Every once in a while I run the Olympic downhill in Japan in my head. I think of how the energy is going to flow and then I make it all work for myself.
They see a work ethic in both of us. But, they also see that my husband is more in control of his future, and I am more reliant on other sources for my career.
I've been lucky. The critics never went out of their way to single me out for doing bad work.
These films however, have ambiguity built into them, because it's too easy in film to make a strident work of propaganda or advertising, which are really the same thing anyway, meaning the message is unmistakable.
I've taken a look back at my body of work and tried to deduce an essence, capturing aspects that reoccur. Reflecting on your own product can be difficult yet enthralling.
I never work out. I think it is boring, so I run.
New Year's resolutions generally don't work for me. Or I don't work for them. I make them, like everyone else, but I can't think of one I have stuck to for more than 24 hours.
I actually happened to be in Haiti right before the earthquake in 2010. I was there already with the organization I work with now, Artists for Peace and Justice, visiting the primary school that I had adopted, the Academy for Peace and Justice in Port-au-Prince. I came back, and within days, the earthquake happened.
I received an honorary doctorate for my work. Maybe one of these works is considered the equivalent of a Ph.D.
Integrate what you believe in every single area of your life. Take your heart to work and ask the most and best of everybody else, too.
The average husband enjoys the total effect of his home but is usually unable to contribute any of the details of work and organisation that make it enjoyable.
The critic is genius at one remove; he is not unlike an actor on the stage, and incarnates in his mind, as the actor embodies in his person, another's work; only thus does he understand art, realize it, know it; and having arrived at this, his task is done.
Sixty percent of all Indians live in urban areas, but nobody's writing about them. They're really an underrepresented population, and the ironic thing is very, very few of those we call Native American writers actually grew up on reservations, and yet most of their work is about reservations.
In judging other people's work, particularly short stories, I have noticed how novice writers tell the readers everything about their characters in the first paragraphs, disclose their motives, reveal their recent activities and their future intentions.
I want to talk to the audience. This is what I've been doing in my work in French forever - talking about small things becoming big problems. I notice all the details, all the tiny little things.
I don't read reviews, and it's not because I don't think I can learn something, I'm sure I could learn a lot. I just that I feel very passionately about the work and especially when you're doing theater, you really only need one director and when you read reviews, you feel like you have twelve, because you respond to them, naturally.
Luck? I don't know anything about luck. I've never banked on it and I'm afraid of people who do. Luck to me is something else: Hard work - and realizing what is opportunity and what isn't.
So much of it is the design of the shot or the motion of the character; it's the work you do so that it has the same things that are in the movie. In just a few frames it's got to communicate something clearly and dramatically.
I'm not in the clubs; I'm a homebody. I go out when I feel I have to for work or if there's a special function. You might catch me at the grocery store, but you won't see me out and about in Atlanta.
The best preparation for good work tomorrow is to do good work today.
We're taking on Social Security as a property rights issue. We figure that every single American has an absolute property right interest in the fruits of his or her own labor. What I work for should be my property.
Pitching is what you have best on the day you work, and if you can't get your fastball over the plate, then maybe you can win with your curve.
I see a lot of movies. I love films as a spectator, and that's never obscured by the part of me that does the work myself. I just love going to the movies.
To see two couples that are battling to make it work just shows that love is in a marriage, but there are also trials and things that you have to make it through and showing women and men how to keep it spicy.
My desk is an antique with bookshelves built into the side. I've turned the drawer over to hold a keyboard. We live in a 100-year-old house, and I work in an apartment above the carriage house.
I never thought I want to do anything, really, except not go to work properly and turn up at the same place every day and eat sandwiches in the same canteen, if I can possibly help it, as I don't think I'd be very good at it.
I love to work in all sorts of different situations.
In my professional work with the Agency, by the late '70s, I had come to question the value of a great deal of what we were doing, in terms of the intelligence agency's impact on American policy.
This was good training for research, because large parts of experimental work are sometimes boring or involve the use of skills in which one is not particularly gifted.
Back in the 1980s, the 'News of the World' had specialised in digging into the privacy of criminals. In the 1990s, enriched by the excavation of Princess Diana's volatile life, they had widened their work to mine the activities of any celebrity, any public figure.
People might not get all they work for in this world, but they must certainly work for all they get.
I love storytelling, I love being a visual person, and it just made perfect sense to be an underwater photographer and explore the ocean and work with scientists.
I've been watching the 'Richard Pryor Show' for NBC made during the '70s. I'm a big fan of his work.
And, I wouldn't consider myself to be a natural pilot; I've had to work at it.
For a black student to work in southwest Mississippi for example - or in the Delta in 1960, 1961, 1962 - was high-risk work.
You know, making a movie is a collaborative effort and sometimes all the ingredients don't work out. I know that every now and again I am going to make a movie that won't work.