In order to figure this artmaking stuff out, it's trial and error and experimentation, and takes some time and hard thinking. Putting work out in many forms and stages is an extension of how I see things. I feel the art process is best served when it invites comments and constructive criticism from people.
When I see the Ten Most Wanted Lists... I always have this thought: If we'd made them feel wanted earlier, they wouldn't be wanted now.
It's a big pay off when I see a woman wearing my stuff. It's really gratifying.
The purpose of satire has been rightly stated as to strip off the veneer of comforting illusion and cosy half truth, and our job, as I see it, is to put it back again!
Wherever I look, I see signs of the commandment to honor one's parents and nowhere of a commandment that calls for the respect of a child.
I've got a fantastic life. I enjoy what I do for a living. I see the blessings; I'm not blind.
Unfortunately, we are living in an era where plenty of songs with vulgar, objectionable lyrics are also becoming popular. It's a disturbing trend, and I feel really sad when I see small kids dancing to such numbers in television shows. In my career so far, I have refused any song whose lyrics I haven't been comfortable with.
I think Jennifer Lawrence is a brilliant role model for young girls, not some of the models that I see on the runway.
I am incrementally a pessimist, but I see the international debate that Edward Snowden has engendered, and I think this is exactly where the discussion should be. So, I would say I'm more optimistic than pessimistic.
When I see other people out there, involved, and really giving their time and effort for the kids, then I don't mind giving my time and effort for the kids as well.
I am thrilled - I can't stress that enough - thrilled when I see kids getting active.
When I read a script or I see a character, I don't necessarily see the arc of her, that by the end she is this person, she's different from she was in the beginning. I guess it's more a subconscious understanding of that arc.
Prim and proper white women, I like what I see.
I feel old when I see mousse in my opponent's hair.
Our foreign policy has made a wreck of this planet. I'm always in Africa... And when I go to these places I see American policy written on the walls of oppression everywhere.
I see people who die a few minutes after a doctor tells them there is no hope of a cure. They give up and go. Others get angry and find joy in proving the doctor wrong. Something within them is challenged and hopeful. Hope is the divine motivator.
As I see it, my focus has never been on masculine power rampant and triumphant but rather on the antithesis: masculine power impaired.
Sexism, like racism, goes with us into the next century. I see class warfare as overshadowing both.
Next time I see you, remind me not to talk to you.
Talking, talking. Spinning a web of words, pale walls of dreams, between myself and all I see.
I see this rise in rough sleeping and homelessness - in one of the wealthiest cities in the world - as a growing source of shame. And as Londoners, as a city, and as a country, I believe we have a moral duty to tackle it head-on.
I write a book over a period of months or years, and when I'm done with it, usually another year goes by before I see it in print. It's hard to be patient and wait.
I see bits and pieces of me in all the characters in my films.
I see everybody arguing about what the value of music should be instead of what I think the bigger conversation is, which is that music has value, it's subjective and we're moving to a new era where the audience is taking more responsibility for supporting artists at whatever level.
I see songs not as a commodity used up when the album goes off the charts, which is often the case with pop songs. I see them as a body of work. Life should be breathed into them.
I see a resurgence of interest in poetry. I am less optimistic about the prospects for the arts when it comes to federal funding.
I see any production of any nature being good for the development of the whole industry.
I see a lot of patterns in our behavior as a nation that parallel a lot of other historical processes.
I have confidence in mining. I see exciting opportunities in it.
As I see it, my job has always been to champion the work of the authors I publish.
I see nothing easy in Washington. I see either analytically simple things that are politically complex or those that are politically complex and analytically complex. I mean, look at immigration reform, you know? It is, I think, analytically easy, but politically very, very complex and very difficult.
Certainly, I, as an audience, am stricken with terror if I see only two people onstage. And one person, I think, is even harder for people to take.
For some reason, I seem to be bothered whenever I see acts of injustice and assaults on people's civil liberties. I imagine what I write in the future will follow in that vein. Whether it's fiction or non-fiction.
As I see with Lori's testimony, you say what good could come out of all these abortions and all what she's been through? But she has been a part of a new Bible for women, a mentoring Bible.
When I see a fighter gets into the ring, I not only see the fighter, but I see his wife and children. I care about what happens to them. I care about what happens to that fighter after he gets out of the ring.
I see this fella built like a barn door... and there's all these fox hunters, who didn't like me, screaming and shouting and as I walked past him I looked at him and he hit me with something.
