I can't forget the scene in 'My Night at Maud's' when the very pious engineer in the business suit decides to sit on Maud's bed while she is lying under the covers with only a T-shirt on, determined to seduce him.
The first horror film I remember seeing in the theatre was Halloween and from the first scene when the kid puts on the mask and it is his POV, I was hooked.
Actually, I didn't like Dartmouth very much, but the whole theater scene I really liked.
I suppose when I started playing guitar, it was the means to an end. I never thought of myself as a fully fledged guitar instrumentalist. And my early excursions on the electric guitar were curtailed when Eric Clapton came on the scene, and I decided I was never going to be in the same arena as a Clapton or a Peter Green.
So I decided to move that scene in the doctor's office to two-thirds into the movie, after the viewers had come to know Ryan and Ali and share in their happiness.
If they're working in a workshop somewhere, where there is, let's say, uh... only twenty people, or something like that, that's still, when they work and do a scene, that's still working in front of somebody.
We only did probably two, three takes on every scene we did, at the most.
There was one very special scene at the end of the film. My character, Zhao Di, has been sick. She wakes up and her mother tells her that the man she loves has come back from the city and had spent the day by her bedside.
In terms of 'Solaris,' I didn't really think about the religious aspect an awful lot. There's one scene at a dinner party, and it's discussed, but it wasn't an overwhelming theme for me.
Sometimes you read a script, and it's like, 'You'll improv, and this is just a blueprint of what the scene could be,' and that's never a good sign. And it's never encouraging as an actor to take that on, really.
Yeah, it's funny, working on a show with as large a cast as we have here, your work gets sort of compartmentalized. There's still about half the cast that I've never had a scene with but I have missed working with Terry.
A sex scene is gratuitous when it only exists for its own sake.
On 'Awake,' we would take a couple hours per scene. Whereas on 'Anger Management,' we can take maybe 10 minutes on a scene if we're lucky.
My next book is Scene by Scene: as Seen by Fay Wray. It'll be about different incidents. Just my feelings about quite a few people. Attitudes. My thoughts about the universe and simple things like that.
Even colors were important to me. If it was a somber scene, the colors were muted and dark. If it was a happy or seductive scene, the colors were brighter.
We're real people and we're a band that's been playing on the scene for a long time. We've made a lot of friends, and one enemy we've always had was the NME. They've always basically slated us and they've basically never ever written about the music.
A nightmare would be when somebody is trying to be funnier than everyone else. And you've got a group scene or two-person scene, and one person decides, 'I'm the funny in this,' and bulldozes everyone else, and they make sure they're the reason everyone loves the scene.
I'm a virtuoso in my job in that there's not an actor I can't go into a scene with and be absolutely confident that, whatever is required of my character, I can do it.
On Sept. 11, 2001, thousands of first responders heroically rushed to the scene and saved tens of thousands of lives. More than 400 of those first responders did not make it out alive. In rushing into those burning buildings, not one of them asked, 'What God do you pray to?' What beliefs do you hold?'
I can't tell you how much we laughed on the set to have Alec Guinness in a scene with a big, furry dog that's flying a space ship.
I don't like to dwell all day over one scene as you do in a big feature.
There is a very vibrant cultural scene in Stockholm. There are lots of places where there are concerts, and there are loads of museums and theaters.
When I'm actually assembling a scene, I assemble it as a silent movie. Even if it's a dialog scene, I lip read what people are saying.
'Everwood' I think provides a unique feeling, an emotional experience. And other shows on TV don't have the acting talent to do that. Each one of our actors can do a serious scene and a humorous scene, and can do it all within the same sequence. They can go from a heartbreaking moment to a humorous moment.
Yeah, what happened was Universal wanted one of the characters to be nice so they chose me so there was a scene where the girl was tied to the bed and I let her go.
I was not a punk rocker, absolutely not, but I certainly knew quite a lot of them, and I definitely went to the Mab - it was raw, interesting intense scene, so I was very drawn to it, but I was a total outsider.
I'm still a little girl in Hawaii, I have the same friends I had when I was a kid who love me for who I am - not what I do. I never got caught up in the club scene or took wrong roads.
The average Englishman has no idea of the dynamism in the music scene here.
I started in the club route. I did the alternative scene later on. When I lived in New York, I did the Luna Lounge and stuff, where Janeane Garofalo and David Cross and all those guys worked out of, but I came from a comedy club background. I'm proud of that background. I'm one of the people that really crossed over and did both.
There was this moment when we made 'Superunknown': the Seattle music scene had suddenly ended up on an international stage with huge success.
Tone is up for grabs in what we do - what's the tone of the scene.
Everyone's looking to the urban scene for inspiration now.
Henry Fonda gave me a spanking during a scene in Spencer's Mountain.
My background with Cummings was rehearse, rehearse, rehearse, but Tuesday liked to walk in and do the scene. I must say that she was really wonderful. Aggravating, but wonderful.
This career essentially chased me down while I was on the spoken-word scene in New York. I kept hearing that my delivery of my poetry - which was very personal and cathartic at the time- was very moving to folks. People thought that I was an actress because of my delivery, when I was just dropping into the work and really pouring out my soul.
It was a scene in the sense that we were all close and we all knew each other before the different bands had really formed. We used to rehearse in the same place.
