Zitat des Tages über Sachbücher / Non-Fiction:
I cannot say how strongly I object to people using other people's writing as research. Research is non-fiction, especially for horror, fantasy, science fiction. Do not take your research from other people's fiction. Just don't.
When you're writing non-fiction, you go as far as you can go, and then ethically you have to stop. You can't go. You can't suppose. You can't imagine. And I think there's something in human nature that wants to finish the story.
Historical facts are the vital framework around which non-fiction writers construct their narratives; they are, quite simply, indispensable.
I read a lot; fiction and non-fiction are the mediums I find most edifying and inspiring. I watch movies and listen to music and take lots and lots of walks. Nature is a nice reset button for me, it's how I get a lot of thinking done.
I've read pretty broadly on the Holocaust - both fiction and non-fiction - and to me, 'The Lost Wife' is one of the best. The horrors of war serve as a backdrop to a love affair that spans a lifetime, and that love story stayed with me long after I put down the book.
Non-fiction, and in particular the literary memoir, the stylised recollection of personal experience, is often as much about character and story and emotion as fiction is.
I've done a lot of movies based on real people, real situations, non-fiction books, magazine articles, life rights.
Granted, I'm more interested in technology than most people, and less interested in politics than most. But I don't like to think about categories. I really see myself as a general non-fiction writer.
We're completely confused about the boundaries between fiction and non-fiction. To me, the moment you compose, you're fictionalising; the moment you remember, you're dreaming. It's ludicrous that we have to pretend that non-fiction has to be real in some absolute sense.
Journalists in newspapers and in many magazines are not permitted to be subjective and tell their readers what they think. Journalists have got to follow a very strict formulaic line, and here we come, these non-fiction writers, these former journalists who are using all the techniques that journalists are pretty much not allowed to use.
I'm writing another novel and I know what I'm going to do after, which may be something more like this again, maybe some strange mixture of fiction and non-fiction.
The most deeply personal of my works are the non-fiction works, the autobiographical works, because there, I'm talking about myself very directly.
Chinese readers are buying books in translation, particularly non-fiction about China, in large numbers.
There's nothing quite as exciting or moving as the very finest literary non-fiction.
Writing is writing, and stories are stories. Perhaps the only true genres are fiction and non-fiction. And even there, who can be sure?
Expand the definition of 'reading' to include non-fiction, humor, graphic novels, magazines, action adventure, and, yes, even websites. It's the pleasure of reading that counts; the focus will naturally broaden. A boy won't read shark books forever.
I'm very strict in my belief that non-fiction should be truthful, and fiction is for invented narratives.
I'm not writing non-fiction. I don't feel anything about me as a kid was unique. Except that I had more interest in being alone and using my imagination.
I'm a professional non-fiction reader, that's what I do. But in my 20s we had our own vampire and witch moment, courtesy of Anne Rice, whose books I read and loved.
I am conscious of trying to stretch the boundaries of non-fiction writing. It's always surprised me how little attention many non-fiction writers pay to the formal aspects of their work.
I grew up reading Updike. I remember being alarmed to find that he had published short stories by the time he was 22. I think 'Pigeon Feathers' was the first collection of stories I read. Only much later did I discover his non-fiction reviewing and art criticism.
Many people have observed that truth is stranger than fiction. This has led some intellectuals to conclude that it's stranger than non-fiction as well.
The name of the album is 'Non-Fiction'. And, I'm calling it that because the name of every song on this album is derived from a true story. Now, some of the stories are mine. Some of the stories belong to some of my fans.
For some reason, I seem to be bothered whenever I see acts of injustice and assaults on people's civil liberties. I imagine what I write in the future will follow in that vein. Whether it's fiction or non-fiction.
Before Truman, journalism and non-fiction weren't taken very seriously.
I do, however, feel reasonably strongly the sense that the job of a piece of argumentative scholarly non-fiction is not the same as the job of a piece of fiction.
All that non-fiction can do is answer questions. It's fiction's business to ask them.
Non-fiction books have helped me enormously with lots of my books.
It would have been very easy to drift into writing a non-fiction book so by taking it away from Nottingham I forced myself to imagine much more of it.
In high school, I was very active in extracurricular activities such as art, theatre, and choir. I also wrote for the school newspaper, but not regularly, because I never liked writing non-fiction very much.
Probably the biggest influence on my career was the late John Hersey, who, while he was at 'The New Yorker,' wrote one of the masterpieces of narrative non-fiction, 'Hiroshima.' Hersey was a teacher of mine at Yale, and a friend. He got me to see the possibility of journalism not just as a business but as an art form.
I teach a non-fiction writing class at New York University, and one of my great pleasures is deciding on the syllabus.
What I've always been most interested in is exposing the way stories and fantasies reconstitute our everyday reality. What appears to be non-fiction is not only totally mysterious, unfathomable, and strange when you really look at what it is.
Every time a blast happens, people ask, 'But why would someone do this?' Weirdly, it hasn't been answered well anywhere - neither in fiction nor non-fiction.
I read very widely, both non-fiction and fiction, so I don't think there's a single writer who influences me.
Visit any bookshop in Europe, and the shelves are filled with English novels and non-fiction books in translation - while British bookshops stock mainly English and American works.