It's important we win and because of the players we have we should win some matches in style.
When I was about 13, I met the coolest, chicest young woman I had ever seen. She was a neighbor of mine who became a fashion designer and had a small design studio. She taught me so many things about style and fashion. I had always loved making things, so when she told me about her career in fashion, I knew I had found my path.
To me, style is consistency.
I had something to prove and went in the studio and started writing. I got into fitness and style and learned the whole craft. That was when I wrote everything on the album. I put out 'Don't Ya,' and it took off.
Bad acting comes in many bags, various odors. It can be performed by cardboard refugees from an Ed Wood movie, reciting their dialogue off an eye chart, or by hopped-up pros looking to punch a hole through the fourth wall from pure ballistic force of personality, like Joe Pesci in a bad mood. I can respect bad acting that owns its own style.
The skyscraper style first advocated by Louis Sullivan - a tower of strongly vertical character with clear definitions among base, shaft, and crown - has remained remarkably consistent throughout the history of this building type.
Lagos style is fresh and different. Even with the tailors, they get very innovative with their stuff, with the cuts. When my parents used to make the traditional wares, it was a little bit baggy. But now the tailors are able to infuse the European style, making it slim-fit. Lagos style is different, man. Innovative.
I had an advantage over a lot of people who had gone to school and earned degrees in writing and had learned the rules for writing, so to speak. My style was just to tell a story but to tell it well, and that has worked out for me so far.
Horror movies are here to stay, you know? It's not a fad. Even the musical has gone in and out of style from time to time. Horror movies have always been around.
I hope I've lived a life of science whose style will encourage younger people.
Know your personal style.
I loved all those classic figures from the '30s and '40s... Bette Davis, Joan Crawford, Humphrey Bogart, Rita Hayworth. They had such glamour and style. I loved the movies of those times too - so much attention paid to details, lights, clothing, the way the studios would develop talent.
Every time I bought someone's album, it was about the connection. I was loving everything, from their raps to their style. I wanted to meet them.
What good is power if there's no connection point? My entire style's built around that actual basis.
Yeah, it's more like playing what you think is appropriate for the moment. It's not about trying to force any particular style within the parameters - and the parameters we play in are pretty large!
Where questions of style and exposition are concerned I try to follow a simple maxim: if you can't say it clearly you don't understand it yourself.
Style is primarily a matter of instinct.
David Bowie and Boy George created a safely contained theatrical expression of gay style.
I strongly believe that your hair plays a significant and impactful role in helping you change your look or make a style statement.
Bruce Lee loved all different styles of martial arts. He believed that you shouldn't limit yourself to one style, because martial arts is just another form of human expression.
David Cameron has a different style to Gordon Brown.
I've come up with another formulation about style: that it's essentially a manifestation of a certain habitual set of limitations. It's what a composer does NOT do that defines a style.
For me Brazilian music is the perfect mix of melody and rhythm. It just bubbles rhythmically. If I had to pick just one music style to play if would be Brazilian.
Style, no matter how outrageous it is, is still an expression of someone's personality. And my personality is somewhere stuck in the classics.
Bernard Shaw said that when you copy yourself, you know you've got style. And I feel that if you can write like you write, then you are true to yourself. And it's not an easy thing to do - it's a disgustingly difficult thing to do.
My style is about making things last forever. When you're on a budget, it can be daunting to spend $300 on a pair of boots or a coat. But such basics are the building blocks from which your look is crafted.
Cinema dominated the Fife coalfield towns. We lived in Lochgelly, but my mum was caught up in Hollywood. She was in love with the style and glamour. Sometimes she would come with me to the cinema in the afternoons, and she would say things like, 'I wouldn't mind a peck with Gregory.'
Some of my favorite style icons are Kate Moss and Rihanna, except I'm a little bit younger. I put a little bit more teenage into it.
The only time I would like to see was the 20s and 30s in America because I love the music and the style and the optimism, I wanted to see New York being built. I wanted to see all that, you know.
It has to be able to play at the maximum expression and communication in every style, and the only way you can do that is - like Verdi said - working with a file, every day, little by little, until the orchestra's collective qualities emerge.
I was trying to find an original style that didn't sound like Tony Bennett or anyone else. So I prayed about it, woke up with this high voice, and by 1954, I was going to amateur nights and winning.
The older I get, the more I seek to use a plain prose style, concentrating more on story.
Style is a big part of my life. I used to work in retail before I was an artist; a lot of people didn't know that. I was so good at selling clothes and shoes, and just the lifestyle, that I could tell what size someone was wearing just by looking at them.
I think that my preaching style and many of my ideas and ideals about faith are based in both Pentecostal and Baptist background.
Matter of fact, the style that people use today, I invented in a way.
University of California students can look forward to the same authoritarian management style Secretary Napolitano brought to the Department of Homeland Security, hardly a bastion of free speech and open government.
