Have you seen that show on Lifetime about that woman...?
Cyrus was observed to have more docility than any of his years and to show more submission to those of an advanced age than any other children, though of a condition inferior to his own.
Mr. Obama's choices show how fundamentally unserious he is about deficit reduction and spending restraint.
When you're on tour with the band, it's a different mentality. You don't sightsee because you're making sure you can do the show. But in musicals, I don't have to sing or play: I just have to use my brain, and the rest of the time, I'm free.
Ranger fans, they're expecting you to win, so you really want to show up every day.
Nobody works harder than me in the ring; no one steals the show more often, and no one gets better reactions for a guy who's not even part of huge storylines.
How much abuse is a fighter expected to endure before he can be allowed to show some concern for his own welfare? Anyone who has been around fighters knows they all share the same secret: They are more afraid of embarrassment and humiliation than injury. Do fans and writers use this fact against them in what we celebrate or criticize?
You know when I fight, I'm going to sell out the show. Everyone wants to see someone get knocked out or tapped out.
On a television show, you basically make a movie a week. Movies take three months - it's crazy. They're so slow, it's like vacation to me.
Artists should be free to create what we want. I believe there's a special value in work that is a reflection of oneself as opposed to interpretation. When I see a film or a TV show about black people not written by someone who's black, it's an interpretation of that life.
The interpretive element of 'Lost' - the fact that you immediately need, as soon as the episode is over, to seek out a community of people to express your own thoughts about it, understand what they thought about it and form an opinion - that's the bread and butter of the show.
I had so many local shows before I came back to New York, which is the ideal place to do a national syndicated show. Then I spent five years trying to convince people to give me a shot in the syndication business.
A lot of my fans are really young and seem slightly unsure and nervous about things. Hopefully for young people watching my show, it comes away that I'm pretty weird up there.
In my opinion, life is more important than show business.
A filmmaker doesn't have to suffer to show suffering. You just have to understand it. You don't have to die to shoot a death scene.
Art knows neither doctrine nor idea; its nature is to show.
When I was born, that was right smack in the middle of 'The Cosby Show.' But what I remember is my mother took me with her... She exposed me to the world in such a way where I was included. And I didn't feel like she chose her career over me.
'Power' is a funny thing. Maybe it's a show that draws people in because they are watching people do things they secretly wish they could do or know they could get away with.
It's not the average people that come to my show.
The closest I've come to being on a reality TV show is C-SPAN's live coverage of the Senate floor.
Well, there's two things that happen when people experience something, whether it's a song, a television show, a film, a book or any piece of art. It connects them to a certain part of their life and whatever was going on at that time in their life.
Anytime there was an award show, it was a ritual where me and my mom would sit around and watch with my friends. We would make desserts and buy chips and popcorn and see what our favorite performances of the night were.
You know, the polls show that 70 percent of the people are for stem-cell research.
I'd love to have my own TV show, in the way that Julianna Margulies has 'The Good Wife,' or a lovely ensemble show, like 'Six Feet Under.'
Whatever is shown in a TV show is a reflection of society.
I used to just think about what my fans wanted all the time. But it just started feeling weird to me. I want to just show everyone who I am and stick to my vision. I have to trust myself.
Listen, even if you go wild, I like class. Everybody in show business never should forget that there is a line, and that you should have class.
I think that going on any reality show is not good for your mental health because you behave differently when you are being watched, and you constantly have an extra bit of awareness of what's going on all the time.
If you want to, if you are a crazy person, you could go from idea to the stands in about four months. It does not cost hundreds of thousands of dollars to make a comic the way it does to make a television show or a movie.
When I turned about 14, I developed a friendship with this guy whose mom was the secretary to Ernest Angley, the faith healer, who's very popular in the Midwest. He had a television show, and he was sort of like Liberace mixed with Jerry Falwell - very glitzy, very high-tech.
There's a million jokes about what's going on with Batman and Robin. It's a classic thing to call out the homoerotic nature of the men's adventure show.
I remember 'The Cosby Show,' but that was something completely different. Comedy. There was a lightness to it and a sort of unrealistic perfection.
TV is really, really, really hard work. You sacrifice a lot of your personal life, a lot of your sanity, just to do one show.
The wonderful thing about theater as an art form is it's a purely empirical art form. It's all about what works. And every show, every production, is created anew right from the moment you go into the rehearsal hall.
No true fan wants to go to Comic-Con and get assaulted with a marketing blitz about just any old show.
I was one of those kids who moved around a lot, but in every town I ever lived in, there was always that after-midnight horror show. It was hosted by Elvira when I lived in L.A. There were other ones. I can't remember the rest of them. They were always able to pull out the sense of humor in the movie.
