Sleepin' in the truck wasn't so bad. Shoot, I kind of liked that, myself.
An actor really suffers when the director isn't prepared because you start running out of time for the shoot and then have to do it fast.
I consider myself to have been the bridge between the shotgun and the binoculars in bird watching. Before I came along, the primary way to observe birds was to shoot them and stuff them.
Electricity can be dangerous. My nephew tried to stick a penny into a plug. Whoever said a penny doesn't go far didn't see him shoot across that floor. I told him he was grounded.
You can finish the day's filming or the whole shoot or watch something months later and think you could have done it so much better. It's frustrating.
The players don't play the position game as much as we used to play. A lot of young guys go up and down, shoot the puck, go for the rebounds. You're getting tired quicker because the body has to react where the puck is going to go. You cannot read it, because you don't have the puck on your stick.
Hollywood is where they shoot too many pictures and not enough actors.
It often happens that you leave your house in the dark, shoot on a sound stage without natural lighting, and then go home in the dark. A whole week can go past, and it can feel like 12 hours.
Every single director stops at the moment he thinks he has the shot. Sometimes, directors shoot an establishing shot where everything is in the shot. He's going to use this at the beginning and the end.
When I grow older and less popular, there will come a time when I have to shoot films on low budgets.
When I come home from a shoot, I'd rather reheat food I've made than eat takeout.
On 'B&B,' we shoot so fast and eight episodes a week, so we have to always be on our A-game. There's really no time to make certain adjustments. We usually shoot a scene in one take, maybe two or three only if needed.
I've learned that I really want to shoot short films on a short schedule. There can be very good films that run 110 minutes, but 90 minutes is beautiful.
I did a network show in the U.S. before, and I loved it, but you have eight days to shoot an episode, and it's just a ridiculous pace.
I was able to shoot a movie like 'Tree of Life' because I had done 'Y Tu Mama Tambien.' The camera needed to capture that sense of freedom and joy and life you have when you're young.
When I made 'Eight Below,' they wanted me to shoot digital, and I didn't want to do it because that's just what I need, to get a great series of takes and then find out the camera was frozen.
I'm a bit insane when it comes to doing my own stunts and getting down and dirty. It's fun, you know? It's things I wouldn't normally do in my real life, so when I go to work and get to beat people up and shoot guns and get waterboarded, those are things I find completely interesting.
There are three things in life I really don't like: Rice pudding. Social climbers - you know, hang-ons! And the photo shoot!
'Brisco' was the first show I created, and of course, at the time I had no idea what a special experience it was because I didn't have a frame of reference. After it was over I was like, 'Damn. Shoot. That was something special.' I'm still upset that it got cancelled.
People know I love to shoot action and that I'm not afraid of emotion.
Learning to shoot firearms to me is a little like driving stick - it seems like a decent skill to have.
When I came back to Dublin I was courtmartialed in my absence and sentenced to death in my absence, so I said they could shoot me in my absence.
I can't understand why anyone would want nuclear warheads. If you shoot them off, it's not like you can take over that country-all you do is kill millions of people.
The scene was attempted a second time, up on top of the fort, and cameras didn't even roll. Michael, though he wasn't admitting it, wasn't sure how to shoot the scene.
I'm a crack shot and I've won medals for shooting. But I don't think I could shoot a person.
We're going to shoot one Polaroid per show. I'm going to sign this before it even develops because I know that once it develops with my signature on it, it's worth a fortune. I'll make this a work of magic warlock art.
Shoot first and ask questions later, and don't worry, no matter what happens, I will protect you.
I had written in another draft a completely different kind of fight, but they said they couldn't afford to shoot it. They needed a fight scene, though, so I was told to put a fight scene in, but not the one I had written.
When you shoot a musical, you're shooting to lipsynch tracks, so we had to figure out our choreography and work out what we wanted to do with each number before we did it.
I did 'Basic Instinct 2' because I had a baby about to be born, and the director said we could shoot before the due date.
The stag tells him that he is the eldest of the sons - the father's favorite - and he warns the father that if he tries to shoot any of the stags, their antlers will tear him to pieces.
When you're working with film, you can only shoot one angle at a time, and then everything has to stop, and you re-light it and shoot everything else from the opposite side, so it's really important that you stick exactly to what's written.
I'd really likely to shoot wildlife documentaries. I watched so many of those as a child, and I'm quite into wildlife and love photography as well, so that's something I'd like to do.
I've always fantasized about being on TV. And I was. Then I fantasized about being in the movies. What could be better than captain of a space ship? I get to ride horses, shoot guns, have adventures.
As fantastic as it is to have 'Vogue' and 'Vanity Fair' as places to work, I don't often get to shoot the kind of things I like to photograph in the way I like to photograph.
What I end up shooting is the situation. I shoot the composition and my subject is going to help the composition or not.