If you're ever bcc'd, do not go near 'reply all.' 'Bcc' is 'blind carbon copy.' It means you're a fly on the wall, dude! If you hit reply all, it's beyond bad etiquette to out the person who gave you the superpower of invisibility. It's like screaming, 'I'm a spy!'
If you take one rivet out of an airplane, it will be all right, it'll keep flying. You take another rivet out of the airplane and it still flies. So what the heck, let's take more rivets out of the airplane, and sooner or later, the airplane drops from the sky.
When I started out, I was very vociferously against theatre or what I saw theatre as being, so I tried to make my plays the opposite of that - something a bit more cinematic. I'm a film kid, so I'll never have the same love of theatre as I do of movies. It's just the way I was brought up.
I walk out my front door in New York and I'm out on the street and there are people everywhere. L.A. is so much more spread out, so it's really easy in L.A. to have a little more isolation and to just not see as many people.
I would argue that television and particularly the BBC were instrumental in puffing up the Royal Family to a level where they were inflated out of all, all proportion to their relevance on the national scene.
Oh, I constantly say things that I regret. I mortify myself constantly. But that's just part of the deal. I'm not really sure what's going to come out of my mouth.
You see a script, and you say, 'Oh, I can play the heck out of that,' talk to your agent, and he says they don't want to see you. That's heartbreaking.
I'm constantly trying to work on the person that I am and work on my shortcomings, and I guess I want people to know that it's ok to be a work in progress, as long as you keep trying to figure it out. But that search and that discovery is what makes life kind of rich, and it's what makes life rich... period.
Flattery and deceit are the darlings of great men, and so with these men spread the butter on thick, if you want to get something out of them, otherwise you'll come home to me with a full belly and an empty purse.
My turn of mind is so given to taking things in the absurd point of view, that it breaks out in spite of me every now and then.
I believe entertainment can aspire to be art, and can become art, but if you set out to make art you're an idiot.
I'm just going to be myself; there's no reason for me to try and go out there and put a certain facade on or emphasize, 'Hey, I'm this. You need to believe it.' I just want to be the best that I can be, and if people like me, that's great, and if they don't, they don't.
Where I came from, sports were the only way to get out front.
There is a lot of things out here that sometimes you don't realize because you're inside the circle, but once you're out, there's a lot of things that pop up, and you'd be surprised.
Putting out music as it's made, versus holding it until an album's finished, allows me to be more timely and maintain balance.
In America it's all, 'I'm gonna make something of myself, leave my tiny town and go to L.A!' Canadians are like, 'I'm gonna make something of myself, go to L.A., and then come right back again to hang out with my buddies!'
I think it's important to take a break, you know, from the public eye for a while, and give people a chance to miss you. I want longevity. I don't want to get out there and run myself ragged and spread myself thin.
If you ever get rich and famous, by definition you are special. You have done something special, and therefore you start to behave special. Then if the floor drops out, and you become down and out, you have a really new perspective.
I have to shoot and work out and play and discover all the time.
It's a very, very difficult space to operate in, the restaurant business-it requires a lot of human beings to intersect at just the right place to make it all work out.
Whenever I've chosen a song because it's clever, it's always turned out to be a mistake.
I moved from Kentucky to Miramar, Florida, at about 8. I think I was in second grade. I still had my Southern accent, and down there, you got to experience a melting pot in full fury. All the kids I hung out with were, like, Sicilian kids from Jersey and New York.
I say have the night and give people the awards, but why do people want to watch people win awards? What are they getting out of it? I don't quite get it. Because they have awards all the time; there's awards for butchers, the best meat served, but they don't televise it. I don't know why they do it for films or TV programs.
Someday they may cure MS, that idiot thing. It gets in there and they can't get it out.
Sometimes when I go out on the road, I feel almost embarrassed or dismayed because I can't be the image of what kids want me to be. So I just try to be myself, and usually that works out OK.
I could throw pretty hard. I might strike out 16 guys, but I might walk 10. I mean, I was wild.
A lot of stuff I do out of pure obsessiveness.
I was there less than a year before I was assigned to the Paris bureau. I spent two years there and, in fact, before I even went on the staff I was sent to Europe to do assignments which they wouldn't normally do for a young photographer just starting out.
My main wish is to get my books into other people's rooms, and to keep other people's books out of mine.
If we're not supposed to eat animals, how come they're made out of meat?
I have measured out my life with coffee spoons.
When good media takes a bounded form, and comes once in a period of time, it begs to be consumed as a whole - it creates an engaging experience. We don't dip in and out of an episode of 'Game of Thrones,' after all - we take it in as a whole. Why have we abandoned this concept when it comes to publications, simply because they exist online?
When I got out of college, I gave myself till I was 30 to invent a product. If I couldn't do it by then, I would just get a real job. And that fear - the fear of a real job - motivated me to be an entrepreneur.
I can't tell you how many board meetings I've been in where the CEO is anguished over the impacts on morale that cost cutting or layoffs will bring about. You know what hurts morale even more than cost-cutting and layoffs? Going out of business.
It's always best to stay out of other people's divorces. And their civil wars.
Don't corral me, and I'll always come home. Just let me go out and play during the day.