I feel, as an adult, I'm very similar to how I was as a pre-teen. Maybe it's a case of arrested development, but I feel like it's easy to slip back into those shoes, and I feel like if we were all magically transported back to our middle school years, we'd all act like we did in middle school.
It is every parent's nightmare when a child is in trouble with the law. As a parent, you can do your best to guide young people, but as adults, they make their own choices and live with the consequences of those decisions.
When 'Watchmen' was published in 1986, the vast majority of comics readers deemed it a watershed in comics history. The 12-part serial comic book was widely acclaimed as a genius subversion of the superhero genre, and it did much to popularize comics to adults.
I think the next thing I publish will be for children, but I don't really want to be held to that because I also know what my next book for adults will be, and I really like that, too, so it depends. I've always had more than one thing going.
Growing up as a singer, and a cast member, and now as an adult, a songwriter, I get the luxury of choosing the kinds of songs that I want to sing, because I'll write, you know, hundreds of songs. Even though only 12 appear on the album. That's 12 that I've chosen to sing of my catalog.
We expect forty-year-olds to have grown up at some point, and to be engaged and adult and take responsibility, and doing nothing would seem to go against that.
Yeah I grew up in the public eye. I became a man in the public eye, which is kind of a bizarre thing to come to terms with. Now I'm in my late 20s and I was in my early 20s when I became recognizable. But I think 'Moneyball' represents a very strong shift in my career and becoming an adult and a man.
I had been terrified of Halloween my entire adult life. Loved it as a kid, but the minute I got out of college, there were little kids at my door demanding candy, which, No. 1, I couldn't afford, and, No. 2, if I had candy, it would be mine.
The only lethal terrorist to immigrate to the United States as an adult and conduct an attack shortly after arriving is Tashfeen Malik, who was born in Pakistan.
My thing is, I know kids cuss, they do their thing, but I tell my kids, 'Don't do it in earshot of any adults, or you're in trouble.'
One of the things I wanted to do with my own books was bridge the gap between 'Goosebumps' and adult horror.
Wall Street has played a role in everyone's life, and it has been vilified by everyone, but I think that the average trader didn't have a sense of what was coming. The culture is so vacuous, it's possible to come to it straight out of college and never have a real adult life, even if you have the wife and kids.
Both 'Consenting Adults' and 'Glengarry Glen Ross' revolve around the economic stresses of the '90s. They are about what people do when they're pushed against that wall, and how they're manipulated. They are both morality tales, though in very different genres.
I like Disney stuff. No-one looks at 'Toy Story' and says,' Oh, that's just for kids.' Why is it that games can only appeal to a certain audience, but movies and books - I mean, how many adults read 'Harry Potter?'
Most people have to learn the words to the National Anthem before they sing it. I learned these words when I was a child in elementary school, so this is something that's been embedded in me ever since I was an adult.
Writing for adults and writing for young people is really not that different. As a reporter, I have always tried to write as clearly and simply as possible. I like clean, unadorned writing. So writing for a younger audience was largely an exercise in making my prose even more clear and direct, and in avoiding complicated digressions.
Experiments show that children in unsupervised groups are capable of answering questions many years ahead of the material they're learning in school. In fact, they seem to enjoy the absence of adult supervision, and they are very confident of finding the right answer.
Life isn't so complicated for children. They have more time to think about the really important things. That's why I occasionally moralise in my children's books in a way I wouldn't dare when writing for adults.
Every adult, whether he is a follower or a leader, a member of a mass or of an elite, was once a child. He was once small. A sense of smallness forms a substratum in his mind, ineradicably. His triumphs will be measured against this smallness; his defeats will substantiate it.
I'm for absolute autonomy of the individual, and an adult, competent woman has absolute autonomy. It's her choice.
My foray into young adult lit was by no means planned. I wrote the first 'Alfred Kropp' book as an adult novel, which everyone loved but no one would publish - until I changed my protagonist from a thirty-something P.I. into a 15-year-old kid. After that, it was off to the races, and I am so glad.
I'm a truly loved kid, and hopefully it will make me a happier adult.
If you get a personal genome, you should be able to get personal cell lines, stem cell derived from your adult tissues, that allow you to bring together synthetic biology and the sequencing so that you can repair parts of your body as you age or repair things that were inherited disorders.
That whole business of having two homes, and that divided loyalty bind that kids get into. I mean, my parents were divorced - though I was adult - but I still grappled with being responsible to both of them.
I think the Supreme Court does have the authority, which is not used, to declare a blanket right for all people, all adults.
I think part of being an adult is leaving the fairytale behind.
When it comes to acting, I've always had a passion for entertaining and for making people laugh. On the music side, I really want to come out as an artist because I want people to see who I really am... artistically, I tend to be drawn to the darker things. What the music will be able to do is show people that I am an adult now.
Most children tell themselves stories in which they figure as powerful figures, enjoying the pleasures not only of the adult world as they conceive it but of a world of wonders unlike dull reality.
I have a spot on the horizon that I'm trying to hit: To write and direct adult dramedies. First of all, there's really not a big market for them. Second of all, it's like cracking a diamond. You've got to do it right.
You have to remember I've been working with adults since I was 12 - they were my peers, and it has an effect, for sure.
Leaving Nickelodeon was definitely an adjustment. Because then, it was back to the real world of, 'Now I'm an adult looking for a job,' as opposed to a kid that's getting introduced to all these people like, 'Look how cute this little kid is. Don't you want to put him on your show?'
Teen movies often have an unspoken underlying premise in which high school is seen as less serious than the adult world. But when your head is encased in that microcosm it's the most serious time of your life.
You should wear what you want to wear and not worry about trying to paint yourself in a certain image because that self-awareness is what's going to help you become a more independent and more interesting and healthier adult.
As an adult, you think of yourself as being someone else when you're away from your family, but when you come back to your family, you suddenly find yourself back in the exact same role that you always had in your family as a child and as a teenager.
I am actually a bit chubby, and I eat everything. I eat in a way - if my parents fed me the way I choose to eat as an adult, they would've lost custody.
I really just don't think that teenagers and adults are maybe as different as people think, and so the best roles, to me, are treated like real people and not like these 'crazy kids we don't know what to do with.'
