I was born on a full moon. Both my children were born on full moons, too. Some people say that's scary. It is what it is, man, I don't be trippin'. I couldn't tell God when I wanted to be born.
I think one of the geniuses of Bound and The Matrix and Memento is the complete collaboration of the effort. There were no rotten apples.
I've been fascinated by the Internet from the very start. In 2001, I had made a funny black-and-white film called 'How to Dance Properly,' a short video of me dancing to a Madonna song. I sent it to 17 of my friends on a Thursday, and by Monday, one million people a day were logging on to view it.
One of the things that I love to do is travel around the world and look at archaeological sites. Because archaeology gives us an opportunity to study past civilizations, and see where they succeeded and where they failed. Use science to, you know, work backwards and say, 'Well, really, what were they thinking?'
When we were at peace, Democrats wanted to raise taxes. Now there's a war, so Democrats want to raise taxes. When there was a surplus, Democrats wanted to raise taxes. Now that there is a mild recession, Democrats want to raise taxes.
We definitely weren't poor growing up, but we weren't rich.
For the most part things never get built the way they were drawn.
Some of their best songs don't have bridges and choruses. So that made me think I should trust my instincts. My songs were okay, I figured. I didn't need to change anything.
I started to send my work to journals when I was 26, which was just a question of when I got the courage up. They were mostly journals I had been reading for the previous six or seven years.
The world isn't going backward, if you can just stay young enough to remember what it was really like when you were really young.
I wasn't prepared for the environment I encountered trying to break into television news. In the world of music, where I spent my formative years, we were judged solely on our talent, and gender wasn't a factor.
And I came back and it was great, 'cuz George had set up all these flowers all over the studio saying welcome home. So then we got it together again. I always felt it was better on the White one for me. We were more like a band, you know.
I never felt at home in London, because people were constantly telling me I didn't belong here, so after a while, you tend to believe that.
My school friends are really understanding and still want to hang out with me. Ever since I was in sixth grade, I was at the gym every day to work out while my friends were getting their nails done or going to the mall. I used to feel left out, but I don't anymore.
Some kids go walking in the mountains, but I just went to the cinema. So when I told my parents I wanted to be an actor, even though this wasn't normal for Arab kids or anyone in the town, they were sort of expecting it and were very supportive.
I loved writing fiction. I mean, once I found the character, or the characters, and knew who they were and knew their back-stories, it really - I mean, I went into my studio every day, thinking, 'What's gonna happen to Billy today?'
When I arrived in America, I experienced serious culture shock. For someone with a religious upbringing, the 1960s were an extremely difficult time. Even though religion was a big part of the civil rights and peace movements, in my college religion was treated as irrelevant, hopelessly stodgy, and behind the times.
That's why I made a comeback in 1988. I knew there were chances of not making it, but I didn't want to end up at sixty years old and say I should have tried when I was thirty-eight.
When we started there was this element of these experiments we were doing where we weren't really sure how the music would play out because the music was all on different players.
I would certainly say that films like Time Code and the Loss of Sexual Innocence were far more rewarding to me in terms of being able to move forward as a filmmaker.
If I were to try to read, much less answer, all the attacks made on me, this shop might as well be closed for any other business.
The poem builds in my mind and sits there, as if in a register, until the poem, or a piece of a longer poem, is finished enough to write down. I can hold several lines in my head for quite some time, but as soon as they are written down, the register clears, as it were, and I have to work with what is on the paper.
After your death you will be what you were before your birth.
As I, as a worker, came to know them, the aims of German trade unions were political, and there were a number of various trade unions with varied political views.
Before 'Local Hero,' I'd been knocking about Glasgow in rock bands, drinking too much and generally being 21. My opinion of actors was that they were straight and boring, so you see, I was completely unprepared for being one.
The most climate friendly trip we are ever going to take is the trip we never had to take because we were close to what we wanted.
If Roosevelt were alive today, he'd turn over in his grave.
What if the Soviet intervention was a blessing in disguise? It saved the myth that if the Soviets were not to intervene, there would have been some flowering authentic democratic socialism and so on. I'm a little bit more of a pessimist there. I think that the Soviets - it's a very sad lesson - by their intervention, saved the myth.
My approach to every game was to try to erase the games that were before and try to focus on the game at hand.
The attitude of the actor is his interpretation of what he reads, and the written word is what creates the role in the actor's mind, and I guess in reading the things that were given to me, I reacted as you guys saw me, you know.
People looking at advertisements or reading their local newspapers would have had no idea that what they were reading was bought and paid for with their tax dollars.
I feel very blessed to have four brothers. My brothers always say, 'Oh, you know, we prepared you for the world of journalism. We prepared you for Arnold. We prepared you for everything.' And in a way they're right. Because you know, they take no prisoners. They were very tough.
The Sixties are most generously described as a time when people took part - when they stepped out of themselves and acted in public, as people who didn't know what would happen next, but who were sure that acts of true risk and fear would produce something different from what they had been raised to take for granted.
My years with Aretha Franklin have been very special, as were the years making records with Dionne Warwick. Other highlights include working with Janis Joplin, who was the first artist I ever signed, as well as Patti Smith and Alicia Keys.
There were no strategic mistakes that could affect Russia's history and it further development. No, there were no such mistakes. Tactical errors were made in some less significant options, problems and so on. But, on the whole, Russia embarked on a correct path and it changed.
Eudora Welty's 'A Curtain of Green' had an enormous effect on me. But my early attempts to graft stories from the Deep South onto North of England provincialism were not successful. All were rejected.
