At 17, I signed a recording contract right out of high school, so I started touring and traveling the world. I sort of missed out on the college experience.
My father was a civil servant, fairly sort of middle ranking, low to middle ranking. He worked almost entirely in what was then called Administrative Labour, dealing with employment and unemployment issues.
Usually I can hear the pianos, the saxophone, and usually I can hear Ronnie. But I really need to listen to Keith and Mick. The rest of the band is sort of an embellishment to that.
There's a sort of eternal, indefinable 20th century quality to 'BTAS.' We never really pegged the decade, but it's anytime in the 20th century, so I often harkened back to things from the '40s or '50s.
'St. Trinian's' is probably taking it to the extreme, but in essence it's saying, 'If you be yourself, you can do whatever you want,' and it's sort of a fun message.
And when we used to play and fight in the streets in Brooklyn and I would get hurt or something, my mother would always come out and save me. So that sort of postponed the inevitable about getting a good beating, without having somebody to come and save you.
I never went to drama school, I don't have any certificates saying: 'He's a qualified actor.' But I did think that 'House' was something I didn't have to apologise for. It was something I was really proud of and it was sort of... whether you liked it or not, it was undeniable.
Basically, I like research because research is like to solve the quiz, you know. Always there is a problem, and I have to solve the problem. So I like those patterns. It's almost like research is sort of in a quiz.
I hung out with Merle Haggard on his bus, which sort of freaks me out. It was him and his wife. We played with Merle in Oklahoma City. I'm from Arizona, and we talked about Arizona, and he remembered playing for two dollars a day down there at a bar.
Iran is not in any sort of routine groupings. It's not an Arab country. It's not part of the Indian subcontinent. So it's in a neighborhood where it has some unique characteristics. We are a country which embraced Islam, learned Arabic, but didn't change its language or its culture... That's what keeps us unique.
It is a sort of great Victorian truth that actually, trying to do the right thing is pretty good for you and pretty good for business as well, by and large.
The mobile Web, location-based services, inexpensive and pervasive mobile apps, and new sorts of opportunities to access cars, bikes, tools, talent, and more from our neighbors and colleagues will propel peer-to-peer access services into market.
When we first sort of break in or bust into the house, if you will, there's some tough love.
If something seems like a little venue, don't treat it like that. Do it all. If you're sort of wondering why you're doing something at some location, just do it - any size theater, production, or whatever. It's all helpful.
I feel that I'm sort of playing me but more feminine, and to me more feminine means smarter.
I prefer ordinary girls - you know, college students, waitresses, that sort of thing. Most of the girls I go out with are just good friends. Just because I go out to the cinema with a girl, it doesn't mean we are dating.
Nico Tinbergen was my doctoral supervisor, and he was a benign, avuncular sort of influence; everybody loved him.
I've sort of closed my mind off to reality shows: I just don't watch them, don't care about them, don't know who the characters are, but they're all in general usage.
This death cult has no reason and is beyond negotiation. This is what makes it so frightening. This is what causes so many to engage in a sort of mental diversion. They don't want to confront this horror. So they rush off in search of more comprehensible things to hate.
I go through life accumulating possessions... I've always done it... and then, every once in a while, a sort of tidal wave comes along and washes them all away.
After living in LA for 8 years, I sort of wanted a change, but there's not much production in New York, which is where I primarily live, so I just sort of drifted over to London.
Every age sort of has its own history. History is really the stories that we retell to ourselves to make them relevant to every age. So we put our own values and our own spin on it.
Well, I think, I certainly used backward music in Sea of Monsters. I can't remember in the Sea of Time. I would tend to do that all the time, you know? I tended to do all sorts of weird things. Just to get effects.
The press is still investing itself, it seems to me, in a sort of cynicism. It comes out better for them if they can predict hard times, bogging down, sniping, attrition.
Nonfiction filmmakers were afflicted by two problems: one technical, the other spiritual. Technically, they did not have the equipment to do the sort of work I had in mind. Spiritually, they didn't care about the work because they'd been mistrained.
If you've got a lot of children, I think you let the other children bring them up more and you just sort of step in and do stuff like every now and again.
Anger is implanted in us as sort of sting, to make us gnash with our teeth against the devil, to make us vehement against him, not to set us in array against each other.
But doesn't it seem like Chelsea's sort of being pimped out in some weird sort of way?
Monty Python crowd; half of them came from Cambridge, and half of them came from Oxford. But, there seems to be this jewel, this sort of two headed tradition of doing comedy, of doing sketches, and that kind of thing.
I wanted to look at the mentality that can breed that sort of intensity, that kind of cutthroat, pressure-cooker feeling, especially a form of music like jazz, that should be - or you'd think should be - all about liberation and improvisation and everything.
I mean, I - it's so funny, I am, you know, I am, you know, a working woman out in the world, but I still live with my parents half the time. I've been sort of taking this very long, stuttering period of moving out.
I started cooking seven years ago for real, and I started with pasta, and lasagna and roast chicken. Very normal American dishes. When I turned on Food Network, or any sort of cooking channel, that's what people were making. So that's where your education comes from.
I'm 19, I'm a girl, I'm very young, I like all sorts of different things, I like all sorts of different styles of music, I like all sorts of different styles of clothes, I like all sorts of different colors of hair.
It is not really our country so much is the problem, it's sort of the parasitic relationship that Canada, and France, and other countries have towards us.
You just try to get the best jobs that you can get. Sometimes I produce my own movies, so that's your own sort of vision. That helps things. I don't know what it is. Probably just circumstance. I've definitely been aware of the fact that I want to do different things.
Remember likewise there are persons who love fewer words, an inoffensive sort of people, and who deserve some regard, though of too still and composed tempers for you.
