Actually, I've done it the other way so many times where you rehearse the band and you do the whole thing with lights, the show and the crew - everything. Then you see what happens and you're already committed to dates. I'm just sort of putting out feelers this way.
In 'Uncharted,' we do the scenes the same way you would do a film or television show. The motion capture - the performance-capture process - is what makes such a difference for this franchise. So I don't approach it any differently. The other actors and I go in and rehearse scenes together, and then we go in the next day and perform.
When we rehearse, we're always trying to aim for something else. But we never quite succeed in getting there.
I never rehearse. Never! I think it's a waste of time.
It's not really that I didn't want to perform at all. What I didn't want to do was try to put together a band, rehearse, on my own. You know what I mean?
When you're doing a one-man play, you maybe rehearse for a month, and then you're just doing it an hour or two a night.
When we're ready to do the dress rehearsal, we'll rehearse in the dark. No lights. The reason why I do that is because I don't want the band to rely on me for anything. 'Cause anything can happen - I might stop singing or unplug the mic, just so everybody knows: Keep going, no matter what.
I would have to work on the song and figure out how they wanted the song done, because they're such high-intensity songs. We figure that out first, then I go back and listen to it and go over and rehearse stuff with it and try to get a feel for the words.
I guess I'm used to TV where we don't really rehearse. You block it out, and then you just start shooting.
My brother Trev went to the Professional Performing Arts School in New York, and he used to do his monologues and stuff and rehearse in our apartment. So I used to hear him all the time doing these things over and over and over. And when I was a little girl, I used to soak up everything - like anything anyone did, I soaked it up.
When you rehearse a play, you spend four weeks with one goal in mind - to wean the actor away from you. You want the actor to become completely independent and to understand all the emotional and psychological moves within the character.
I want readers to rehearse that day when everything shatters and think through what they'll hang onto when that happens.
Every actor prepares differently and to different degrees of privacy. Some want to talk everything out. Others really don't want to talk anything out - or rehearse much.
I think that the more comfortable and the more you rehearse - granted, I don't like to take the air out of a tire; there is a fine line - but I think the freer you are with your dialogue, for example, the more open you are to a good idea walking up to you.
Anyone can rehearse and play constantly any song in the world.
'Writing' is the wrong way to describe what happens to words in a movie. First, you put down words. Then you rehearse them with actors. Then you shoot the words. Then you edit them. You cut a lot of them, you fudge them, you make up new ones in voice-over. Then you cut it and throw it all away.
I choose my actors well and get to know the quirks of their personalities - and, most of all, I share humor with them. Then I keep my eyes open when they rehearse and perform, because you never know where the next stimulation comes from.
That's what it is that you rehearse - the making of music, not the playing of notes as abstractions.
I don't like to rehearse, and the film-makers that I have been drawn to are interested in provoking something between people rather than nailing a scene in advance.
I spend a lot of time on the 'Glee' set. A lot of time. Luckily we have to dance and rehearse, so we're always moving, but having such a tight schedule can make it hard to find the time to exercise. It's definitely a struggle!
I don't rehearse a lot. I try to keep it organic. Even in movies, the less I rehearse, the better I am.
I started as a straight actor. I'd go onstage, and I'd think, 'Wow, this is the only thing I want to work really hard at. I will rehearse fifty times on a single scene; I don't care - I'll do it again.'
I don't do a lot of rehearsal. I don't like rehearsals. I rehearse the day or morning. I spend one hour and a half with all the actors, and we go over the scenes, and we change it and change the dialogue, and we do a lot of things to it, but prior to shooting, I don't really rehearse.
I will not ever say that it's good to start with too little preparation, because that's patently not true. But I don't rehearse the way a lot of directors do, to stage a scene in terms of manners and attitudes and lock them in.
If you're a comic, you don't have a rehearsal room, you rehearse on stage. My main concern is remembering everything.
The saddest thing is that when I sat down to rehearse for the Pixies, I couldn't believe that I had given up something that I loved. Now I hold the drum at night and I want to go to bed with it.
When we get together and rehearse, which is always living with each other, we always talk about what would make it better, what would mean more, what would say more. So we're always improving and growing.
I've done three Broadway shows; once the curtain goes up, that's it. I mean, you prepare and you rehearse like crazy, but after opening night, the director's not there anymore, you know. He gives you notes during previews after each performance, but opening night, you're on your own.
When I was younger, I never wanted to rehearse because I thought that someone would figure out I don't know what I'm doing. Now I like to really spend the time and figure it out, and rehearsal is to try something that doesn't work.
I found many ways around my dyslexia, but I still have trouble transforming words into sounds. I have to memorize and rehearse before reading anything aloud to avoid embarrassing myself by mispronouncing words.
I like to give dimension to shots inside action scenes. It's demanding because you have to rehearse a lot of things happening at the same time and frame all those things in a shot. But I feel like when you accomplish that then you've got a cool action scene.
Doing a play, you have a little bit more time, obviously. You rehearse for a month before you get up in front of people. It's a totally different energy. With film, TV, you want to try to capture lightning-in-a-bottle moments. I don't try to rehearse as much with that stuff, because you want those sparks of something to come out, if they do.
I never rehearse scenes with the whole ensemble, because I need to preserve some surprise. Instead, I work with the cast individually on their characters.
You don't get time to rehearse in film and TV at all.
