I didn't realize it was October until I saw the Chicago Cubs choking.
I'm obsessed with Lady Gaga. I saw her at the Alexander Wang fashion show after-party, and I think she's the nicest person ever.
I was Irish; I was a woman. Yet night after night, bent over the table, I wrote in forms explored and sealed by English men hundreds of years before. I saw no contradiction.
I saw Ray Charles at Massey Hall.
They were just kind of simultaneous - the film ending and the sets being destroyed. I was struck the first time I saw the Great Hall become a big pile of burning rubble and getting scattered around. It's really quite shocking for the fans.
I had the greatest time of my life making 'Saw 3.' More fun than '2' for sure.
The whole thing of clothes is insane. You can spend a dollar on a jacket in a thrift store. And you can spend a thousand dollars on a jacket in a shop. And if you saw those two jackets walking down the street, you probably wouldn't know which was which.
The first book I sat down to write was an historical romance. It was really bad and thankfully no one ever saw it.
I wanted to play piano in restaurants in the south of France. I went there on holiday once and I saw this guy playing in an old tuxedo. He was all disheveled, with a whisky glass on the piano. I thought that was the coolest thing. So what's happened to me with 'Twilight' isn't really what I'd planned.
When I saw contestants fighting for their lives on 'The Biggest Loser,' I realized I just wanted to be healthy - to have fun playing soccer with my son or teaching my daughter to shoot hoops. Then it was so much easier to say no to carbs, soda, or dessert, and the weight just came off.
I never viewed money as being 'my money' I always saw it as 'the money.' It's a resource. If it pools up around me then it needs to be flushed back out into the system.
I saw Berry in concert a couple of times in the late '70s - and like almost every North American male of a certain age, I went because a friend was hired by Berry that very day to be part of the legend's backup band.
The first Broadway play I ever saw was 'The Bad Seed' by Maxwell Anderson and with Patty McCormack. 'The Bad Seed' was from an extraordinary novel by William March.
I don't want to play everyone's best friend. I don't want to play the role of a girl struggling in the ghetto. It's not that that story isn't important, but I saw patterns, and was like, 'I don't relate to these people.'
I didn't like the way I looked in pictures - when I saw myself on a digital camera, I was like, 'Eesh.'
When I first saw Drake, I thought I was never going to like him based on the person that I saw on T.V. He's just so full on, and he's got the ladies' man thing, which isn't necessarily something that would resonate with me.
The Israeli people are skeptical about the chances of a long-term peace, but if they saw it, they'd grab it. Any Israeli government that wants to be reelected should be interested in a lasting peace.
A great wind swept over the ghetto, carrying away shame, invisibility and four centuries of humiliation. But when the wind dropped people saw it had been only a little breeze, friendly, almost gentle.
I have memories of films that nobody ever saw, that I was very proud of, and those are still great memories.
What launched me toward Feedburner? Well, the Internet happened. When I saw Mosaic, I thought, 'I gotta do this.' I founded and sold a few companies. Feedburner was my fourth.
I so often heard from women that they saw this beautiful fashion, but it didn't always work for them - whether it was cultural reasons, lifestyle reasons, body type reasons. So it seemed like in my mind there was a gap there, that women really wanted to be able to customize items to fit their needs and their tastes.
Al Gore is an heir to the old czars and commissars. He never saw a regulation he didn't like.
Before I moved to the Isle of Wight, I lived in the suburbs of London and saw 'Fantasia,' and it scared the living daylights out of me. And I didn't go back to the movies until many years later to see a Lasse Hallstrom film.
I never saw myself going to college. Even when I was looking at different schools, I was like, this really isn't right.
I had worked on the markets with my father before going to university, so I possessed an apparent street-smartness, had access to a colourful costermonger vocabulary, and tried passing myself off as a bit of spiv. But my contemporaries saw through me. At heart, they knew I was as bookish and oversensitive as they were.
I was in Nashville, Tennessee, and I saw - we talk about crumbling bridges - I saw one, concrete literally falling onto the underpass below, threatening auto traffic.
I kept extensions in until I finished high school. Although, once I got to college, that's when it all started to shift. I think it was just growing up and moving to New York, where I saw so many different people, vibes, and looks, and everyone really owned it. That led me to feel more free, take more risks, and go back into my natural hair.
Years ago, when I was in Siena for the first time, I saw the works of Duccio, whose deeply emotional painting from the thirteenth century has never left me.
I think about the audience in the sense that I serve as my own audience. I have to please myself the way, if I saw the movie in a theater, I would be pleased. Do I think about catering to an audience? No.
When I was in the ring, you really saw the best of me. Outside the ring, I was really some terrible fellow.
I think life would be so much funnier if every day you saw someone walking down the street getting hit in the head by a monkey, don't you?
In 'Twice Born' I play my character in her 20s, 30s and 50s. For the fifty year old scenes, I had some prosthetics; it was interesting to see how I'm going to look when I'm fifty-five or so. I actually saw similarities between my grandmothers and my mother.
We were for Mao, but when we saw the films he was making, they were bad. So we understood that there was necessarily something wrong with what he was saying.
The Four Horsemen were limousines and Lear Jets, while DX was trailer parks and outhouses. One was white trash, one was upper crust. I always saw DX and the NWO as the natural rivals at the time.
I made four comedies, and all did well, but I always wanted to do an action film. When I saw 'Singham,' I thought this was the right film. Many stopped me, saying, 'You are doing so well in comedy, why do you want to make this film?'
The 'Saw' sequels went in a direction I wouldn't have gone in. With 'Insidious 2,' I wanted to push a potential franchise in the direction I thought it should go in.
