A lot of writing I do on tour. I do a lot on airplanes. At home, I write a lot, obviously. When I write a song, what I usually do is work the lyric out first from some basic idea that I had, and then I get an acoustic guitar and I sit by the tape recorder and I try to bang it out as it comes.
And when I'm writing, I write a lot anyway. I might write pages and pages of conversation between characters that don't necessarily end up in the book, or in the story I'm working on, because they're simply my way of getting to know the characters.
But I think everybody should write. I think those people with stories who don't write should be stomped on.
I loved to read and to write, but then something happened. As I made my way through school, I kept getting handed books to read that didn't excite me and didn't even remotely connect to the realities of my life.
I write music to both the situations and the lyrics in plays.
I wanted to write a film and I thought the best way to do so was to train myself within the field... It was just like a cycle of people trying to make it, not making it, doing extra work, and it was pretty depressing in the end.
I have a high range. Sometimes I sound like Stevie Winwood. Some people say I sound like Peter Gabriel. Some of the songs I write are funky. Others are slow. Some are ponderous, and some are there to shock. I must say some are pretty damn good, too.
Paris is an ideal place to become informed, while Venice is a place to think and write.
If anything, I feel a bit of pressure to write about less disenfranchised people, because I'd probably sell more books that way and would've already had some hot property that I could've sold to Hollywood.
There's always ways of motivating yourself to higher levels. Write about it, dream about it. But after that, turn it into action. Don't just dream.
I don't sit down to write a number one hit. I'm not that good at my job - I don't know how to do that.
When I wrote my first book, 'The Tennis Party', my overriding concern was that I didn't write the autobiographical first novel. I was so, so determined not to write about a 24-year-old journalist. It was going to have male characters, and middle-aged people, so I could say, 'Look, I'm not just writing about my life, I'm a real author.'
I write for three or four hours and then hopefully I'll have something. Then I draw for the rest of the afternoon... I literally block out Wednesday-Thursday-Friday - I more or less disappear.
I want to write about grown-up things.
I'm not very good at creating worlds. I prefer to write about the world as it is.
I essentially write for myself.
When you write for very young children what they want is something familiar and safe and stereotyped.
The White House is giving George W. Bush intelligence briefings. You know, some of these jokes just write themselves.
I know people who have written big hit country songs that are really kind of terrible songs, but for the rest of their life, they're the guy who wrote that. You've got to be careful; if you don't want that to happen, don't write those songs.
I'd always wanted to write a novel, but after attending film school, I'd spent five years knocking on Hollywood's door and had put that idea aside.
I write about sex, not love. What do I know about love?
I write a book over a period of months or years, and when I'm done with it, usually another year goes by before I see it in print. It's hard to be patient and wait.
Writing fantasy lets me imagine a great deal more than, say, writing about alligators, and lets me write about places more distant than Florida, but I can tell you things about Florida and alligators, let you make the connection all on your own.
I don't finish every story, but I probably write and send out three out of five of them.
For an author to write as he speaks is just as reprehensible as the opposite fault, to speak as he writes; for this gives a pedantic effect to what he says, and at the same time makes him hardly intelligible.
I've always thought of music as something which gives the words their flight and their wings and the music often comes first, although sometimes I'll have a concept, a title idea, a lyric idea that I want to write and the lyric will come first.
Write a story a great writer would write. Because part of becoming an artist is pushing through all the disbelief of those around you, deciding that you are a writer when you have no idea what a plot is or whether what you've written is any good, or anything.
The hardest thing to write was explaining what anxiety feels like. Every time I'd try to really write about what it feels like to have an anxiety attack, I would actually have an anxiety attack. It was good material but so incredibly uncomfortable.
If you write something that gets a bad response, or someone commits candor or is off message, there are often consequences almost immediately when it appears in the paper or a magazine, that somebody gets called into the boss's office. And sometimes it can result in a loss of access for the reporter.
It's a gift that I have and I became good at it. When I heard my first song I didn't even know that I could write songs.
I wanted to be the first girl in my class to get married. From the seventh grade on, I used to write in my yearbook under each senior's picture, 'married' or 'engaged.' I had marriage on the brain.
In the early '90s, I was hired to write educational dramas about HIV and AIDS in the shantytowns. I did that for two and a half years, and then I was hired on other films. When 'Tsotsi' presented itself, I thought, 'This is not a world I grew up in, but I've spent a great deal of time writing about it and researching it in my past.'
Since then, I have just read and read - but, that said, I suppose there is a raft of writers to whom I return again and again, not so much because I want to write like them, even if I were capable of it, but simply for a sort of stylistic shot in the arm.
I think, for me, there's The Book I Should Write and The Book I Wanted to Write - and they weren't the same book. The Book I Should Write should be realistic, since I studied English Lit. It should be cultural. It should reflect where I am today. The Book I Wanted to Write would probably include flying women, magic, and all of that.
For me, the work begins with a rough cut of the film. I can't do much with the script. I've tried to write music to a script prior to seeing the film, but I've found it turns out to be a waste of time.
Nobody's going to write a book about me, because nobody's going to find anything worth writing a book about.
