I didn't see myself any different from my white counterparts in school. I just didn't! I thought I could do what they did. And what I didn't do well, I thought people were going to give me the opportunity to do well, because maybe they saw my talent, so they would give me a chance. I had no idea that they would see me completely different.
Everyone saw me on TV or read articles, and it was all about my great marriage, the white picket fence, all this success and my perfect life. But behind the scenes, it was a struggle.
I read this book when I was young. It's about a black girl growing up in Heaven, Ohio. The cover has a black girl with clouds behind her. It was the first book cover I ever saw with a girl that looked like me.
I recall waking to the realisation that I was the best table tennis player under 17 in north Manchester and parts of Bury. The satisfaction lasted for half an hour before I saw into the nothingness of things.
I was one of those guys who never wanted to start their own business. I never saw myself as a leader. I saw myself as a great No. 2.
My first fear was about the devil, when I was around fire, something I saw in a movie. I think it's about pain, in whichever form it comes.
I had a brief theater background and loved the backstage world there's more backstage work in television, so I saw a job advertised and applied, and got it. That was back in 1977, when getting jobs was easy.
The title, the name Frank, comes from this extraordinary British character Frank Friedbottom. He was very big in Britain in the '80s, but I, as an Irish kid, saw him on 'Top of the Charts.'
Only one of us would usually sing lead. Which most of the time was, Mickey or Dave. They thought it was perfectly a natural routine, because Mickey and Dave saw themselves as TV actors.
What is the future going to say about us now? What are our kids going to look at us and say, 'How could you not stop that person from getting into power? How could you not stop that environmental disaster that you saw coming a mile away?'
I was immature the way I handled the business. I saw myself as a tribune of the people.
When mankind first saw the necessity of government, it is probable that many had conceived the desire of ruling.
I have done my best. I saw a fatal flaw in the camera industry. We did our best to address it.
I found myself in the doldrums in the early Nineties. I was too old to play the dolly bird any longer and I looked too young to play a woman of my real age. No one ever saw me as the aunt, mother or grandmother.
When I was older and I first started working, I was obsessed with buying my first Chanel jacket. I saved up my hard-earned money, went to Barneys, and bought a little black Chanel jacket. It saw many, many job interviews and many, many events. I'm not fitting into it lately, but I still have it.
There's a basic kind of tension here. It's between those who say, I'd like to clear cut this forest and reduce it to saw timber because that's an economically productive thing for me to do.
Nothing is old, nothing is new, save the light of grace underneath which beats a human heart. The way of feeling, of understanding, of loving; the way of seeing the country, the faces that your father saw, that your mother knew. The rest is chimerical.
I'm one of those writers who can't talk about what they're working on. The entire four years I was writing 'House of Sand and Fog,' my wife never saw a word of it. I just have to keep it in the womb, and then everyone can have a crack at it.
No film has captivated my imagination more than 'King Kong.' I'm making movies today because I saw this film when I was 9 years old.
Because I was from the Midwest and untrained, I was completely open and ready to try anything. Many of my classmates were cynical and jaded; some already had conservatory training, and they were there simply to get that Yale stamp of approval, which they saw as a career stepping-stone.
When Occupy Wall Street happened, I took my money out of Citibank. I already had problems with all the banks - Citibank, Bank of America - but I was kind of just too lazy to take my money out until I saw how Citibank responded to Occupy Wall Street.
Right after 'The Wackness' came out, it was a really exciting time, and then it was a bit disappointing when it came out. Even though not that many people saw it, I was still getting offered some movies. I was thinking that people would just stop calling me since it didn't do very well at the box office.
If people recognize me from 'The Vampire Diaries,' they just give me that look that's like, 'I think I know you. I think I saw you boxing in 1912, but I'm not sure,' because it was such a short-lived run.
I cry watching 'Camille' with Greta Garbo. I have to say that - while it might sound weird - it will be weird, but there is one movie I always laugh in, and at the end of the movie, I always cry, and I saw it, like, 10 times. It's 'Step Brothers.'
I came, I saw, I conquered.
I never saw an ugly thing in my life: for let the form of an object be what it may, - light, shade, and perspective will always make it beautiful.
He was a manager, one of the singers, I guess talent coordinator for the local talent in Harlem. His name was Lover Patterson. He was living right across the street from where my dad had his restaurant. I guess he saw a lot of kids come in, a lot of my buddies.
After a hundred years the son of the King then reigning, who was of another family from that of the sleeping Princess, was a-hunting on that side of the country, and he asked what those towers were which he saw in the middle of a great thick wood.
The first time I ever saw people of any color was when D-Day left from my hometown in England, to go and free Europe from the war. And there was every color you could imagine, and I'd not seen that in England.
There was a movie called 'Hawk the Slayer' when I was a kid. I think only three people saw it, but me and my brother saw it. I remember when I was a kid thinking that's kind of cool. It was just this sort of action adventure-y sort of thing.
I saw as a teacher how, if you take that spark of learning that those children have, and you ignite it, you can take a child from any background to a lifetime of creativity and accomplishment.
I have some realistic humility which comes from my first career as a writer. I wrote for other people for ten years. I saw some incredible egos not based on any reality. They were great when they were on top and awful when they weren't. I learned a lot about how to treat people.
The DC 9/11: Time of Crisis film was hard to get the part; I had to audition three times. It was very serious and very sobering. We studied and tried to re-create all the stuff that we all saw that day.
When I saw 'Pretty In Pink' at the cinema at the age of 11, I just thought it was a period piece from maybe 100 years previously. I had no idea that was what everybody was supposed to be wearing.
The old jazz singers or old blues singers, you always just saw them kind of sitting down and singing. They weren't worried as much about their voice sounding perfect. They would make the song kind of fit their voice.
There's an assumption in many of these cultures that these children are mentally retarded, when in fact they're not at all. I saw how the operation affects the child, as well as the child's family and often the village.
