For those that don't know much about 'American Idiot' or Green Day, just know that it's my generation's The Who's 'Tommy' or Pink Floyd's 'The Wall.' It was an album that really spoke to a generation. The theatrical show encapsulates that feeling and brings it to an even wider audience.
Every man eventually is backed up to the wall of faith, and there he must make his stand.
The problem is we have a Wall Street-to-Washington access of power that has controlled the political climate. The donor class feeds the political class who does the dance that the donor class wants. And the result is federal government keeps getting bigger.
I applied to only one college - the Wharton School at the University of Pennsylvania - and was fortunate to be accepted. After graduation, I headed to Wall Street and worked as I had dreamed.
I was a huge Spice Girls fan when I was a kid. When I was younger I had a Spice Girls poster on my wall and I watched the movie.
The tech company needs to win in the war for talent. This means much greater focus on the employee, not simply as cog in the machine, but vital member of a programming team in a race against time and competitors. Wall Street is up-or-out, dog-eat-dog, survival of the fittest.
There are designers who say, 'Oh! I see wallpaper and blue carpet.' I usually start by knocking down walls. 'You thought you just needed some new drapes? Well, guess what: That wall's gotta go.'
Franklin D. Roosevelt was fortunate: He didn't take office until nearly four years after the Wall Street crash, by which time the Republicans' responsibility for the Depression was taken for granted.
When the women's movement started in the 1960s, there was a vision of a future where women didn't wear makeup or worry about how their hair looked, and everybody wore sensible, comfortable clothes. It ran into an absolute brick wall.
The jobs crisis has reached a boiling point, which is why we see Occupy Wall Street protestors crying out for an America that lets all of us reach for the American Dream again - a dream that says if you work hard and play by the rules, you can have a good life and retire with dignity.
I would describe my style as off the wall. I like stuff that doesn't match. I just like to stand out.
Aaron Taylor-Johnson and John Cena, in 'The Wall,' are superheroes. They're very grounded, but the amount of training and stuff that soldiers bring to the field, they're like Iron Man.
One of the greatest technicians of all time was a man named W. D. Gann (1878-1955). He had tremendous success predicting market moves much in advance. Legend has it that he occasionally sent notes to 'The Wall Street Journal', which accurately predicted tops and bottoms in grain markets months ahead of time.
I don't hide out. If you build a wall around yourself, it draws people to invade it. Fear is the enemy.
I loved working on Wall Street. I loved the meritocracy of it and the camaraderie of the trading floor.
At Cornell University, it was well known that after five years on Wall Street, you could expect to be making half a million a year in salary and bonus; after 10 years, you could expect a million or more. I had 60 grand of university debt, and my parents had no retirement. I needed that money.
Wall Street has too much wealth and political power.
Hating Wall Street is an American tradition that dates back even to the days when Thomas Jefferson cursed that money lover Alexander Hamilton. And for centuries, the complaints about it have largely stayed the same: 'It does nothing! It creates chaos! It's a parasite that sucks hardworking Americans dry!'
I'm not against a border wall, OK, but go to China, and you'll see a border wall there. We need technology, we need drones, we need surveillance capabilities, and we need rapid-reaction capabilities.
Thank you... motion sensor hand towel machine. You never work, so I just end up looking like I'm waving hello to a wall robot.
I was so young when I got so famous, and then I kind of put up a wall around myself. I didn't really want to show people any fragilities or fears; I was trying to be this tough person that I felt was expected of me.
'The Wall' is a reaction to 'Edge of Tomorrow,' where I was like, 'I don't need time travel and aliens to take a hero and pin them down in an impossible situation. I can do it in a much simpler way.' And that was 'The Wall.'
We go to the office every day when we're writing - or supposed to be writing. It's not always productive, and there's a lot of procrastinating, just staring at the wall, like any other writing. But we just make ourselves go to the office every day for more or less the whole day.
If you're trying to achieve, there will be roadblocks. I've had them; everybody has had them. But obstacles don't have to stop you. If you run into a wall, don't turn around and give up. Figure out how to climb it, go through it, or work around it.
Washington, D.C., is the new Wall Street. No significant financial transaction of any consequence occurs without it.
I'm for the Wall Street Occupiers. But will they accept me when they find out I sell packaged mortgage default instruments to children?
I always made the joke that I would have loved to have been a fly on the wall when Warner Brothers first put 'Tusk' on and listened to it in their boardroom as a follow-up to 'Rumours.'
Wall Street has played a role in everyone's life, and it has been vilified by everyone, but I think that the average trader didn't have a sense of what was coming. The culture is so vacuous, it's possible to come to it straight out of college and never have a real adult life, even if you have the wife and kids.
Both 'Consenting Adults' and 'Glengarry Glen Ross' revolve around the economic stresses of the '90s. They are about what people do when they're pushed against that wall, and how they're manipulated. They are both morality tales, though in very different genres.
If you keep bashing your head against the same wall, at some point you're going to fall over and be still for awhile.
When the painting is hanging on your wall for a long time, you don't notice it. You get tired of it, even if it's a Picasso. When the next generation inherits the painting, they sell it. I don't want to be sold.
Sen. John Thune (R-S.D.), who is chairman of the Senate Committee on Commerce, warned Facebook of the need for consumer protection and an open Internet, and according to 'The Wall Street Journal,' Thune has sent a letter to Zuckerberg asking how the company chooses its trending topics and who is ultimately responsible.
Watch the walls come down, whether it's in the South or on Wall Street. When the walls come down, what do we find? More markets, more talent, more capital and growth. Which means that the race and sex discrimination stunt economic growth. It's not good for capitalism. It's not good for America's growth. And it's not morally right.
The market is moving so fast, there is nothing set into the wall. You need to be very, very flexible.
I get 'USA Today,' the 'New York Times,' 'Wall Street Journal' and the 'Star-Telegram' at my doorstep. I can't do without them.
I was thinking of writers living in East Europe before the Berlin Wall came down. They wrote fantastic stuff but were dealing with a situation that was almost impossible to deal with, but they found a way.
