Zitat des Tages über Superhelden / Superheroes:
What makes Batman and what makes other superheroes work is the myth that when life is at its lowest, and when you need a hero, a hero swings down and helps you.
Superheroes fill a gap in the pop culture psyche, similar to the role of Greek mythology. There isn't really anything else that does the job in modern terms. For me, Batman is the one that can most clearly be taken seriously.
When Captain America is in a room full of Marvel superheroes, he is always Top Dog, even though his powers are pretty modest. He could be stood next to Thor, Iron Man, whoever. He is the one that everyone looks up to. To me, that is Superman, too. Even de-powered in the Legion arc, he was still Superman. Still Top Dog.
To a degree, the Greek and Roman mythological heroes are just the first superheroes. They appeal to children for much the same reason. These gods and heroes may have powers, but they get angry and they do the wrong thing. They are human too.
I've tried to write from my own understanding of identity in all my comics, whether it's about superheroes or historical conflicts or monkey gods.
Lynda Carter played Wonder Woman and was one of the first female superheroes. It gives me more of an encouragement that we can be strong and can do whatever a guy can do.
Growing up, I didn't have many comics, but I grew to love these characters through their film and television universes. I've been geeking out about these superheroes ever since I could tie a towel around my neck like a cape and jump off my grandmother's porch.
We've always been ready for female superheroes. Because women want to be them and men want to do them.
I grew up reading '2000 AD' and the occasional Transformers and GI Joe comic, but when I could finance comics myself, I lasted only a little reading superheroes.
I like Ned Leeds. I love the character so much. He's a very new character in the MCU. I think he's a very fresh take on people in the superhero world. Some superheroes crack under pressure, and Ned Leeds, who is not a superhero, doesn't.
I don't necessarily find superheroes in general, for me, that appealing. I'd much prefer to play, if I was to be cast in a superhero film, I'd prefer to play the villain because there's a reason, there's a motive behind their madness.
In truth, I've never been a big superhero fan. I don't mind some of the movies, and a couple of the cartoons were alright - that Batman series from the early nineties where Mark Hamill voiced the Joker is sweetness. But largely, I've not really had much time for superheroes.
Superheroes are modern mythological characters, so you're going to make them look impossible. Even my Krypto The Superdog is the idealisation of the canine form.
I could name you a dozen superheroes whose powers I'd like to have. But if I could have any power in the world, it would be the power to read or watch a creative work and absorb the technical skill of the people who made it. Because then I could have even more fun writing. That's my core identity. I'm a writer. I just love telling stories.
I'm not that interested in female superheroes.
Some of the greatest actors have turned superheroes into a serious business: Michael Keaton and Jack Nicholson in 'Batman'; Ian McKellen and Patrick Stewart, the first venerable knights of the X-Men, who have now passed the baton to Michael Fassbender and James McAvoy.
The comics I read as a kid were much more influenced by TV and movies. Encountering superheroes as an adult without that kind of childhood sentimentality, it just doesn't allow you, or in my case at least, it wouldn't let me take the characters seriously.
I don't believe in superheroes but I love Batman movies. There's a part of every person that is entertained by the idealistic, the fantastic.
I think that Hollywood misconstrues actresses saying, 'Oh I wanna play a strong female character,' like we all want to play, like, superheroes or something.
A lot of superheroes today are a little self-righteous, and what's cool about 'Deadpool' is that he seems like a guy that you could meet at the 7-Eleven down the street.
The problem for me is that 'Watchmen,' one of the great comics of all time, is a look at superheroes that has gone beyond the concept of or necessity for superheroes.
As children, we all hold on to the myth of omnipotence. Comics are successful because kids identify with superheroes. They'll read a book or watch a TV programme and say, 'I'm that guy.' And that guy is always the one in control.
Not to get too deep, but I think one of the reasons we embrace superheroes and this world is that these are just normal people that have incredible powers that are relatable in some ways - in that we don't have great super powers, but there's strength within us that we can utilize in our lives. Ultimately, they're just normal people with problems.
It's not about superheroes. This is the method of universal storytelling that all people have... To me, they're the same as the Greek myths or the Roman myths or religious figures of every religion. These are common characters that we use to express stories about being a better person or what you would do when faced with various things.
There's always been a market for female leads and superheroes.
You don't just have to see superhero movies. Ultimately, those movies are westerns - superheroes are good guys fighting bad guys in a landscape. In westerns, that divide couldn't be any more clear, but the only superpower you have is that you're a quicker shot than the other guy.
Most superheroes are painted with a specific moral objective that makes them who they are. And that moral objective influences everything they do, so there's an expectation for what you're going to see out of a certain character.
I was sort of on a mission with 'American Splendor.' I wanted to try to prove that comics could do things. I wanted to expand them beyond superheroes and talking animals. And I knew that was going to take a long time. But I just started writing an autobiography about my quotidian life.
What's great about 'The Avengers' is that it's the next step. It's not just superhero fights super-villain and superhero wins. It's about superheroes that come together and interact. It's a clash of the egos. You could do 'Avengers 1' without a villain, just with all these guys coming together. They could sit down and just have a discussion.
I don't think working in superheroes is slumming it. I'm proud of this form. I like this. There's nothing inherently masculine about power fantasies. There's nothing inherently masculine about superhero comics. There's nothing inherently masculine about mythology. About science fiction.
There's something about the superheroes and the idea behind their relationship with humans, whether it's a metaphor for the better part of ourselves, or the more flawed part of ourselves. So it seems to really be our own pop-culture version of Greek mythology.
I'm used to comic books being reimagined, different takes on some of our beloved superheroes.
Now that we're poisoned with the culture of superheroes, I think it's important to laugh about it.
I've written about superheroes. I've written about talking ferrets and math geniuses being chased by madmen. I've written about spies and demon-hunting soccer moms. I've created an entire world that centers around a paranormal judicial system.
I would love to appear in 'The Defenders.' I don't know - because hopefully she'll maybe be on the bad side. I don't know - I don't know what they'd do with Elektra in 'The Defenders,' but that would be a good dynamic, I think - to be confronted by these four superheroes, and I think it would be interesting - I'd be curious to see what they do.
When you write for a comic series, many superheroes have 60 or some years of history that you are coming into.