It was like there's got to be some way to stay working and stay productive in Los Angeles. TV is that kind of thing for an actor. Unless you get stuck in one of these shows where you have to go to Vancouver.
Age is just a number. Unless, that is, you live in Hollywood, where there's this notion that if you haven't hit it big by your 20s, you may as well hit the road.
Usually with things, you go where you can find the financing to do it.
If you go on TV and say there's no other country in the world where you can be born poor and become rich, you get a huge megaphone. If you tell the truth, which is that most of the studies show actually the United States is worse than anybody except Britain in upward mobility, there is no audience for you.
The 'Grace of Kings' isn't a narrative about a return to some golden age, to a lost status quo ante. It portrays a dynamic world in transition, where the redistribution of power is messy, morally ambivalent, and only lurches toward more justice.
Growing up, I think I always had a sense of art: a sense that there was poetry in the world. I didn't know where I was going to find it. I didn't know where I was going to fit in, that was for sure. But I kept moving forward. There wasn't a future in anything other than movement.
I like the idea of playing people outside of society. That's where I tend to be drawn.
Now they have come to the place where their faith can no longer feed on the bread of repression and violence. They ask for the bread of liberty, of public equality, and public responsibility. It must not be denied them.
John Brown first swam into my vision in the 1960s when I was a political activist in the civil rights movement and the anti-war movement at Chapel Hill, where I went to university.
One thing I detest, I have to say, is when a shoe is too soft, and it's molding to the foot. This is quite disgusting. And I really, really hate incredibly long shoes, where the last is very pointy, almost like Aladdin.
My dad heard of a studio on the radio, and it was advertised as a place for kids to meet kids, and it was actually a studio, and that's where I met my manager and agent.
I think that when you're exploring themes of humanity and what defines a hero and what makes us our best self and what makes us our worst self, you're going to stumble into territories of societal issues and that kind of thing. Sometimes you have accidents where you're not trying, but then the opportunity just presents itself. and you lean into it.
Home is where you hang your hat.
I was in high school. A couple of my friends and I decided we had to be in a class together where we could fool around, and drama was it because we'd do improvs, beating each other up. They left a year later, and I stayed in and got a knack for it, and enjoyed the whole process.
Technology moves so fast and social media moves so fast because everyone wants the new thing, but also, everyone wants to be where their parents are not. Once the mom got a Facebook and a Twitter and an Instagram, I don't want to be there anymore.
I have this recurring nightmare where I'm giving a speech in front of my old high school classmates, and they start laughing at me, and I look down and realize I'm naked. And a shark.
This arena is a special place. Everybody loves it. To be able to stand behind the bench and be a part of a great tournament for the '96 Elite is fun. The kids, having a chance to play in the building where the Penguins play, it's a special feeling for them.
There's a deli around the corner from my office where I'd get a bag of chips with my sandwich, and I was hiding them under my sandwich because I was embarrassed. When I had this epiphany that I was hiding the potato chips from myself, I realized there was an opportunity there.
People's attitudes about sex aren't healthy anywhere, except maybe in those tribes where they go around naked.
You know, we do not want the militarization of Haiti. We do not see a Haitian as a protectorate where it relinquishes its own sovereignty.
As a biographer, I try to uncover the adventures and personalities behind each character I research. Once my character and I have reached an understanding, then I begin the detective work reading old books, old letters, old newspapers, and visiting the places where my subject lived. Often I turn up surprises, and of course, I pass them on.
I think school is a place where thinking should be taught.
I think the hedge-fund industry has taken a reputational turn for the worse, this dog-eat-dog stuff. I'm not just talking about Herbalife or J. C. Penney, but in other situations where the media really focuses on who's long and who's short. I don't think it's a good thing for the industry.
There is no way that writers can be tamed and rendered civilized or even cured. The only solution known to science is to provide the patient with an isolation room, where he can endure the acute stages in private and where food can be poked in to him with a stick.
I always go back to theatre. It's probably where I'll draw my last breath.
'Little Princess' was the first big movie that I did in America with big stages where we had kind of a different schedule to work. We had a great production designer, Bo Welch, and we had time to think about the movie in pre-production.
I love out-of-the-way, rugged places. For me, holidays are about the experiences, and the people, and the memories, rather than sitting on a nice beach getting tanned. I try to plant myself where I am and embrace what is there in front of me.
Every where the years bring to all enough of sin and sorrow; but in slavery the very dawn of life is darkened by these shadows.
I try to do different things. My main goal is to choose roles where I won't repeat myself or where I will not be doing the same role over and over. I try to do a villain, the best friend to the lead, and then a lead. I try to vary it up because if I don't, I will get bored.
Could I have worked under a system where there were Draconian controls on my creativity, meaning budget, time, script choices, etc.? Definitely not. I would have fared poorly under the old studio system that guys like Howard Hawks did so well in. I cannot.
Dwight Eisenhower, the Republican nominee in 1952, made a strong public commitment to ending the war in Korea, where fighting had reached a stalemate.
Peter Lucas and I live in Durham but spend a great of time in North Wales, where we have a cottage in the mountains, and in Vermont, USA, with my sister - who is a children's writer married to a poet.
The social media bit is really about documenting process. I like the dialogue if it's constructive, but I'm now at a crossroads. I've accumulated a lot of followers, and it's great, but I'm also at that teetering point where people are feeling themselves a little too much, commenting a little too much.
Originality is the fine art of remembering what you hear but forgetting where you heard it.
If you want a future of shared prosperity, where the middle class is growing and poverty is declining, where the American Dream is alive and well, and where the United States remains the leading force for peace and prosperity in a highly competitive world, you should vote for Barack Obama.
I don't think people are ever going to a place where they're like, 'I'm over stories about character and love.'
