Zitat des Tages über 1930er Jahre / 1930s:
The 1930s was a funny time. People knew they might not live for another six months, so if they were attracted to one another, there was no time to dawdle.
If you think of the 1930s in film as the decade of Gable and Lombard, Cagney and Harlow, Stanwyck and the Marx Brothers, think again. The biggest star - No. 1 in the 1936, '37 and '38 exhibitor polls - was a three-time box-office champ before she was 10. Shirley Temple, singer, dancer, and prime exemplar of Movie Cute, owned the '30s.
Indeed, the FHA was born out of the Great Depression, which was also caused in significant part by a foreclosure crisis. Mortgages in the early 1930s were mostly three- to five-year 'bullet' loans, which did not amortize and were due in full at maturity.
In the 1920s and 1930s, scientists from both the political left and right would not have found the idea of designer babies particularly dangerous - though, of course, they would not have used that phrase.
As an American man of the 1990s writing about a Japanese woman of the 1930s, I needed to cross three cultural divides - man to woman, American to Japanese, and present to past.
I'm not too fond of really cool design. I've got quite kitsch taste really, in things like tableware. I'm quite a sucker for 1930s pressed glass.
I was very influenced by the musicals and romantic comedies of the 1930s. I admired Gene Harlow and such, which probably explains why, since the end of my marriage, I've dated nothing but a succession of blondes.
I was the governor that drew a tough, tough straw. I was governor during the worst recession since the 1930s, and I had to cut $5 billion from the state budget.
I think I would like to have lived in the 1930s and worn beautiful bias cut dresses all the time.
Two of my theatres are 1930s and the other five are by Sprague, the greatest Edwardian architect of the lot. They've needed a lot of work doing to them but they were built very well.
It was not possible to film in California, because all the areas are heavily built up now. Coming to Cape Town is an invitation to step into the past and recreate Los Angeles of the 1930s.
I know some things when I start. I know, let's say, that the play is going to be a 1970s or a 1930s play, and it's going to be about a piano, but that's it. I slowly discover who the characters are as I go along.
The securities laws of the 1930s were so important because it forced companies to file registration statements and issue prospectuses, and it remedied the imbalance of information.
Open a magazine from the 1930s and '40s and look at the illustrations in it. There's nobody alive that could touch the way they could draw back then.
Louie and Seabiscuit were both Californians and both on the sports pages in the 1930s. I was fascinated. When I learned about his World War II experiences, I thought, 'If this guy is still alive, I want to meet him.'
I lived for four years in the 1930s with these individuals and the only time that I wasn't thinking about dealing with physical suffering is when I was working on this book. I've never been more alive as when I worked on this book.
I was a hard-times governor. I had to steer my state through the deepest recession since the 1930s. But hey, tough times don't last and tough people do. And can I tell you that Virginians are tough people? We are tough people.
Every day it seems more likely that we are destined - or should one say doomed? - to replay the disastrous economic history of the 1930s.
The cinema I particularly love is the cinema of the golden age of the studios in the 1930s. One of the really nice things about it was the way teams of actors and directors and crew people worked together again and again.
The generous way of putting it is that we were not ready for this. The less generous way is to say: How was it possible to return to the politics of appeasement of the 1930s?
The dominant economic approach of the last thirty years is now on its last legs. Letting the market rip and an indifference to inequality are now seen as important causes of the greatest economic crash since the 1930s.
My mother had been educated at a convent, and she had been converted to communism by my father during Stalin's most rampant period, at the beginning of the 1930s. So she had two gods, God in heaven and god on earth.
Redistribution of wealth would require enormous amounts of investment. The only time an elite has accepted this has been during crises, such as in America in the 1930s under Roosevelt.
My parents were children during the Great Depression of the 1930s, and it scarred them. Especially my father, who saw destitution in his Brooklyn, New York neighborhood; adults standing in so called 'bread lines,' children begging in the streets.
The threat today is not that of the 1930s. It's not big powers going to war with each other. The ravages which fundamentalist political ideology inflicted on the 20th century are memories. The Cold war is over. Europe is at peace, if not always diplomatically.
The 1920s and 1930s were a period of sensational productivity growth: new products were springing up all over the place, and most of those new products and new methods were developed by people who started their own companies.
It's strange because even in the vaudeville days, ventriloquists were never the main attraction. They were the guys brought out to stand in front of the curtain while sets were being changed. Ventriloquism wasn't even celebrated as an art until Edgar Bergen came along in the 1930s.
My grandmother was a minister as well, which was not that common in the 1930s.
A number of years ago, I found a book of photography by Weegee; he was a crime photographer in the 1930s in New York. He was the first person to put a police scanner in a car and drive around.
I come from a family of writers. My mom had been a writer, nonfiction books, and her mother was a playwright in the 1930s and '40s. And my twin brother, Alexi, is a writer on 'The Following.'
When I started out in the early 1930s, there were a great many magazines that published short stories. Unfortunately, the short-story market has dwindled to almost nothing.
In 1930s mysteries, all sorts of motives were credible which aren't credible today, especially motives of preventing guilty sexual secrets from coming out. Nowadays, people sell their guilty sexual secrets.
I wrote my graduate thesis at New York University on hard-boiled fiction from the 1930s and 1940s, so, for about two years, I read nothing but Raymond Chandler, Dashiell Hammett, James Cain and Chester Himes. I developed such a love for this kind of writing.
Americans who grew up in the 1930s or 1940s still have some fleeting memory of what the country was like before it became the steroidal superpower it is today.
My father was an Episcopal minister, and for 14 years my family lived in China, in a city called Wuchang. We four children spoke Chinese before we spoke English. We left when the communists came, in the early 1930s. I was about 5 years old.
My grandmother was energetic and fearless - a talented poet and songwriter. She was also interested in chemistry and history and medicine, taking care of the people in her hacienda in Mexico, delivering babies. She could have become anything, but this was the 1930s, and she was forced into an arranged marriage.