The appeal of the wild for me is its unpredictability. You have to develop an awareness, react fast, be resourceful and come up with a plan and act on it.
Being a pop star is something I don't think I'm very good at. I'm worried it's making me too paranoid, because all of a sudden, life has become this constant assessment. When you put something out there and people get to hear it, then those people react to it, socially, culturally.
It's my personal opinion, and I'm not espousing it to anybody else, I think your immune system and how healthy you are determines how you react to any excess of any kind.
Listening is more important than talking. Just hit your mark and believe what you say. Just listen to people and react to what they are saying.
With any character I have played, there's infinite possibilities for how they might behave, depending on who they are talking to or how they react to things.
Good scores are valuable, but centuries stick in the mind. There are influential people who might not notice a good innings of 60 or 70, but they will react if you get a hundred.
I'd like to challenge Ryback to a match - in real life - just to see. I think I could take him, but I wonder how Ryback would react to getting slapped.
I don't really know how my family and friends will react to seeing me on screen in a cinema. I'm sure it'll be an odd experience for them, just like I'm sure it will be for me.
It's just becoming more acceptable for girls to react violently.
The external world is changing drastically, and enterprises and products will have a short lifecycle if they don't change. So we have to react to market trends. Nothing lasts forever in today's world.
When you see how you react when you suffer that's when you know what you are made of.
The topic of slavery is like an electric fence. Touch it and people will react.
When you work so hard on making a film, it's all worthwhile when you get to experience seeing that film with an audience who thoroughly enjoy it and react to the movie.
It's difficult to identify why two cultures will react differently to the same sport.
I'm excited to see Cassie's fans and how they react to the ending of 'Clockwork Princess!' I love hanging out with readers and seeing the energy readers bring to a room: seeing so many people united in imagination is going to be wonderful.
As an observer, I react to the realities of Israeli life with both envy and relief. Nobody wants to live under the threat of constant attack from enemies right next door, under ceaseless and often unfair international scrutiny, defending his homeland by day and living with the memories of mass genocide at night.
The dumber half of the audience - whether they're male or female, and a lot of them are male - for some reason responds very quickly to the feminine voice. How can I put it? They kind of instantly react to the female voice in a positive way quicker than they would the male voice.
I have no choice about whether or not I have Parkinson's. I have nothing but choices about how I react to it. In those choices, there's freedom to do a lot of things in areas that I wouldn't have otherwise found myself in.
It's funny to see how people react to the project, to read their thoughts, and I wonder aloud, 'Did they even watch the movie? Did they even get it?' I know we, myself and the entire cast, put a lot of heart, love and humor into 'Meet the Peeples'. I'm very proud of that film and what we were able to accomplish.
I have always been attracted to good scripts and try hard to make characters as believable as possible. That means trying to figure out how they would react to situations, what they eat, think, and feel.
You can't change how people act, but what you can change is how you react.
Be reactionary. React to what the market wants. And the market wants one-on-one real time engagement. Now that we have the tools to engage, I'm going to continue fighting for the end user.
It's not the situation, but whether we react negative or respond positive to the situation that is important.
To me, the real 'state of the union' is found in how Americans react to current events.
A song is fire. You react to it primally, instantly. You don't have to decide whether you like it, and you don't really have to sit down and think about it much after you're done listening to it. It really does run through you like wind.
You can't control where you were born, the family you were born into, what you look like; you can't control any of those circumstances. The only thing you can control is how you react.
Donald Trump called for the closing of borders to Muslims; John McCain said, in response to the President's address on the San Bernardino shooting, that 'this is the war of our time.' As that shooting shows, we react to terrorism with far more intensity than we do to an ordinary crime.
With all editing, no matter how sensitive - and I've been very lucky here - I react sulkily at first, but then I settle down and get on with it, and a year later I have my book in my hand.
You're watching the movie for the first time when you're working with the actors in front of the camera. You don't think about how the audience will react. You discover the film.
As actors, we're always asked to portray and react to these extreme circumstances, otherwise it's not interesting. They are agonizing things to think about.
I have no real training in the history of fine art or furniture; my eye just works by proportions. I react intuitively. In London, it's all about color because the weather is so gray, and in that cold light they look beautiful.
Once you buy into a television show, there doesn't have to be resolution from week to week. You can develop characters and storylines and react to the audience, so you get more of a serialized version of storytelling where you can go much deeper into each character. It's more like a novel.
I think most people don't react well to being screamed at. It's counterproductive.
Writing a story is pretty all-consuming for me - it feels a lot like method acting, and for the eight or twelve or fifteen months that I'm working on a story, I'm constantly thinking about how my narrator would react to whatever tangled situation I'm in.
It's difficult to explain exactly how I react to music, but if it makes me feel anything at all, then I'll have some kind of emotional relationship to it. That's what defines good music to me - if it makes me truly feel something.
Here's the thing that people don't understand: I don't really care. I've never been a careerist. It's not a strategy. I react to certain characters and story lines and specific mode of filmmaking.