I love playing music, so I think the whole John Varvatos look is kind of cool. I think he has a great style.
It's just my aesthetic: to want to feel a bit undone, effortless but not without style.
I would like to be recognized for my style, because I love clothes.
I don't have a lot of instinctive fashion style myself.
I don't read many popular histories like the ones I write. The building blocks for my research are scholarly monographs, and the inspiration for my storytelling style are folks like Chekhov.
It's our job to put a good product out there, and fans will come. If they see a good product, a good style, fans will come.
Age, style, where you come from, where you were born, it's different every time, which, to me, is refreshing because it says that there isn't any one thing, one formula or kind of character that makes a great comedian. Everybody has had a different approach.
I do not think I reinvent myself. Wearing my hair differently or changing my style of dress is playing dress-up. I don't take it too seriously.
I think that style, taste, and choices in general are forged by everything that surrounds you - everything you see, taste, touch, smell and hear. So of course, my family has influenced me as a person and in my own style, but so have all the experiences that I went through as an individual.
My style overall is whatever is comfy, whatever I feel like wearing that day that I feel good in. I have some really classic pieces that I can dress up, dress down, wear to the movies or wear to a really nice dinner. And I love a really good leather jacket.
My style is not to challenge anything.
If I make two films in a year, they'll be different. This is my style - I can't have just one way.
I'm as old as the moon and the stars, and as young as the trees and the lakes. My style comes from looking at what came before me, and from visiting a lot of places.
Many billboards and magazine ads have resorted to showing isolated body parts rather than full-body portraits of models using or wearing products. This style of photography, known in the industry as abstract representation, allows the viewer to see himself in the advertisement, rather than the model.
Nobody is original anymore. Nobody has any original style.
I always try to mix it up with each book - changing tone, changing style keeps the work very vital for me.
I've lifted weights ever since I was a teenager, but I started going more towards the Olympic weightlifting style, which is clean and jerk.
Obviously everybody can't go to the convention, but if you're staying away from the convention because you disagree with a style or some substance of Donald Trump, that's a mistake because we've got our country at stake.
The unity in any painter's work arises from the fact that a person, brought to a desperate situation, will behave in a certain way... style.
I always wanted to be an actor, but I always loved design, and growing up in New Orleans there was such great style, great architecture. I would decorate my little apartment in New York over and over again, because it only had a couple of rooms. And I did it for friends and family on the side just for fun.
By now, you should know what you're getting with Pusha T. I've been in this game since 2002, and my name says it all. You know I'm only moved by a certain style of rap. Not that many other styles move me. You have to really be a rapper's rapper for me to like it.
With every bathroom renovation, there are three areas that I focus on: budget, function and style.
If I really can be said to have a personal style, I think it is reflected in my taste for the exotic and the unexpected. I like to create rooms which are essentially traditional - and then add touches of the bizarre and the delicious.
They look for the top note to end every song. They don't know what they are singing about. There is no style.
I wanted to try every style available to me - large productions, small productions, studio films, low-budget. You just can't sit around and wait for every big-budget film to come along.
I'm here to get the story on to the page. It would be good to catch your attention, and I have to make you want to read on, and I suppose I prefer you don't actually think about the 'how' at all - the writing technique, the 'style', or even who it is that's putting this together.
I remembered staffing a volunteer table for ACT UP in San Francisco's Castro neighborhood in 1991, on the corner of Castro and 18th Street, and on my table were posters, stickers, and t-shirts that bore the same slogan in all caps - ACT UP slogan house style. I wore one of those shirts to model for passers-by.
I don't believe in reducing a style and a voice down to a set of descriptions, so I've never done that.
L.A. style is more laid back than London, mainly because it's always sunny. In London, the cold means you get to rock layers. And you can't go wrong with a trench coat!
I prepare my style of biriyani by sauting sliced onion, tomato, green chilli, ginger garlic and add required water and rice. If I end up adding a tad too much of salt, I used to add curd to balance it.
Part of my style was getting into a muddle. Audiences think that's part of the act. Sometimes it might be - but you have to guess which bits.
I truly love 'Gangnam Style.' I guess it's a meme. I feel like it's one of the few times where the meme and the quality combines nicely.
When I first started going on the red carpet, I wore a lot of Armani, but I didn't really have my own style apart from that. I think I was just lazy.
I believe that my music is just about feelings, and the style is just a side effect.
Every writer must find a way of writing that tells the reader: This is me and no one else. The Voice can be idiosyncratic, but it cannot be obscure. It is a blend of style and content and intent and rhythm and pure personality.
The flowery style is not unsuitable to public speeches or addresses, which amount only to compliment. The lighter beauties are in their place when there is nothing more solid to say; but the flowery style ought to be banished from a pleading, a sermon, or a didactic work.