I was always rather outspoken. I worried about what people thought of me but there really wasn't room for a lot of self-doubt.
All my high school papers were written in the rare book room.
If I go anywhere, and I don't have my coffee, I don't drink coffee. When I travel, I carry it with me - and I ask hotels to grind it and brew it for me if I can't have it in my room myself. I'm dedicated that way.
You address the respect issue in a team-meeting environment. With respect to its application, it's not just locker room. It's practice field. It's on and off the field. It's on Sunday, and it's on game days.
No, I don't think about the myth of the West. It's not the kind of thinking I do. That's more suited to people who live in big towns on the West Coast or East Coast, people who stay under a roof, in a room, all the time.
You want to play for a guy who's going to be there for you. He's going to lead you. He's going to inspire you. Someone that the guys in the locker room can really rally around.
Look, if you have somebody who doesn't have health insurance, who doesn't have a doctor or dentist, and in order to deal with their cold or flu or dental problem, they go to an emergency room - in general, that visit will cost ten times more than walking into a community health center.
I just hope that theaters remain. I think there's something very wonderful about getting into a dark room with a bunch of people. There's something cool about that. Brings us all together in one room where we can experience all those emotions.
I love Dave Eggers. I hate Dave Eggers. If I could become any other living writer, I would answer faster than anyone else in the room, 'Dave Eggers.'
In a unified and diverse Spain, based on the equality of and solidarity between its people, there is room for all of us. And for all of our feelings and sensitivities and our distinct ways of being Spaniards.
Dan Curry is the funniest guy in the world. I can sit in a room with him for hours, and he's just cracking me up constantly. And Kitao is the next Terry Gilliam. A lot of comedy directors are just comedic writers, but they don't have any sense of aesthetic or visual vocabulary.
My 15-year-old threw open the door the other day to my room and screamed, ''Freaks and Geeks' only has one season? Can they make another one?' And I tried to explain to her that it happened a long time ago. She didn't understand that because it felt very relevant to her.
There's established gaming IP that's coming from console to mobile, which is interesting. Everything is converging a little bit toward mobile devices in the living room. On the casual side, the graphics and animation and game design and all of those variables are improving.
The utilization of flat roofs as 'grounds' offers us a means of re-acclimatizing nature amidst the stony deserts of our great towns; for the plots from which she has been evicted to make room for buildings can be given back to her up aloft.
There are things in my life that are hard to reconcile, like divorce. Sometimes it is very difficult to make sense of how it could possibly happen. Laying blame is so easy. I don't have time for hate or negativity in my life. There's no room for it.
Melville locked himself away in his room for months while working on 'Moby Dick.' If I ever decide to write a novel, I hope someone will take pity on me and take me out to dinner instead.
I mean, even my dressing room at the studio has candles and cushions and cashmere rugs and things.
Care shouldn't start in the emergency room.
I've been guilty of being in the writers' room and going too dark; other people have gone too wacky and zany.
I am a musician by rights, and I played in Asbury Park in the old African Room in the Robert Trent Hotel next to the Albion. That was in the early '60s.
There's a lot of room for error with a wound in the rear. It's a wide target.
You cannot have one bathroom. And it don't matter how much you love your wife and everything, 'cause you wind up with no room at all. You just get a little corner, and you've got a toothbrush and your paste and a shaving brush and a razor.
I went in, and there, in the front room, a converted bedroom, sat the first radio I had ever seen. The equipment was so bulky that it took up one entire wall of the bedroom. The set, which could send or receive signals, was tuned to KDKA in Pittsburgh, and I remember being completely flabbergasted at the thought of sounds coming from that box.
Life was so much simpler in pre-video days when everyone refused invitations because the 'Forsyte Saga' was on. Now we all just have a long list of unwatched shows, all of which, it seems, our friends are raving about. I feel as outdated as if I wore a Fair Isle sweater, ate Pot Noodle and had a two-bar electric fire in the sitting room.
There's always room for your hard-core country songs, and that will always shine through, and I'll always have those on my albums. And then I'll have fun stuff that gets people up and dancing that some people may want to say, 'Well that sounds real pop-y!' but I don't really think it does, I just think it's what's going on.
My teammates would never say anything bad about me, even if they thought it. That's the kind of locker room we have.
At school, I'd refuse to take part in biology lessons when animals were being dissected. One time, the teacher announced that we would be gassing worms. So I ran around the room, gathered up all the worms and set them free in the fields. I just loved animals and couldn't bear the thought of them suffering.
No one leaves the edit room thinking, 'Yeah, I nailed that one!' Everyone I know goes into their first premiere or their first screening thinking, 'I screwed up so bad. I'm sorry, I messed up.' It's just a real common feeling.
If I'm not doing something or working on something, I literally just sit in the room and think, which I don't think is productive. I won't go outside for days.
I'm still that rowdy dude who has after-parties in his dressing room with a concert-sized PA system blasting away.
I have a great job writing for 'The Office,' but, really, all television writers do is dream of one day writing movies. I'll put it this way: At the Oscars the most famous person in the room is, like, Angelina Jolie. At the Emmys the huge exciting celebrity is Bethenny Frankel. You get what I mean.
Ryan Reynolds was my childhood crush. His name is all over the walls of my room. I actually Photoshopped myself into a picture with him my freshman year of high school.
My entire career has been built on the understanding that I am not only not the smartest person in the room, I am definitely not the smartest person in the world. And I am instead going to try to create as many opportunities to connect those great ideas and help them be great.
My 20s were spent in a room, alone, mixing paints and figuring it all out.
'The Room' is relationships. The room is you and me and everyone in America. That's basically what 'The Room' is.
I love directing more than anything in the world, and I love being in the editing room. I love cutting. When I'm shooting, I cut it in my head anyway. That's not to say that it always turns out that way, but you have a sense when you're composing a sequence or a scene how you want it to look anyway.
