Les Miserables' would be the last thing I'd ever be interested in.
All my movies have an autobiographical dimension, but that is indirectly, through the personages. In fact, I am behind everything that happens and that is said, but I am never talking about myself in first person singular.