Zitat des Tages von China Mieville:
'Kraken' is a very undisciplined book. That's a gamble. If it doesn't come off, it's disastrous. But there are pleasures, I think, to a meandering lack of discipline that you can't get the other way, and vice versa.
I always felt sorry for the sidekick as a kid. They never got their due and it left a very bad taste in the mouth - they are defined by a subordinate relationship to someone else. I always felt like a bit of sidekick when I was a kid and it didn't feel fair.
I do, however, feel reasonably strongly the sense that the job of a piece of argumentative scholarly non-fiction is not the same as the job of a piece of fiction.
I'm a very friendly socialist.
A lot of geeks are pale, bespectacled, wear dark clothing and don't get out much - the stereotype exists because it is very often true. I could pass for a non-geek but it would be inaccurate.
I think there's something quite interesting about the almost tragic quality of a lot of overwrought prose, because it has a much more self-conscious awareness of its own failure to touch the real.
Well I don't feel sectarian against sparseness, although I sometimes get a little chippy about this. I resent the way that a certain notion of parsimony has become the norm for skilful literary writing.
I don't like allegory.
I'm a science fiction and fantasy geek.
Personally I don't like it when writers become excessively proscriptive about the way that people read their books.
My parents went through the dictionary looking for a beautiful name, nearly called me Banyan, flicked on a few pages and came to China, which is cockney rhyming slang for mate.
Fantastic fiction covers fantasy, horror and science fiction - and it doesn't get the attention it deserves from the literati.
In every book I write, I try to name-check the most prominent influences, or the most prominent conscious influences.
Every book I write, the first thing I have to do is get into the voice, and the voice varies from book to book - that's part of what's interesting to me.
I think the role of science fiction is not at all to prophesy. I think it is to tell interesting, vivid, strange stories that at their best are dreamlike intense versions and visions of today.
In the field of fantastic fiction, the question of world-building is not uncontroversial. But I grew up with 'Dungeons and Dragons,' so that whole world-building thing is very close to my heart.
'Kraken' is set in London and has a lot of London riffs, but I think it's more like slightly dreamlike, slightly abstract London. It's London as a kind of fantasy kingdom.