I see martial arts as moving forms of meditation. When you're sparring or drilling techniques, you can't think of anything else.
The trapeze was my first love. To me, it's normal. It's all I've ever known. But when I see other people's upbringings, I think, 'Hmm... mine was rather unconventional. Quite different!'
I see these guys, they throw a guy into the ropes and they do a back flip and then clothesline the guy and it looks stupid. Why don't you just clothesline the guy?
We don't move on in the stunt unless it looks like a hit. So when I see it on TV, I'm generally satisfied that people are going to buy it.
I see people having fits because their coffee is too hot or their baked potato is too cold, or some random something is imperfect and somebody can be blamed for it. These people can fly off the handle and nobody says, 'Too much beef will do that to a person.' If it's a vegan: a clear case of alfalfa sprout poisoning.
I think that's what art is about: to provoke you. It helps me make sense of a senseless universe because I become the god of the story. I create it, and I see it in all its lineaments in my own way and can control it - in a world in which everything else is out of control.
I see my large nose, like half an avocado. I broke it falling downstairs when I was six, and it now resembles a large blob of play-dough.
I look at Jagger and the like and if I see a good attitude I'll admire it but I wouldn't copy their style.
I see by your letter to my father that you are rather afraid the French may invade England.
I don't think you should be allowed to eat in a restaurant if you haven't waited tables at least once. It's so irritating when I see people being rude to waiters, like, it makes me want to slit their throats! Like, really? You're really this inconsiderate?
The way I see it, if you're going to make an action movie, you've got to make one with John Woo.
What I don't like is when I see stuff that I know has had a lot of improv done or is playing around where there's no purpose to the scene other than to just be funny. What you don't want is funny scene, funny scene, funny scene, and now here's the epiphany scene and then the movie's over.
In my photography, color and composition are inseparable. I see in color.
I see dancehall reggae and hip-hop as fused together, When I was a kid, they were the two kinds of music that spoke to me and said 'Move!'
I look at modern life and I see people not taking responsibility for their lives. The temptation to blame, to find external causes to one's own issues is something that is particularly modern. I know that personally I find that sense of responsibility interesting.
I like to see things. I see a lot more art than I'd like to see. We have to be polite and see the art shows of people we know. We see a lot of art.
Every time I see Peter Falk in the movie I think that would be great. We'd be fun together.
I like to keep a bottle of stimulant handy in case I see a snake, which I also keep handy.
When I grew up Carl Lewis was still running, Maurice Greene was running - he was that figure I see, like Michael Johnson. I really wanted to look up to the fast guys - so those two guys were some of the guys I looked up to.
We need to go beyond saying, 'I know what these games do because I see my son playing them,' and try to understand the complexities - that different video games have different effects.
Some say economics has all kinds of good tools and techniques, but it has an absence of interesting problems. I look around the world, and I see all kinds of interesting, important problems we ought to solve with the tools we have.
I don't see people. I don't see men and women at all. When I see them, I see... their mothers and fathers. I see how old they are inside. Like when I look at the president, or anybody in a record company, or a store owner, I may see a little boy behind the counter with the face of an old man. And that's who I talk to.
I see and write things first as an artist, second as a woman, and third as a New Yorker. All three have built-in perspectives that aren't neutral.
I think I do my own thing. I start my own trends. I see a lot of girls doing what I've been doing. Pink. Nobody wore pink, and now everybody wears it. It's flattering.
Been in this game one-hundred years, but I see new ways to lose 'em I never knew existed before.
Generally I draw every day just to keep my hand in. I draw while I'm sitting on the Tube or in restaurants. Just doodling things and people I see.
I see only defects because I'm not following the scene as it were. I'm not following the other person. It's like the best thing to clarify this is the theater.
My life has been a continuous fulfillment of dreams. It appears that everything I saw and did has a new, and perhaps, more significant meaning, every time I see it. The earth is good. It is a privilege to live thereon.
I just love doing costume dramas; I am very lucky, as I see myself as a part-time time traveller.
We live in an age where the artist is forgotten. He is a researcher. I see myself that way.
I see myself traveling; I see myself with a much bigger living space than I do have right now. I see myself hopefully on a tour bus at some point.
I am one of those people who are blessed, or cursed, with a nature which has to interfere. If I see a thing that needs doing I do it.
When I see a film I've finished, it's like another person made it. Like another mind.
Sometimes when I walk into a gallery and I see someone's work, I think to myself, 'Gee, I wish I had done that.'
I don't call myself a very good Christian, but I think I know one when I see one, and I also think I know when I don't.
I see myself being married to my girlfriend and backpacking all over the world. If I can go out and do a 15-mile hike and climb a 12,000-ft. peak, I'm good to go.
