Zitat des Tages von Rian Johnson:
My favorite sci-fi always uses its hook to amplify some bigger theme or idea - some emotional thrust.
With 'Brick,' I wrote the script when I was 23 and didn't make the movie until I was 30.
With 'Brick,' the style with language and the way it was shot was to create a world obviously elevated from the very first frame above a typical high school.
I just don't think CGI is up to manipulating the human face yet. I feel like you can get away with it with aliens or monsters or something that's intentionally foreign, but I have yet to see anything digital to do with the human face that doesn't just look ridiculous.
'Star Wars' boils down to the transition from adolescence into adulthood.
Unlike some of the time-travel movies I love, like 'Primer' or '12 Monkeys,' 'Looper' is not about time travel. It's about this situation that time travel creates and the people dealing with that situation. So narratively, the big challenge was to have time travel get out of the way.
Even if I had $200 million, I'm very wary of overusing CGI. I think it's a great tool and it can be used really effectively, but I feel like it does tend to be overused and especially in sci-fi stuff.
As to whether Luke is the 'Last Jedi,' they say in 'The Force Awakens' he's going to find the last Jedi temple and Luke is the last Jedi.
Showing your movie to an audience... it's like your kid doing a piano recital. 'Just let it not fail. Please.'
I feel like people want to be surprised when they get out of the movies. They want something thrown at them they didn't expect. They want stuff that reminds them of the feelings that you get when you're watching art house movies but with the fun of like a big summer movie. That's the goal, I guess.
'Game of Thrones' is just incredible, what they pull off every week.
With 'Brick' there was the Dashiell Hammett influence, and with 'Brothers Bloom' there was a really strong Fellini influence - both those movies wore that on their sleeve.
I was a musical theater kid in high school.
Writing Kylo Ren is just so much fun.
It was so emotional to step onto the Millennium Falcon set because that was the play set we all had when we were kids. Suddenly, you were standing in the real thing. There's this rush of unreality about it.
I grew up having a sense of who Luke Skywalker is.
Ray Bradbury was the first author that I was really exposed to back in grade school. I'm a big Philip K. Dick fan, but the emotion and humanity that Bradbury brings to his stories and the way he uses sci-fi to get at the human heart is something that's unique and for me incredibly influential.
All my favorite movies are somebody else's least favorite movie.
I bristle a little when the argument for film gets put into the nostalgia ghetto. Film is still the highest quality and best-looking image capture medium available. I don't think it always will be. The digital image will get better, and it will eventually surpass the quality of the film image, but it isn't there yet.
Teen movies often have an unspoken underlying premise in which high school is seen as less serious than the adult world. But when your head is encased in that microcosm it's the most serious time of your life.
Well, you know, we all grew up as 'Star Wars' fans.
In almost the same way you know what your grandmother looks and sounds like, you know what Bruce Willis looks and sounds like.
It's so much work to make a movie, and for me it has to get me off my butt. To get me actually writing you have to strike something inside, you have to hit a power main to get the energy. You have to strike something you care about.