Do not give voice to bigotry.
I was trying to find an original style that didn't sound like Tony Bennett or anyone else. So I prayed about it, woke up with this high voice, and by 1954, I was going to amateur nights and winning.
A friend of mine once told me that I can't screw up when I play my own music. I also take voice lessons, play other peoples' songs out of music books, and occasionally figure out how to play other people's music from records. This keeps my ears, fingers, and mind working.
When the 'New York Times' revealed the warrantless surveillance of voice calls, in December 2005, the telephone companies got nervous.
I was working out at a gym in Montreal when I was doing 'The Bone Collector.' I walked in and said 'Where do I sign in?' Somebody behind me, without even seeing my face, said 'Excuse me, are you on 'Star Trek'?' They recognized me from my voice.
I think 'Chef' is about somebody who's in the middle of his life, and he's kind of lost his passion and his voice, so he seeks out some refinement and redemption.
Music is a lot more powerful than anyone gives it credit for. I can sing something right now and make you feel something that you would not feel if I said it. If somebody can sing and connect to people just through voice, just through sonics, capturing an emotion, that's a direct string to somebody's soul.
To me, the appeal of opera lies in the fact that a myriad of singers and instruments, each possessed of different qualities of voice and sound, against the backdrop of a grand stage and beautiful costumes, come together in one complete and impressive drama.
A voice can also repel, infuriate or actually make a listener ill.
I studied with Sandy Meisner at the Neighborhood Playhouse. I was in the last class to study with him before he had his larynx removed, so I actually remember the sound of his voice. He was an incredible teacher.
But at a certain point, you have to take your influence and find your own voice if you want to become a relevant artist.
The way Hollywood portrays mothers - you're either all good and saint-like, or you're all bad. And I think the real honesty of motherhood is not given a voice in movies. I miss that as an audience member.
I change the language with which I use my voice. In opera, I know I have an orchestra behind me; I have to communicate to people very far from me.
When I was around 13 or 14, I started getting really into songwriting. And one day, I was rooting through my mum's old tapes and records, and I found 'Grace' by Jeff Buckley. I remember so vividly the first time I put it on. It blew my mind: his voice, the way he could play the guitar. I must have listened to the album over and over for weeks.
The voice of the majority is no proof of justice.
After 'Nikki' and 'Steve Harvey,' I had written on a show called 'The Oblongs,' which was pretty well respected and had a lot of 'Simpsons' writers on it. So I was a TV writer with an interesting voice at that moment.
A lot of the new people they choose on shows like 'American Idol' and things like that - I don't ever hear lead singers. They always seem to choose to pick people that are great singers, fabulous singers, but they've never got the voice that makes a great lead singer.
I sang with a voice that was natural, and I liked the way I produced that sound. I thought of my other friends, that they were singing and dancing, but they didn't have this. I was special.
Love is not a fire to be shut up in a soul. Everything betrays us: voice, silence, eyes; half-covered fires burn all the brighter.
The voices on the record, that was trying to treat my voice like guitar players treat guitar tones.
Shyam Benegal has found a lovely voice in this film. We've all seen the kind of cinema he's come up with over the years. His films like 'Mandi,' 'Manthan,' 'Sooraj Ka Saatvan Ghoda' all have revolutionised the face of Indian cinema. And in 'Well Done Abba,' he has once again found a relevant subject, which even youngsters can relate with.
Even though there are incredible songs floating around Nashville, it's important for me to have my voice heard.
My voice right now, hey, listen. I don't know how long it's going to last.
I'm a Prince of Wales Trust ambassador, so I'm all about giving youth an education, a voice and a chance to not take the wrong road.
I always was really confident about myself, about my voice, myself as a person, my body, all of those things, but as a songwriter - I just didn't identify as a songwriter at all.
I'm a lyric soprano. I can try to step outside that and do different kind of singing, but it's not something I can sustain over the long haul, and what is good for your voice is good for your career.
Since September 11, security has been increased everywhere, and we have new IDs to get on to the Fox lot. I drove to the security gate, but realized I'd left my ID in my other car. I just broke into that voice - 'Hey, man, I'm Bart Simpson. Who else sounds like this?' The guard waved me through.
The higher the voice the smaller the intellect.
The human voice sounds thicker with a chorus and reverb than a dry signal.
Voices have always been my way into a character. I usually approach the voice first.
At this moment, by an undeserved stroke of fortune, I am the direct voice of the poets of my race and the indirect voice for the noble Spanish and Portuguese tongues.
Even though I have Twitter, I only use it to say, 'Oh, this is coming out.' I would never voice anything about me, really.
That's always a cool thing to be the voice of what the eyes are seeing. It gives you the role of the Greek chorus and that's always fun to do.
I always want to give the victim a voice.
There was a subtlety about Peggy Lee. It was powerful. There was a valuable use of space. Everything was not cluttered. Her voice was out front and was the key instrument.
And therefore we must seek dialogue in this networked world. We must ask which voice was actually attempting to make itself heard and saw no other possibility of gaining a hearing. To that extent, for a while this also represented a forced opening of a cosmopolitan view.