Zitat des Tages von Jodie Foster:
I prefer to commit 100 per cent to a movie and make fewer films, because it takes over your life.
So, yes, there's nothing I love more than listening to directors talk about their movies.
My definition of a friend is somebody who adores you even though they know the things you're most ashamed of.
I like to be in a different place when I make a movie so that I can't really focus on anything else, and that is your world.
My mom was always late. It drove me crazy as a child. So I'm always on time - or early.
I think Anna and the King is a look at Asia from the Asian perspective, reflecting the Asian experience, which is very rare.
It's an interesting combination: Having a great fear of being alone, and having a desperate need for solitude and the solitary experience. That's always been a tug of war for me.
I wish people could get over the hang-up of subtitles, although at the same time, you know, that's kind of why I'm kind of pro dubbing.
But now I really don't want to work unless I really, really care about a project.
Adolescence is a tough one to be a child actor.
I have, in some ways, saved characters that have been marginalized by society by playing them - and having them still have dignity and still survive, still get through it.
I love European movies and I kind of grew up on European films.
I don't direct so that I can have an identity and so I can go on to CGI movies. I had a big identity as an actor, and that's not what I'm looking for from directing. Directing is a whole different goal.
I like to nap. I do like to sleep. Sometimes I sleep in between takes.
Cruelty might be very human, and it might be cultural, but it's not acceptable.
I didn't have any ambition to produce big mainstream popcorn movies.
But the reason I became, why I wanted to be in the business was because there was Midnight Cowboy.
The best reason to make a film is that you feel passionately about it.
All the movies that I make in some ways have to be the story of my life. There are different chapters in my life.
I've always had this idea that I wanted movies to make people better not worse.
Knowing what paint a painter uses or having an understanding of where he was in the history of where he came from doesn't hurt your appreciation of the painting.
As an actor, I'm always playing solitary characters. But as a director, I'm always making ensemble movies, which focus on lots of people's lives and how they intertwine.
My kids are young and my life with them is really stimulating and really full and significant.
In a weird way, that's the beauty of being an actor. You get to live out things that you're afraid of, and you get to say, 'Well, maybe I can get to the end of it and survive it intact and I can be the hero of my own story.' It's kind of a way of exorcising fear.
I don't know why people think child actresses in particular are screwed up. I see kids everywhere who are totally bored. I've never been bored a day in my life.
I think I'm drawn to films more as a director with a directorial mind even as an actor. I make movies to make the films, not to act.
I don't know if I see myself as really an action hero, but I like doing physical movies and I like doing movies where the writing is very lean.
By the first week of shooting, you know exactly where your film is heading based on the psychology of your director.
There are conscious reasons and unconscious reasons why I pick something. You know, I have to be moved by the story and usually that means it has to touch me in some kind of personal place.
I guess I've played a lot of victims, but that's what a lot of the history of women is about.
I'd like to be Dakota Fanning when I get young.
Normal is not something to aspire to, it's something to get away from.
I am the luckiest filmmaker I know.
I think 'destiny' is just a fancy word for a psychological pattern.
I want to be inspiring to myself, to my kids, my family, and my friends.
Julia Roberts and Sandra Bullock do romantic comedies. I do dark dramas. I do these movies well.