Cinema is my religion. It is a way to make people sensitive, through emotions. To make them feel, experience empathy. People are touched and act ethically when they are emotionally touched.
Positive social emotions like compassion and empathy are generally good for us, and we want to encourage them. But do we know how to most reliably raise children to care about the suffering of other people? I'm not sure we do.
Women are just so much tougher and more patient than men are - their capacity for empathy blows me away. And their capacity to deal with stress for long periods of time is also kind of awe inspiring.
As authors, most - most authors, our art is portraying the human condition. Trying to show you what it's like to be somebody else, trying to make you feel for somebody else. That means you have to have a high degree of empathy.
Insects are living metaphors for me. They are so alien and so remote and so perfect, but also they are emotionless; they don't have any human or mammalian instincts. They'll eat their young at the drop of a hat; they can eat your house! There's no empathy - none.
When you show deep empathy toward others, their defensive energy goes down, and positive energy replaces it. That's when you can get more creative in solving problems.
Throughout my career as a lawyer, teacher and labor leader, books have remained my constant companion - stuffed into a briefcase, overflowing on my bedside table, stacked on my desk at work. Books have carried me to distant worlds, opened new doors and made me feel empathy, compassion, anger, fear, joy, acceptance - and everything in between.
I cry a lot when I feel empathy. I can feel heartbroken by life, and I cry quite easily, sometimes for no reason. It's healthy, I think.
I've been fascinated by the idea that evil is the absence of empathy.
The mobile revolution has dramatically changed our world view, empowered women, and increased our empathy. Corrupt governments have been toppled and wars avoided because our species has become so digitally connected.
The only time the private parts of someone's life are relevant is when they're affecting public performance. And just because someone is a public person doesn't mean that any part of his or her private life is open to scrutiny. If someone is doing his or her job, you have to have enough empathy to understand that we all have personal problems.
If evil is empathy erosion, and empathy erosion is a form of illness, then evil turns out to be nothing more than a particularly awful psychological disorder.
The Lord is well aware of our mortality. He knows our weaknesses. He understands the challenges of our everyday lives. He has great empathy for the temptations of earthly appetites and passions.
I am aware of the sufferings of women in India, which is also the suffering of women in many, many countries on our planet. My heart is filled with empathy and love for them.
We seek to craft characters who inspire empathy: characters our audience will care for and, as a result, will care about what happens to them and thus will share the journey we have charted. A story, after all, is the character's journey.
Bottom 10 Percent progressives are not enthusiastic about concentrations of wealth. But that's not what keeps them up at night. Their focus is on deprivation and lack of opportunity. They're motivated by empathy for people who are suffering, rather than outrage over unjustified wealth.
When you hear about what someone else is going through, and you are unable to distance yourself from it or in any way muzzle your empathy and are inspired to actually do something, these are moments to learn from.
As you get older you have more respect and empathy for your parents. Now I have a great relationship with both of them.
Empathy is what obsesses me. And watching empathy recede in the world is terrifying.
I think art, especially literature, has the particular power to immerse the viewer or reader into another world. This is especially powerful in literature, when a reader lives the experience of the characters. So if the characters are human and real enough, then readers will feel empathy for them.
My job is to have empathy and curiosity for things that I've never done. Also, I'm a person whom people talk to.
When I came to the last line of 'Car Crash While Hitchhiking,' I read it as a pitiless statement of indifference: a refusal to warn the family of their impending collision, a refusal to help when miraculously spared, a refusal to act on the empathy hiding behind the story's language.
The Torah is the foundational text for Jewish law, but the Haggadah is our book of living memory. We are not merely telling a story here. We are being called to a radical act of empathy. Here we are, embarking on an ancient, perennial attempt to give human lives - our lives - dignity.
I have always worked from that place, that if you are going to inhabit someone and get under their eyes, you need to have empathy.
I worry that if whatever pops into your head at any instant immediately goes online, you lose the crucial time for your thoughts to simmer and evolve and build up nuance, depth and empathy.
Empathy is a tool for building people into groups, for allowing us to function as more than self-obsessed individuals.
Clevelanders care about underdogs, partly because we are, partly because we have empathy, and we're - we have faith in our God and faith in humanity, and that makes us support the underdog.
I think that's an incredible thing that we can do as actors - to feel empathy toward someone that you may otherwise detest, you know?
I have a great deal of empathy for anyone who's having a hard time. I believe this ability to see another's viewpoint has served me well as a writer.
Empathy is why entertainment is always growing, and for millennials, everyone is judging them and trying to grab their attention by insulting them. We're living in a time where everyone has 25 profiles, and they're having 25 conversations.
It's very difficult to design something for someone if you have no empathy.
Now, I admire The Sims as a game, but from a story viewpoint, there are two glaring problems. First, your relationship with those characters is like they're bugs in a jar. There's no empathy. And secondly, you've got this clunky, chemistry-set interface between you and them, with bars to show how tired or angry they are. It's all tell not show.