I'm a big fan of being scared I like being scared. I like being involved in a film that will make audiences scared, that intrigues me.
I would not want to be a part of any project that I feel would not work. An actor like me always wants to work to get appreciation of the audiences. And appreciation can only come if people will come to watch the film.
For an actor, it's great fun to play one of these hungry white sharks. Audiences love to hate them.
The secret sauce of the business that I can offer is my creativity, and in order to keep my creativity alive and fresh, I have to pretend that no one is watching the show, that there are no audiences, there are no ratings; I'm just telling a story.
I've heard people say, 'There are no bad audiences,' but that's just not true. There are people who just shouldn't be together in a room, who produce a really bad audience.
It works in the comic book, but as the audiences have gotten older and more sophisticated, I think the stories need to grow up with them. This is a story about a couple of rival gangs and what goes wrong in a couple of days.
I tell stories about people audiences might think they have nothing in common with, then they emotionally connect with them and find they're not different at all.
Though I am still very vulnerable to audiences - and it happens all the time - where for some reason the energy doesn't connect and, since the film is very personal, obviously I am made to feel very vulnerable by that.
I don't enjoy British shows as a rule because British audiences are strange.
Arjun is very close to my heart, and even the audiences associate me with the character.
Our films have the ability to tell global audiences who we are, and this is something the government should feel compelled to protect. My film, 'Bend it Like Beckham,' for example, would not have been made without the backing and support of the U.K. Film Council.
In day-to-day commerce, television is not so much interested in the business of communications as in the business of delivering audiences to advertisers. People are the merchandise, not the shows. The shows are merely the bait.
Apart from 'VIP' being a blockbuster movie, the various characters such as mine, the Luna bike I use in the movie, the lovable amma and appa, a pet dog named Harry Potter, the innocent brother, etc., had a huge reach among the audiences.
When audiences come to see us authors lecture, it is largely in the hope that we'll be funnier to look at than to read.
I have noticed a growth in demand from audiences to include more women of colour and women to be cast as significant roles in TV shows and movies.
Sylvester has a great popular sense, as good as any writer I've ever worked with. He knows what audiences want to see, and what they don't want to see.
The goal is to become the central hub of publishing, where we have all the written material - user-generated and professional. We want to be the place where people can publish instantly to their audiences... and to get there, it's just about doing things step by step.
If you look at my audiences, even in Europe, they're hardly teenagers.
Lenny Bruce is a very moral man trying to improve the world and trying to make audiences think.
He learned through the way that my father and I felt about his songs, his country songs, that they were great songs. And then he went out and sang them for the audiences that we found, and he found a tremendous reaction to that.
I tell public audiences, don't go to a podiatrist for brain surgery; don't go to an astronomer for planetary science.
The quality of CGI, audiences are now so used to it. They don't know what is CGI and what is real.
Suddenly we saw that you could do plays about real life, and people had been doing them for some time, but they weren't always getting to the audiences. They were performed in little, tiny, theatres.
All we try and do is make the best films we can. If you do that then hopefully the audiences will come, and they have. Everything else is gravy.
Korean audiences are amazing. The fans scream so loud, and that really surprises skaters when they first perform in my shows.
I've never worried about what audiences would accept or had a game plan regarding the career. I never had an idea of how I should look to my fans or anybody else.
So anyway, I really enjoyed the European audiences.
The sound is the key; audiences will accept visual discontinuity much more easily than they'll accept jumps in the sound. If the track makes sense, you can do almost anything visually.
I had no fear of speaking to large audiences.
I think audiences, producers and directors included, develop crushes on actors (actresses in particular) and then lose interest and move on to the next one.
The matinee audiences are different because they're mostly kids, a great percentage kids. So they respond to everything differently, but I understand what they do respond to.
I've always had an idealistic streak about storytelling in that I believe we owe more to audiences than repeatedly bludgeoning them over the head while stealing their lunch money. We owe them inspiration. That's why I'm more interested now in creating new heroes than hooking up jumper cables to old ones.
Your lineage and surname become irrelevant after your first film. Audiences do not care.
What's interesting is the show allows for the awkward pauses to be captured, which makes it stylistically unique, especially for American audiences.
The audiences are there as a result of my history with the band but also as a result of my being able to reach people with a tune.
I like audiences and performing and, you know... applause!
