Zitat des Tages von Maya Lin:
I was probably the first kid in my high school to go to Yale. I applied almost as a lark. Then, when I got there, I was the dumbest person in your class.
Math, it's a puzzle to me. I love figuring out puzzles.
We were unusually brought up; there was no gender differentiation. I was never thought of as any less than my brother.
I had very few friends. We always ate dinner with our parents. We didn't want to go out. American adolescence was a lot wilder than I would have felt comfortable with.
When I was very little, we would get letters from China, in Chinese, and they' be censored. We were a very insular little family.
You have to have conviction and completely question everything and anything you do. No matter how much you study, no matter how much you know, the side of your brain that has the smarts won't necessarily help you in making art.
I probably spent the first 20 years of my life wanting to be as American as possible. Through my 20s, and into my 30s, I began to become aware of how so much of my art and architecture has a decidedly Eastern character.
You couldn't put me in a social group setting. I'm probably a terrible anarchist deep down.
I was always making things. Even though art was what I did every day, it didn't even occur to me that I would be an artist.
I probably have fundamentally antisocial tendencies. I never took one extracurricular activity. I just failed utterly at that level. Part of me still rebels against that.
My parents are both college professors, and it made me want to question authority, standards and traditions.
All my work is much more peaceful than I am.
The role of art in society differs for every artist.
It's funny, as you live through something you're not aware of it.
I try to give people a different way of looking at their surroundings. That's art to me.
I started studying what the nature of a monument is and what a monument should be. And for the World War III memorial I designed a futile, almost terrifying passage that ends nowhere.
Art is very tricky because it's what you do for yourself. It's much harder for me to make those works than the monuments or the architecture.
OK, it was black, it was below grade, I was female, Asian American, young, too young to have served. Yet I think none of the opposition in that sense hurt me.
Nothing is ever guaranteed, and all that came before doesn't predicate what you might do next.
Warmth isn't what minimalists are thought to have.
Some of your teachers are actually closer in age to you than you think.
Growing up, I thought I was white. It didn't occur to me I was Asian-American until I was studying abroad in Denmark and there was a little bit of prejudice.
You have to let the viewers come away with their own conclusions. If you dictate what they should think, you've lost it.
It terrified me to have an idea that was solely mine to be no longer a part of my mind, but totally public.
My grandfather, on my father's side, helped to draft one of the first constitutions of China. He was a fairly well-known scholar.
Sometimes you have to stop thinking. Sometimes you shut down completely. I think that's true in any creative field.
The process I go through in the art and the architecture, I actually want it to be almost childlike. Sometimes I think it's magical.
Every memorial in its time has a different goal.
I went through withdrawal when I got out of graduate school. It's what you learn, what you think. That's all that counts.
I deliberately did not read anything about the Vietnam War because I felt the politics of the war eclipsed what happened to the veterans. The politics were irrelevant to what this memorial was.
When I was building the Vietnam Memorial, I never once asked the veterans what it was like in the war, because from my point of view, you don't pry into other people's business.
Our parents decided not to teach us Chinese. It was an era when they felt we would be better off if we didn't have that complication.
The only thing that mattered was what you were to do in life, and it wasn't about money. It was about teaching, or learning.
Even though I build buildings and I pursue my architecture, I pursue it as an artist. I deliberately keep a tiny studio. I don't want to be an architectural firm. I want to remain an artist.
In art or architecture your project is only done when you say it's done. If you want to rip it apart at the eleventh hour and start all over again, you never finish. I was one of those crazy creatures.
For the most part things never get built the way they were drawn.