People still don't know how good Kevin Love is because he played in Minnesota... you didn't see him much on TV. His passing, his knowledge of the game - the stuff that doesn't show up in the stats - he has so much going for him.
Even though I was in close proximity to everything, it never really dawned on me to pursue a career in show business.
I'd really like to show women my age - who've had children grow up or lost husbands or retired after working all their lives - that there are options. There are choices. We don't have to just sit around and be invisible.
I learned everything that I know about comedy and about show business and a lot about life from Carl.
A show like 'True Detective' is definitely a drama.
I'm playing a powerhouse singer who is big competition, but she's also really down to earth and sweet. But the whole sweet thing goes away when she's in competition mode. I love the show, so I'm very excited to be a part of it. I'm going to kill it on 'Glee!'
I have had the same person show up in a few cities with flowers. A lovely gentleman who gave me a picture of himself. I came home, gave it to Ian, and said, 'If I go missing, here's the guy.'
You have to show up at 7 in the morning and be on like it's 9 at night. It's a skill. Some comics run from it, and they hate doing it, but the comics that are pros understand how important it is, and they get good at it.
Biceps for show, triceps for go.
Jeff Lynne is an arranger, and I think it's probably much easier for him to go ahead and play a part himself than to try to show somebody else what he wants. But it's hard for me to say; I barely know Jeff.
It's interesting because when you're in a show for a year, your life really isn't your own for that whole period.
I actually never auditioned for 'Full House.' I had done a guest appearance on 'Valerie' as the next door neighbor's niece, and from that I got into 'Full House.' I was only five years old, and I was on the show until I was 13.
You don't always have to show art in what's called a white box; you can have a kind of complexity within an exhibit which actually respects the art as well.
I have always been small and one of the smallest heptathletes out there. And earlier in my career, I was faced with coaches and athletes who felt I was too small to be a multi-eventer. It gives you a push to show you can do it.
Quality attracts quality. People want to be on a good show.
It's often the death of the show when you break the tension and the two lead characters get together.
I watch just as much WWE as almost anyone, but I love to. It's something I enjoy doing. I don't force myself to watch. I get excited for Mondays. I get excited to see the show.
I love meeting 'the Odd Man Out' - like fans of 'Baywatch' who regret, as I do, that Tower 12 Productions didn't put nearly as much energy into writing and directing the show as they put into photographing and editing it.
The dark areas, the 'mare' plains of the moon, are so incredibly smooth that the English astronomer Thomas Gold has suggested that they might really be depressions filled to the brim with dust. A rocket hit would show whether they are that or not.
The cool thing about my show and me is that I'm a writer, and I'm a writer first if I don't have music.
I had a problem with cops pulling me over all the time for speeding. When I was doing Hill Street Blues, the cops said how much they loved the show as they were writing me up; meanwhile my insurance went through the roof.
I want to show everyone that if you pursue your dreams, they can come true no matter what. That's what I want to do.
There's a book called 'The Shack' - it had a lot to do with me coming full circle, meeting my birth mother. Awhile back, my birth mom and my adopted mom came to my show together, and it was pretty surreal.
Dave Chappelle asked me to come do his show. I read the script, and I said, 'Has he lost his mind?'
Occasionally, the horrors of life in North Korea do show up in our American satire.
I've been so fortunate in my career and my own life just to have all these opportunities, and the talk show has always been one of my favorite formats.
The Broadway audiences are very vocal and seem very engaged. For certain shows, especially with a show like 'The Heiress,' the audience's reactions sound like 'The Jerry Springer Show' sometimes. That seems to be a very New York thing. Oh, there's also the entrance round of applause here, which we don't get too much in London.
I have loved 'Les Miz' for so long. It was the first Broadway show I'd ever done.
I always loved to entertain and show off in front of the neighbors. I would sing and dance at their houses.
You don't just win an Oscar because you're a great actor. You campaign for that Oscar: you engage with it; you go on the David Letterman show, and you do the interviews, and that's how you get out there.
Now, people have said that somebody told them that they saw somebody on the railroad bank or saw somebody going over the bank, but no one has ever been able to show any cartridges, any rifle, any pistol, no one has ever found anything other than the evidence about Oswald.
I get very excited when I go to a show - there are all these people who don't know each another who've come together to celebrate this amazing ritual. The making of community that theater provides is quite profound.
When I do an hour-and-a-half show, if I don't improvise 20 minutes worth of new material each night, I feel I've let myself down.
Yeah, we went to England to do a show and I got off the plane and I couldn't write my name or hold my hand up.
Coming off a show like 'Lost,' there were other offers, but it was difficult to get excited about anything because 'Lost' was such a great piece of writing and such a hit show.
When I was growing up, there was a character on TV; there was a character stereotype: it was personified by Mel on 'The Dick Van Dyke Show.'
