People always want an explanation about everything and I cannot give it to them. Because I don't know myself. 'Why did you do a pair of pants like that?' I have no idea. I'm not going to have a 20-minute political discussion about the necessity for slashed, painted leather jeans. Basically, I don't know more than you.
I've never been a big horror genre fan, but I did go see 'Nightmare on Elm Street' in the theaters and I dug it. I thought it was cool.
I loved September 12th. I loved the way - it's awful but, boy, did I love that day when we all came together. All the bickering stopped. All the partisan, cheap partisan warfare stopped.
When you read Trump's tweets or see candidates interact online like Jeb did with Hillary, you're like, 'Yes, it's just like my friends.' That's the magic.
The 'Degrassi' producers were very supportive. They sent me flowers when I got 'The Vampire Diaries,' and then as soon as it premiered and got the great numbers that it did, I got another large bouquet of flowers from them.
I really just dabble in music; I really just did a few albums for my fans.
The whole thing for me is that I did 'Full House' and 'America's Funniest Home Videos,' and I look like a dentist, and I'm a dad. Being known as a dirty comedian turned into this weird thing. It's people's image of me.
When I first did 'Empire,' it was a severe break from everything I'd written up to that point, which is all very continuity-driven, super-heroic, and ethics and morals-infused. 'Empire' was a chance to break away from that.
In the beginning of my twenties, I started transcendental meditation. For years, I did nothing else. Every holiday, I went to courses. Meditation is a real simple instrument. You don't need a long beard or a sari. It's meant to bring you to yourself. It's as easy as that.
It's funny to see how people react to the project, to read their thoughts, and I wonder aloud, 'Did they even watch the movie? Did they even get it?' I know we, myself and the entire cast, put a lot of heart, love and humor into 'Meet the Peeples'. I'm very proud of that film and what we were able to accomplish.
America used to have a strong 'moral safety net' for its people. Today that net is badly frayed, not only because families are disintegrating but also because the church doesn't play the same role that it once did in many Americans' lives.
My part had three lines. I said, 'You look wonderful, sir,' three times. All my friends said, 'Do not take that role - and do not understudy. You'll regret it the rest of your life.' I did both of those things, and I've never regretted it once.
We never had a trampoline, but I wished I did. We'd sneak into a friend's pool and use their trampoline to practice backflips.
With 'Aurangzeb,' I just knew that the film wasn't going to work, though I think it was one of my most underrated performances. I did the film too early in my career, but I stand by it.
I never claimed to be a computer engineer, but I did train as an industrial designer, and I am a consumer marketer, and I am very comfortable dealing with complex businesses and complexity in general and simplifying it - basically a systems designer.
I was thrilled to be able to read at three. I just thought everyone loved reading as much as I did.
I feel, as an adult, I'm very similar to how I was as a pre-teen. Maybe it's a case of arrested development, but I feel like it's easy to slip back into those shoes, and I feel like if we were all magically transported back to our middle school years, we'd all act like we did in middle school.
I hate homework. I hate it more now than I did when I was the one lugging textbooks and binders back and forth from school. The hour my children are seated at the kitchen table, their books spread out before them, the crumbs of their after-school snack littering the table, is without a doubt the worst hour of my day.
I wasn't scared of childbirth. I educated myself and did my fair share of research, and that made me feel a little more prepared.
What's great about working with EPIX is that we have unparalleled access to the top movie talent and do exclusive 1:1 sit-down interviews with the actors, sometimes before anyone else does. With 'The Hunger Games,' we had our own studio set up and did 1:1s with Jennifer Lawrence, Liam Hemsworth, Josh Hutcherson, Lenny Kravitz, etc.
I was fortunate enough to have a situation in my life where everything did shake out and hit rock bottom, and I did see who was standing there and really saw who had my back for real.
When I look back, I am happy that my mum took me to the gymnastics club. I didn't join gymnastics to become a famous athlete or celebrity; it just happened - I did more than I expected, of course.
I had never been in charge of anything. I'd always worked for someone. I worked for a furniture warehouse. I did masonry. I always had a boss yelling at me. So I'd never been in charge of an organization.
My first husband met me as a career woman, and the second did, too. I was lucky.
I do not use short selling. The fund has not shorted a stock since the 2002 to 2003 time frame. At that time I did short three stocks, on which I broke even on two and made money on one of them. The experience taught me that I was not going to be using short selling going forward for a slew of reasons.
I'm a Slovak. And when I was growing up, I believed that I was Czechoslovakian because of what Russia did. They came in and took two separate countries - Slovakia and the Czech Republic - put them together as one.
I started on television. I had five years of network television before I ever got up on a stage. The first thing I ever did was in 1967. This guy Bill Keene had a little talk show at noon, and Gary Owens took over for a week. He knew about this dummy bit I used to do, this ventriloquist thing, and I was on 'Keene at Noon.'
I did voice work for many years before I started having success as an actress. It was mostly radio and television voiceover work, but I know my way around the studio. I know how to use the cappuccino machines and the headphones.
Nobody in Formula One has won so many titles, so many races as I did. So Ferrari for me is crucial; it is more than important.
I like to make people think differently than they did before I walked in the room.
We decided that sports, lifestyle and fashion were three elements that could be mixed together to a very unique formula. That's what we did: make Puma a very sports-fashion brand when, at the times, everybody talked about sports and sports performance and functionality. We said, 'Well, it's about more.'
Before I even knew what that half of my family did, I was interested in performing. I remember being seven years old and up on a stage and loving it. I've always adored it. Not just acting, but the whole process of writing and directing movies, everything that has to do with that part of life. Maybe it's in my blood.
With 'J', at a deep base level, there is still some comedy, but that masculinist voice that had driven so many of my novels I suddenly did not want to occupy. I wasn't reneging on it; I just didn't want to do it.
However democratic and egalitarian we kid ourselves into thinking society might be, I think that sense of entitlement operates as basically and viciously as it always did.
For six years, I was really on my own and did not have a coach.
I did want to be Joni Mitchell for quite a long time.
