Working on the Dave Chappelle show was amazing.
I'm not all that enthralled by show business, and I'm not that much of a highbrow.
Hey, if someone is crushing on me, and it brings them out to the show, so be it!
It doesn't matter if these characters are supposed to be together forever: if their chemistry gets stale, you want somebody to die, you want to put somebody in a coma, you want to write them off the show - anything to save you.
Is advertising moral? It is part and parcel of the American free enterprise system... I challenge anybody to show any economic system that has done as much for so many in so short a time.
When you're editing, you're putting it together in a way that makes sense metaphysically. You're not inventing it, but you're finding the story that's there. You're making a play that's eventually going to go on stage and present itself to an audience. You want to show what happened, not exactly what you have evidence of happening.
To go from working with a group of people in a sketch-comedy show on a small network, where it was all about just creating funny stuff, to being on a network show, and the pressures of that, and getting to know the new people who were involved in it. There was a learning curve for me. But it was an education.
Nothing's as easy as it is on a sitcom. Issues that we take care of in 20 minutes on the show can stretch out over years in real families.
A spiritual partnership is between people who promise themselves to use all of their experiences to grow spiritually. They use their emotions to show them how to create constructive and healthy and joyful consequences instead of destructive and unhealthy and painful consequences.
It is not always them that has the most that makes the most show.
My stepfather met my mother when I was seven years old, and he was a guitar player. So he caught me messing with his guitar, his electric guitar, and he tried to show me some chords, but my hands were too small.
Every time you have to come up with a new body of work for a new show, you're aware that people are just ready to rip you apart, they're just waiting for you to fall or make the slightest trip up.
The Russians were responsible for the Chekov character. They put in 'Pravda' that, 'Ah, the ugly Americans are at it again. They do a space show, and they forget to include the people who were in space first.' And I said, 'My God, they're right.'
I auditioned for 'Girls' the fall after I graduated from Yale. The show has been amazing - as close to perfect as it gets!
When I was back to 100 per cent fitness, I was able to show what I was capable of. I like to think I will bring a freshness into the Euros, and now that I am captain, I am going to do my best to take responsibility.
I want to play a role of a 24-year-old woman, not 17-year-old girls. So I have picked a couple of films like 'Butter' to show that. And it's perfectly fine not to do anything for a year if I don't find the right thing.
In chess, computers show that what we call 'strategy' is reducible to tactics, ultimately. It only looks creative to us. They are still just glorified cash registers. This should make us feel uncomfortable, whether or not we think computers will ever be good composers of music or artistic painters.
I wanted to show that Martin Luther King was simply a human being, not a god, not a saint.
My approach to 'Star Trek' was, 'I know science fiction, and I know screen writing.' That was very arrogant of me, but you really need to be a little bit arrogant to think that what you have to say is good enough to justify the expense of hundreds of thousands - now millions of dollars - to make an episode of the TV show.
I think about 'Will & Grace,' and I think about 'Modern Family,' and the way that being gay has become sort of middle America... in the way that they show gay people in their specific way.
If you're writing a scene for a character with whom you disagree in every way, you still need to show how that character is absolutely justified in his or her own mind, or the scene will come across as being about the author's views rather than about the character's.
Kathie Lee and I were working together on our 'Live' morning show when she started dating Frank. I always loved trying to get her to tell me about her new romance, and it wasn't long before we were watching them take their vows in front of close friends in Southhampton.
For my family, 'black-ish' is the reward on a Thursday evening - a day after the show officially airs, when it's finally available to be streamed.
I actually do enjoy the Kardashians' show, and I know that other people do enjoy it, but at the same time, they want to make fun of it. Like, I know that girls are watching that show - I'm just the only one courageous enough to say it. Other people are courageous in acts of war, but I'm courageous in my love for the Kardashians.
Show business is fickle, and though I have been blessed with a healthy career, who knows how long that will last?
Unlike a lot of comics, I didn't care about getting on 'Saturday Night Live.' That show had such history and was so established that I didn't see the point.
I got to show off in front of my husband, who married me as I was stepping out of the business, so he had no idea that I could strut my stuff on the stage.
I'm such a proponent of the theatrical experience and the cinematic experience, and we've reached this point where the magicians are not only giving away their tricks, but they're telling us how they're doing the tricks in advance before you even come to the magic show. It'd be nice to get a little of the mystery back in.
My favorite thing to do is to perform. It doesn't matter if people are watching or not because either way, I see 50,000 people when I close my eyes, and I will give a show for those thousands of people, regardless if you see them or not.
Well, we don't take money from people and then show the product. It has to be a product that we like anyway, and that's true for all five of us, which is one of the really nice things about the way we make the show.
I've done a lot of movies before 'Entourage,' and I hope to always have my movie career going. Maybe I could take on another TV show, too.
When I go to a web video meeting and look around, at least half the show runners are women. And a lot are actors-cum-writers who are frustrated with the situation of being a woman actor in Hollywood and have decided to create their own show.
When you introduce competition into the public school system, most studies show that schools start to do better when they are competing for students.
This circus that's advertised to show and furnish a little amusement for us heathens is owned by a woman, one whose pluck catches my sympathy every time.
I turned 54 this year and I find myself feeling like I'm in a bit of a race to get down on paper the way I really feel about life - or the way it has presented to me. And because it has presented to me very beautifully, this is hard. It is technically very hard to show positive manifestations.
I think it's because it's so different and it takes risks. Plus, it's really smart humor. It gives the audience credit in terms of not needing to tell them when to laugh. I love that about the show. There's no laugh track.
