Zitat des Tages von Robert Smith:
There's no hope of me becoming completely relaxed on stage. If I did, I'd sit down and doze off.
Nobody notices me. Nobody thinks I'm me. But then I look less like me than most of the people coming to our concerts.
I just play Cure music, whatever that is.
I honestly don't class myself as a songwriter. I've got 'musician' written on my passport. That's even funnier.
I've got a presence on all the social networks, in fact, but I've never once sent a message. I'm there because otherwise, someone's going to pretend to be me.
Both me and my wife's extended family all live within a 50-mile radius. Like me, a lot of them did time in London then started drifting back to the countryside and the sea. Perhaps it's a homing instinct.
I do a job I really, really love and I kind of have fun with. People think you can't be grown up unless you're moaning about your job.
I wouldn't want to think people doted on us, hung on every word, or wanted to look like us.
People think it's funny that I enjoy dreaming so much. I just use it as a form of entertainment. It's very private. I don't see my dreams as separate. I mean, half the time I'm wandering around dreaming anyway.
I've always spent more time with a smile on my face than not, but the thing is, I don't write about it.
You can't drink on an eight hour flight, pass out, and then go onstage... well you can, but then you're Spandau Ballet.
Hendrix was the first person I had come across who seemed completely free, and when you're nine or 10, your life is entirely dominated by adults. So he represented this thing that I wanted to be. Hendrix was the first person who made me think it might be good to be a singer and a guitarist - before that I wanted to be a footballer.
I don't think of death in a romantic way anymore.
The very first concert I ever went to on my own was actually Rory Gallagher. In a one-month period in 1973 or '74, I saw him, Thin Lizzy and the Rolling Stones. I wasn't really a big Rory Gallagher fan, but I thought his guitar playing was fabulous. But Thin Lizzy, they were fabulous.
Whatever I was doing, even when I was at school, I never repressed anything that I felt. I wasn't flamboyant; I was actually quite reticent most of the time. But if I felt I had to do something, I did it.
I think, at heart, unless you discover faith in something else, something other, it's very hard to shake the thing that you're adrift alone.
I'd like to record somewhere really different. Rent a really big house and get a mobile in and set up in the dining room. Maybe New England; it'd be nice in September or October.
But everyone I know reaches a point where they throw out their arms and go beserk for a while; otherwise you never know what your limits are. I was just trying to find mine.
The idea of reinvention has always seemed bizarre to me.
I hardly ever listen to any of our old stuff now. Once the songs have been recorded and put on to vinyl they become someone else's entertainment, not mine.
I became an adult in an extreme way. I was recently sorting some old photographs and I found another.
The problem as you get older is, from my perspective, after a certain amount of songs, you tend to start writing something and then you stop and say, 'Wait, I think I've written that before.'
When you're on stage, the real world just drops away for that time. It's pretty intense.
I could write songs as bad as Wham's if I really felt the urge to, but what's the point?
If you feel alienated from people around you, it's because no one tries to understand you.
You know, the Internets made us more aware of what people think about us.
It's really nice meeting people after a concert. Still, it's very weird to be at the center of a group of 30 people all listening to what you're saying. When that group turns into 300 people, it goes on from weird. Some people revel in it, and I don't.
Like I can't cry for myself so I will let this song take all of the things inside I can't let anyone else see and offer it up, as if the sound were some kind of god, and my pain is some kind of sacrifice.
No, come to think of it, I don't think the Cure will end, but I can make up an ending if you want me to.
Whenever I'm home, I haven't got any makeup on. But even in the studio, before I do vocals, I put makeup on.
You don't really know a song until you play it live.
Refusing to grow up is like refusing to accept your limitations. That's why I don't think we'll ever grow up.
They may not like us, but they can't get away from knowing who we are.
I don't care where the Cure is placed in the pantheon of rock. I don't care if we're perceived as relevant. We're never worried how we fit in. I don't even want to fit in.
I just don't feel comfortable anymore with the kind of attention that I'm getting. It's purely the numbers of people that want a bit of the Cure or want a bit of me.
I really enjoy what I do, and who I'm with and where I am. Having said that, I'm not really a person of habit, because what I do in my job is travel around the world and play concerts to people, and occasionally do very weird things.