And if you have great writing, it's really easy, but if it's not so great and you have to work a little harder, I could tell where the work needed to be done but comedy is just fun.
Everybody in Lynyrd Skynyrd loves different styles of music, and our minds are very open when it comes to writing our songs and making the band true to what the band is, but also stepping out and doing something current.
The novels I planned to write were never going to be funny books about Jews. They were going to be country house books. Only later on could I write what I knew I was best at writing about.
Album sales have collapsed, with few artists making money from albums; touring is more lucrative. But I'm 53 now and won't be able to tour forever, so a logical step is to get into writing film scores. Trouble is, you need to be somewhere which has a big film industry - another reason why I'm thinking about living in California.
I've included these little jokes and mysteries in my writing for the amusement of readers.
When I read Toni Morrison and Sandra Cisneros as a freshman at Rutgers, it all clicked - that writing was all I wanted to do. It became my calling.
Writing is a muscle that needs to be exercised every day: The more you write, the easier it becomes.
I've been writing since I was really young, so I considered myself a writer for a really long time.
I don't think about what I can't do or what I shouldn't be doing. I just think there are endless possibilities musically, really. And I'm very, very open to experimenting with different people and trying to find different methods of writing and making music.
Writing for yourself is like exposing your diary. It can be a little embarrassing at times, but if it helps somebody get through the day just by hearing a song, it's well worth it.
A good ground rule for writing in any genre is, start with a form, then undermine its confidence in itself. Ask what it's afraid of, what it's trying to hide - then write that.
When you are a sentence-based writer, they have to be good. They have to be really on the spot. Because when you don't have a plot, really, what shall you rely on? Just language. And sometimes I am so afraid of writing the wrong thing, I just sit and wait for the right thing to come.
I do like writing. When I was a little kid, I used to love writing funny, silly stories - and my mom would always encourage it. I don't know why I ever stopped!
Bringing my two children up while writing was just a part of life. I'd much rather have had their interruptions than been stuck in a sterile office. This way, I had welcome distractions. I had to load the washing machine, I had to go out and buy lemons.
I'm not writing a Ph.D. Dissertation.
I'm very interested in writing - it just takes so much discipline, whether it's short stories or novels.
I'm a genre writer - I chose to be one, I ended up one, I still am one, and I'm not writing transgressive, genre-blurring fiction. I write 'core SF' - it may occasionally incorporate horror or noir tropes, but it's not pretending to be anything other than what it is.
Real novelists, those we admire, those we consider timeless in their language and character and scene, those who receive accolades for inventive language and form, have writing lives we imagine in specific ways.
You may think me crude, and probably I am crude, but I am not so crude as I was, for I am clever enough to see that the girl of nineteen who thought herself a genius was only an unusual girl writing her heart out.
We go to the office every day when we're writing - or supposed to be writing. It's not always productive, and there's a lot of procrastinating, just staring at the wall, like any other writing. But we just make ourselves go to the office every day for more or less the whole day.
In a way, 'Billy Elliot' was autobiographical. I can't dance, but I think his dancing was me discovering about writing and literature.
My writing has been largely concerned with the depicting of Negro life in America.
This sounds like a cliche, but I always wanted to write. After college, I did some writing and realized very quickly that it's hard to make a living as a writer. At that point, I was more interested in fiction writing.
I tell my writing students that everything is material; just pay attention.
At one point, I was greenlighting films and scripts that shouldn't have been made based on the fact that they had that stamp of approval of an Academy Award winner. And the good news is I got to learn the real process of filmmaking - directing, storyboarding, writing.
I remember reading the script for 'Dangerous Liaisons' and thinking that I could quite happily spend the rest of my life watching this film; the story and the writing were so wonderful.
One theme I ran into over and over while writing about the periodic table was the future of energy and the question of which element or elements will replace carbon as king.
The primary requisite for writing well about food is a good appetite. Without this, it is impossible to accumulate, within the allotted span, enough experience of eating to have anything worth setting down.
I read every screenplay that was being sent to the other directors. None were being sent to me, but I was reading what others were choosing and what the best writers were writing.
It took me a couple of years after I got out of Berkeley before I dared to start writing. That academic mind-set - which was kind of shallow in my case anyway - had begun to fade.
Writers know that sometimes things are there in the drawer for decades before they finally come out and you are capable of writing about them.
I'm not as worried about the process of writing, simply because I think I've got that one down, you know? I think I know what brings specificity to these ideas, what brings specificity to the genre elements, or anything else, and it's personal emotions.
My writing tends to become very dense, so I have to keep some cushion. Sometimes, words that seem superfluous are actually essential for the overall effect.
Everyone seems to see bleakness and despair in my books. I don't read them that way. I see myself as writing comic books, books about ordinary people trying to live ordinary, dull, happy lives while the world is falling to pieces around them.
Music helps me immeasurably in the writing process.
With any piece of writing, you're hoping that it will change something, and it seldom does.