I find Washington audiences are basically the same as every other audience; they watch me and go, 'Who's idea was it to go see him? And is it too late to ask for my money back?'
We make films that we ourselves would want to see and then hope that other people would want to see it. If you try to analyze audiences or think there's some sophisticated recipe for success, then I think you are doomed. You're making it too complicated.
The American audiences are more vocal and enthusiastic. British audiences tend to sit back a little more.
I'm not focused on radio or whether I'm going to get all the audiences... all I wanted were great songs that were universal to any listener - Black, White, Green, Yellow; any kind a age difference.
I know two kinds of audiences only - one coughing, and one not coughing.
I want to do what I want when I want to do it not be dictated to by audiences.
Tony Stark in 'Iron Man' helped wider audiences finally embrace the enormous talent of Robert Downey Jr.
Life in cyberspace is often conducted in primitive frontier conditions, but it is a life which, at its best, is more egalitarian than elitist and more decentralized than hierarchical. It serves individuals and communities, not mass audiences, and it is extraordinarily multi-faceted in the purposes to which it is put.
At this stage, what would be rewarding would be for audiences to want to watch.
Insight into character comes from listening intently to the spoken word. The physical person, their charisma, charm and dramatic flair is more often used to persuade audiences, as they use these stealth tools of disguise and deception.
I find it odd seeing a DJ playing to huge audiences. I know that people have been doing it for a while, but the fact that it's been embraced so much in America now and it's become like this new, big thing, I find it slightly odd.
My audiences have given me lots of love as a tennis player. I hope they appreciate my passion for acting.
A stand-up comedian faces the audiences and gets their immediate feedback. I hide behind the comic strip, and unless people write to me, I don't know what they think.
I think that will be a lot of fun for audiences to get the same stream of consciousness that was going through my head at the time. It was very exciting to suddenly recall what I was feeling at the time.
Suddenly, the screens were dominated by American entertainment to the extent of something like 95 percent. As a result, audiences turned away from the kinds of films that we used to make.
If something is successful with the audience, it's automatically suspect; the reverse is to say that not to reach audiences is the greatest compliment an artist can receive!
I'm always aware of who my core audiences are and I serve that niche.
It's always an inner wish of every actor to reach out to maximum audiences.
I don't make movies because I think audiences will want to go see them.
I think audiences ultimately want something new. I think the business model for a franchise is such that it's very low risk because you have data and studios love data.
Some people think big audiences are crass and that, say, a comedy that appeals to a wide audience is pandering. Other people would argue that you could say that about Moliere.
Having big audiences when you're on a book tour is like Valhalla if you're a person who used to sell Girl Scout cookies on the side. Because you want to give the reading that will sell the most books.
It gets harder and harder to succeed and find audiences with the 500-channel universe, the remote control, and people being so trigger happy with that remote control. It just gets harder to get a foothold.
We are pushing ahead as fast as we can for all audiences, whether for the business user, the child, or the digital music enthusiast.
Telugu audiences love cinema. They won't let a good film down, and they've proved this with the way they accepted 'Srimanthudu.'
We showed the industry that female artists could attract the same audiences as the big male stars.
All audiences should be slightly off balance.
I don't try to show off technology in my work. The technology is a means to tell stories, so I think conversations about my work can be had by very large audiences.
I don't pay attention to target audiences and therefore I often hear that I am a ratings killer, somebody who fundamentally doesn't care whether one person is watching or an entire soccer stadium.
There are always new things to experience, internalize then write about. This process is ongoing with me. It never stops. The opportunity to reach new audiences with all of the music that we have made is thrilling.
I never write down to my audiences. I respect honest sentiment and honest pratfalls.
You look back on films sometimes and if they have not been as all-out successful as you anticipated you try to find reasons why maybe it didn't come off for audiences as well as you would have liked.
I make movies that audiences like, that I'd want to see. That's all.
If audiences are sort of interested in movies that are made like McDonald's hamburgers, which do have a value in the world, then we have to re-evaluate our entire career.
Ethnic sensitivity both on-camera and behind it demonstrates a corporate understanding of the benefits of diversity and a genuine respect for the audiences' needs.
On stage, generally speaking, the story is stopped or held back by songs, because that's the convention. Audiences enjoy the song and the singer, that's the point.
