Zitat des Tages von Margaret Stohl:
You need books to read and readers for books.
We love what we love, and shared fandoms bring people of all ages and backgrounds into one great tribe.
Everyone reads Harper Lee personally. For me, 'Mockingbird' was about admitting my own hyphenated identity - about loving and hating my world, about both belonging and not belonging to the community I came from.
Sometimes people who sell books are seen as corporate salesmen, and people who sell reading are seen as literacy advocates, but you can't really separate the two.
I worked as a writer, lead designer, and creative director in the game industry.
The privilege, and the challenges, of taking on Black Widow have never been lost on me. I worked on the first 'Spiderman' game as well as 'Fantastic Four,' and I had always wanted to be able to tell more of a character-driven comic book story than was possible to fit into a game narrative.
I was the person who stayed awake reading by the nightlight until the scary shadows made me crazy.
I like to make an outline or cards and then utterly ignore them.
At heart, I would have to say I'm a pantser. I fully embrace the chaos of letting the unintended happen, on life and on the page.
Han Solo would never wear the earring Harrison Ford wears.
I always say, 'I'm cracked. My characters are cracked. And you, reader, you're cracked, too.'
Writing is the easy part. The 'getting it right' part is harder.
I'm up at dawn. I practically fall asleep at dinner.
Sam and Dean Winchester sitting on the top of the Impala sharing their feelings over a beer is a reward worth driving any 'Supernatural' demon away - but in real life, they'd have crippling co-dependency issues.
I'm always excited to see my good buddy Richelle Mead. She cracks me up. I never get to see Veronica Roth enough, either.
I was an obsessive fantasy reader from the time I could read at all.
It's like how science fiction in the '50s was a way of talking about war without actually having to risk any political capital. The obvious metaphor is power and powerlessness, but I also think it's a way of experimenting with dangerous feelings in a safe arena and trying things out.
I worked in videogames for 16 years before writing my first book in 2009.
We kept my middle schooler home from school for three days before we turned in our final draft because she was so mean and so brutal at editing out all the cheesy bits. She would roll her eyes and make fun of us, and it was what we needed.
I think, to give our bookshelf a little credit, our area of the library and the bookstore has attracted stronger writers as it's started to thrive.
We wanted to celebrate the 'Dangerous Deception' release by letting everyone experience the thrill of sharing a book with a reader who wouldn't otherwise have one.
People ask why do I write strong women characters, and basically, all the girls I know are strong; the girls I've had are strong. The women in my life are strong.
Everything I write is about big feelings. What I care about is trying to be brave enough to feel how you feel and to be emotionally true.
I was raised in a community of Christian orthodoxy that had traveled with my parents to Los Angeles when they moved there for my father's job.
I grew up sitting in my closet waiting to go Narnia.
I first read Harper Lee's 'To Kill a Mockingbird' as a teen in school, like you did. I read the book alone, eating lunch at my locker, neatly scored oranges my mother divided into five lines with a circle at the top, so my fingers could dig more easily into the orange skin. To this day, the smell of oranges reminds me of 'Mockingbird.'
Harper Lee was my David Bowie, and I feel her loss in my bones.