It's a sad fact about our culture that a poet can earn much more money writing or talking about his art than he can by practicing it.
A lot of my friends, when I was 14 or 15, they were all up and down, wanting to go out on a Friday night, and my dad had me working really late on Fridays and Saturday mornings and even on Sunday mornings. And when I'd finished all that, we used to spend the rest of the time talking about boxing.
I can let the team do the talking for me.
I was talking to one of my aunties at Christmas and she said she didn't think it was ever in my nature to go against the grain, that I was always a good boy. I think she was right - I did always want to be good.
I need to be looked after. I'm not talking about diamond rings and nice restaurants and fancy stuff - in fact, that makes me uncomfortable. I didn't grow up with it, and it's not me, you know. But I need someone to say to me, 'Shall I run you a bath?' or 'Let's go to the pub, just us.'
You see people on the street, talking to themselves, and you're like, 'What are they talking about?' I'm interested in that.
There's several different forms of executive privilege. The one that is most absolute would be close advisers talking to the president himself.
I'm not interested in playing the girl that's just there to make the guy, you know, give him a talking to.
I hear my own daughters talking about big companies polluting the environment, and then I realise they are talking about companies of which one I am running. But when I tell them to read the things we are doing, then they realise we are doing good things. But millennials are really a great lot.
It's important to me that talking about my experience not undermine those who choose differently. There can be a stigma for people who don't take the path I did, as though not having surgery means you're not really transitioning. No one should feel as though it's everything or nothing.
If I did everything, I probably wouldn't be here talking to you. There aren't too many people who can actually double me, so I do most of my stunts though.
When I was little, my mom tells me, I used to say things like, 'Mom do you hear the string section? Do you hear the string section?' And she would look at me and say, 'No honey, I don't know what you're talking about.'
I am an advocate for going to the doctor and going every year. I make sure that part of the checkup is spent talking about my heart with my doctor, and getting my numbers checked, and discussing the results. And I make sure that I understand the answers to my questions.
My grandmother taught me that accomplishments meant less than what you left behind. I started to ask myself what impact my comedy would have on people's lives. And that changed my act. I got cleaner. I stopped talking about generic stuff like airplane peanuts and started speaking the truth about my gift.
I pick up the New York Times or Time and it's talking about the latest rock group, which I'm sure is exciting to some people, but it neglects a huge area of music.
If you're doing a large, complicated character with radio controls, it might take a number of people several months to make it and if you're talking about a quick little hand puppet, it could be made in 2 days, so there's enormous range there, and no real easy generalities.
Ronald Reagan gave our party a bowling alley image as opposed to a country club image. We were talking to people who go bowling on Thursday night, and they were understanding what we were saying.
That part, that internal dialogue that has a lot of ups and downs and darks and lights and stuff - that, I think, is where music comes from. I think the face that you put on when you're talking to people and making small talk, I don't think that's where music comes from.
It's unfortunate that a certain type of stripped-down classicism became the in-house architectural language for 20th-century fascism. Can an architectural language recover from such an association? Yes, I think it can, because in the end what you're talking about is a column and beam.
It was Jung who first said to explain the symbol as if talking to a man from mars who knew nothing about our life on earth.
Whenever I've encountered a Christian saying, 'Why don't you stop talking like that so I can hear you?' I think, 'Well you're the one putting the earmuffs on, but I wish you could hear me because I like you.'
I have a spiritual advisor I call up, when I just feel lost. Lately, I've been talking to God. I developed this dialogue in rehab, this dialogue with God, and every day I talk to God.
I'm happy that people have loved my film and my work. I have always let my work do the talking, and I guess I have proved to my critics that I'm not over.
It's like how science fiction in the '50s was a way of talking about war without actually having to risk any political capital. The obvious metaphor is power and powerlessness, but I also think it's a way of experimenting with dangerous feelings in a safe arena and trying things out.
It doesn't matter what the scoreboard says. I'm always having fun, talking to other guys. They even come to first base and ask me about hitting. I try to help them out as much as I can in the 30 seconds before the pitcher throws the next pitch. That's me. I don't think I will ever change that.
With ZeniMax, they have a lot to be proud of. 'Fallout 3' is one of the favorite games of so many of our people. But they had zero overlap with the things we do. We do the best shooters in the world. It's a perfect hand and glove fit. We started talking about this before they rolled out 'Fallout 3'. We watch them roll it out worldwide.
I was re-watching 'E.T.' recently, and that scene where they're all around the pizza, bringing the pizza in, and gambling and stuff together, it's such an amazing tone, it's so rough, and nobody's really talking about anything, and it feels like you're in that room with them.
I'm not in the business of talking about what 'isn't.'
If a movie requires the lead actor to spend a good chunk of his onscreen time talking to himself, and Popeye is unavailable because of contractual disputes, it's hard to do better than Johnny Depp.
I wanted to have a reaction from the audience. I wanted to be able to talk to somebody, and not be talking just to myself. That's when I did 'The Conformist,' 'Last Tango in Paris,' etc. And I found it was incredibly rewarding, something new.
I've been very lucky with prizes. But the thing about prizes is that, when you talk about a prize-winning author, you can be talking about one that is well-regarded but doesn't sell any books.
I'd never read 'Prince Caspian'. I watched it and loved that film. Everybody was talking about its lack of success; its relative success in comparison to the other film. It's a great film. It deserved to do a lot better than it did. It's very difficult to make a film that will match up to the first.
It's fun when your kids reach a point where you can actually start talking about things.
Mom always got me to school and the driving range while Dad was working. She also kept me quiet and humble. Both of them taught me to let my golf do the talking.
Even talking, I'm super-loud. I could never have that kind of meek, little wispy whimsical lavender and lace voice. It comes from my body. There's no way I can fight it.
Some of us have been thinking and talking too long without doing anything. Poems are perfect; picketing, sometimes, is better.
