In order for me to write a scene, it's very important for me to see and experience everything with my own eyes, so yes, I was able to visit some remarkable houses and destinations while I was in China.
I'm very well known for hiding my phone in really weird places. I can hide it in a refrigerator during a scene or under that bed. It's pretty bad, but at the end of the day we can all laugh at it.
Hackman is able to live in the moment which means there is nothing for him at that split second than what is occurring in the scene.
I appreciate a slow-burn romance. In most movies, everyone is just tearing their clothes off in the first scene.
I come from a TV background, so for me this more like doing a freeing theatre piece because we'd go into a room and do the scene, instead of doing it as a wide shot, medium shot, and close up with only the odd line of dialogue.
There is nothing better than playing a scene with John Cleese or Maggie Smith. It's electric. But I don't think I'm the sort of person who needs to have an outer ego in order to produce something. I realised that through the travel programmes.
Sudheer Varma is very easy going and very confident director. He knows exactly what he wants. He has a very good vision and knows how many shots he wants for a scene. He is super fast. He gives freedom for actors to try different things. The atmosphere on the sets was never serious. We had great fun working together.
The English scene got more media attention with their emphasis on fashion, with the safety pins and all. There were some really good bands over there. The Sex Pistols were great.
I'll look at the script and I'll try to find as many books, movies, and pieces of music that I think are going to feed each scene or the character as a whole.
A scene has to have a rhythm of its own, a structure of its own.
I don't really go to fashion parties; they're not my scene.
I think Wilco is going to definitely stand the test of time - no question - and Uncle Tupleo, and the whole No Depression scene, which is now alt-country. I think that's going to be around a long time.
The alternative scene, for a couple years now, has been taken seriously and that's a cool thing. I don't think it's exploded or anything, but I think it's pretty cool that it still exists, it's still affecting people.
I played a paraplegic on a show called 'Neighbours.' Just turned up on set, sat in a wheelchair. The producer came up to me one day and said, 'We have to cut around that entire scene because your leg was moving.'
I love more than anything looking at a movie scene by scene and seeing the intention behind it.
I believe I'm doing the right thing in trying to step away from that and to take chances and work on little independent films and do stuff like that wild dance scene.
I was a little nervous coming in mostly because my first scene was with Martin Sheen, who I'm a huge fan of.
I can barely recall a single holiday when my father didn't make a scene or create some kind of chaos. We were always walking on eggshells.
I listened to all types of music, and obviously when I got to Seattle I was very much aware of the music scene there.
I want to attack and to lead my life with vigor, but I'm in the watching stage at the moment. Younger actors feel pressure to bring a pop to every scene; as the roles get bigger, I'm finding you can add layers and do less scene-to-scene.
You can't act for the editing. You have to leave that to him. So you just go in and do the scene the way you think is right or whatever you're directed to do, and leave the rest of that technical stuff up to the director.
The scene is never really about moving the story forward on 'Breaking Bad.' That's the functional veneer of the scene, but it's always about what's going on with the characters.
My job as an actress was to be a good scene partner to Martin Wallstrom, who plays Tyrell Wellick.
I would say my fraternity was nothing but a bunch of farm boys; we weren't really in the whole fraternity scene, but yeah, that's a safe assessment of who I am. I've lived that life, growing up in agriculture and then going off to college and joining a fraternity, livin' that life.
It is very, very difficult for a playwright to write a scene in which a young man has his first deep experience of sex with a girl whom he found immensely attractive, is fully satisfied by this event and gets up and blinds a lot of horses.
It's hard when you see a scene where it's raining, and we have the rain machine, and you see it for 5 minutes, but that scene takes all day to shoot, and you do it with rain, and the dry off, and go back and do it again.
Norway will be recognized as an open democracy with the rule of law, with the universal human rights, and with the broad international engagement on the international scene taking upon ourselves responsibilities, because we are a privileged country.
As the scene of life would be more the cold emptiness of space than the warm, dense atmosphere of planets, the advantage of containing no organic material at all, so as to be independent of both these conditions, would be increasingly felt.
I love a good Steve Martin, Martin Short scene where they're being super physical - I don't mean to compare myself - but I relate to their type of comedy because they do crazy stuff but come at it in an honest way.
I can make a scene that's not supposed to be sexy, very sexy. It's a power you're born with. It's not a physical thing, it comes from inside. It's all in the eyes.
And the issues I think are important in Louisiana right now happen to be health care and education. And those are two areas that the federal government can play a very important role. And I think I can be effective in trying to help our state from the Washington scene.
Sci-fi films are the epic films of the day because we can no longer put 10,000 extras in the scene - but we can draw thousands of aliens with computers.
When I first came to New York everybody on the scene would treat me like I could play, but I couldn't.
The entire New York comedy scene has moved to L.A. - it's bled the New York comedy scene dry.
The history of Christianity, therefore, must be of concern to all who are interested in the record of man and particularly to all who seek to understand the contemporary human scene.
The Blues scene now is international. In the '50s it was purely something that you would hear in black clubs, played by black musicians, especially in America. But from the '60s onwards it changed.
