Zitat des Tages von Timothee Chalamet:
My sister was in ballet growing up. I spent almost the entirety of 7 through 12 backstage at Lincoln Center, just running around, waiting for 'The Nutcracker' to end.
I'm not someone who frequents the gym, pretty much ever.
There is an audition floating around somewhere that I did for 'Bates Motel.'
I did 'Prodigal Son' at Manhattan Theatre Club.
I don't like to know exactly what I'm going to do in a scene, because the most interesting moments as an audience member are moments of truthful spontaneity.
Somebody said to me, 'You should keep a journal of this period in your life and really write down this stuff.' But that makes me a little uneasy.
I did a year at Columbia, and I just kind of floundered. Maybe it wasn't the right place for me.
I've been very encouraged by the nature of the conversations that I've had and by the lack of questions that are tunnel-visioned in their understanding of sexuality and life and love.
The villain in 'Call Me by Your Name' is the tragedy of love - what seems to be part of the deal you sign with someone when you experience an amazing time with them.
My dad's French, and I spent my summers in France growing up. So I speak French fluently, and obviously, I speak English because I was raised in New York, and I grew up here.
I have this sense of independent heartbreak, of annulling romances before they get their feet off the ground.
Sometimes, when you act with someone in an intimate capacity, you have to ask vulnerable questions to speed up intimacy - but that's artificial.
I've always felt like there was less creative space on sets with guardians. I just felt independent at a young age.
Learning the Italian was tough. I tried to really come at from a purist perspective, really learn the grammar, syntax and conjugations.
I want to attack and to lead my life with vigor, but I'm in the watching stage at the moment. Younger actors feel pressure to bring a pop to every scene; as the roles get bigger, I'm finding you can add layers and do less scene-to-scene.
I naturally have a me-against-the-world mentality, and I've been fighting it since I was 13. It's felt like it's only gotten me in lonely, angry places.
Sometimes if I'm in my head before a take, I'll just like to reach out to the closest thing to me - the wall or a sharp edge - and just push into it. That way, my physical experience is totally contemporaneous and not in the clouds.
I've seen Hugh Jackman in a thousand Broadway shows.
Ninety-eight per cent of all human communication is non-verbal.
I miss the sense of belonging on a film as much as I did on 'Call Me By Your Name.'