Humor is a very important thing. It is a natural predilection. It is an emotional release.
A lot of movies about artificial intelligence envision that AI's will be very intelligent but missing some key emotional qualities of humans and therefore turn out to be very dangerous.
When I got the part, I tried to remember Batman as I knew him when I was a kid - with emotional recall.
Insurance companies, government agencies, and the pharmaceutical industry all push for mental health care that is brief, intermittent, and focused on quick fixes, despite the fact that many people struggle with emotional difficulties that can only be addressed over time using special psychodynamic skills.
I'm not emotional about investments. Investing is something where you have to be purely rational and not let emotion affect your decision making - just the facts.
Facebook is studying emotional reaction to things and bringing you fewer of things you don't engage with and more of what you do.
When you're a young black man, you're not allowed to be emotional. One of the reasons I act is people pay me to be emotional.
Reclaiming the word 'fat' was the most empowering step in my progress. I stopped using it for insult or degradation and instead replaced it with truth, because the truth is that I am fat, and that's ok. So now when someone calls me fat, I agree, whereas before I would get embarrassed and emotional.
I want people to see that I'm a real person, I overreact, I cry, I'm emotional. If I come across as perfect and in control, that wouldn't be who I really am.
Leadership is all about emotional intelligence. Management is taught, while leadership is experienced.
I realized going back and writing and explaining in details the difficulties I had lived actually became emotional again. It's like therapy but sometimes therapy can be painful. But it's part of life and part of the autobiography so I'll have to finish it sooner or later.
Women are good at emotional things. We are emotional people. It is much harder to be cold and unemotional.
Rather than writing about international events, I write about individual lives. There is elation and sadness, death and birth, love and jealousy, co-operation and betrayal. All the great emotional transactions that happen wherever people come together.
Emotional life is - alongside work - one of the great challenges of existence and is a theme that I keep returning to.
In order to get a note out, I have to dig deep, and I mean that on an emotional level. To physically sing, I have to get somewhere deep before I can do it.
With marriage and fatherhood, I've finally found two fixed points in my life. They've taught me patience. They've also taught me that I don't need to feel guilty about being happy. My emotional seasons are less extreme.
'Supermodel' was a hard record for me; it was an emotional record to write. I was purging a lot of stuff with that album, and I think the one thing I didn't really consider, that I'd be supporting it for two years and living in that state of mind every night.
With every film, we form a small little world for a period of time. Everybody is close, and then one fine day everything is over. That can throw you off. So you have to learn to take things in your stride and not get too emotional about people or situations.
I play damaged people a lot. I'm a Cancer. And I say that tongue and cheek, but I wear my heart on my sleeve. I'm a very emotional woman.
I was listening to one of my favorite songs that Phil wrote and had an extreme emotional moment just before I got the news of his passing. I took that as a special spiritual message from Phil saying goodbye. Our love was and will always be deeper than any earthly differences we might have had.
'Bridget Jones' is meant to be a funny night out, but with emotional truth. I wanted to make it a classic that you can pick up in 10 years and not cringe over.
I like that in country, you can talk about what you want to talk about. You can entertain, yet you can have a spiritual side to you, also an emotional side.
Whenever you give a shot, the nervous energy in your stomach is the key to that emotional breakdown, that kick that is needed to perform.
I don't think there's any topic a writer should feel afraid of tackling just because it has already been discussed. If you feel you have a fresh perspective and an understanding of a certain emotional truth, it's always worth writing.
Fans are very emotional people, and when they have seen you with some people and they like your chemistry, they expect you to work with the same person again.
My husband and I were very different: I'm spontaneous and emotional; I'm loud - he was exactly the opposite. But you need to be flexible.
In a world where irony reigns, where you have to separate, protect and laugh at anything that is honest or has an emotional charge, I bet for catharsis. I like to invest emotionally in things. And catharsis, when it touches the emotional vein, can open the doors of even those who protect themselves.
Wine, like food, is so emotional. If you think about it, so much of the courting ritual is surrounded by wine and food. There's a built-in romance to wine.
At the heart of any successful film is a powerful story. And a story should be just that: a narrative with a beginning, middle, and end, powerful protagonists that audiences can identify with, and a dramatic arc that is able to capture and hold viewers' intellectual and emotional attention.
Individual storytelling is incredibly powerful. We as journalists know intuitively what scientists of the brain are discovering through brain scans, which is that emotional stories tend to open the portals, and that once there's a connection made, people are more open to rational arguments.
When you're used to looking through a stills lens and you have to capture an emotional moment, and that picture is not moving and yet it has to have impact, I think that's the first influence on my style.
The language can be different, but the emotional lives are the same no matter whether you're doing Shakespeare or Stoppard or something else... The emotional life is all the same.
My favorite part about Mare Barrow is her almost selfish survival instinct, as well as her increasingly gray morality. Her character arc in 'Glass Sword' is a lot deeper and more emotional than before, so I'm glad I got to write this sequel and that people want to read it.
Accepting Syrian refugees into the United States is an emotional issue.
Emotional intelligence is your ability to recognize and understand emotions in yourself and others, and your ability to use this awareness to manage your behavior and relationships.
I grew up in a family of strong women and I owe any capacity I have to understand women to my mother and big sister. They taught me to respect women in a way where I've always felt a strong emotional connection to women, which has also helped me in the way I approach my work as an actor.
