Zitat des Tages über Parodie / Parody:
To provide meaningful architecture is not to parody history but to articulate it.
I never consciously do any work directly influenced from any movie, unless I'm doing a parody.
Even if you haven't seen 'The Seventh Seal,' you've seen it. The influence is so vast and insidious, every image of a black-robed, white-faced Death is a rip or parody of 'The Seventh Seal.'
My personal taste doesn't enter into it a lot when I make my decisions as to what to parody.
I think a lot of the time you just parody yourself.
Rap's conscious response to the poverty and oppression of U.S. blacks is like some hideous parody of sixties black pride.
The Supreme Court has crafted doctrines such as 'fair use,' which permits copying materials for criticism, parody, and transformative uses, and has ruled that abstract ideas are not subject to copyright, because courts will not punish people for merely using an abstract concept in speech.
You can parody almost anything.
We have to do a film parody for Comic Relief. We can't decide which film to parody at the moment. Any ideas welcome, but not Spiderman owing to costume being too tight.
All great reality shows have a very, very similar format. That's why it was so easy to parody.
It is old age, rather than death, that is to be contrasted with life. Old age is life's parody, whereas death transforms life into a destiny: in a way it preserves it by giving it the absolute dimension. Death does away with time.
Memories of the last nine years have turned Ground Zero from a site of horror, to a reminder of grief, to an occasion for ludicrous artistic posturing - and now to something very close to parody.
I'd like to say that parody is a celebration of a person's specific characteristics, as opposed to mockery.
We live in an age that's very suspicious of preachy political rhetoric, which means that there's room for art that approaches these issues from the side - as satire, as parody, or as a kind of outlandish speculative proposition.
The first acting thing I ever did was my senior year I decided not to play a sport in the Spring and, in that Spring B.J. Novak who went to school with me, asked if I'd be in this show that was a parody of all the teachers in the school, 'sure!' That was the first acting thing I did.
Whenever I do a parody it's not meant to make you hate anybody's music really.
There are a lot of songs that would ostensibly be a good candidate for parody, yet I can't think of a clever enough idea.
At this point I've got a bit of a track record. So people realize that when 'Weird Al' wants to go parody, it's not meant to make them look bad... it's meant to be a tribute.
A typical 'Larry King Live' is a pastiche whose absurdism defies parody. Wearing his trademark suspenders and purple shirts, he looks as if he's strapped to the chair with vertical seat belts, unable to eject.
Or the Department of Education and another ministry were worried about duplication of effort, so what did they do? They set up two committees to look into duplication and neither knew what the other was up to. It really is a world beyond parody.
We live in a world in which whatever you do has a parody account online in moments.
I think to simply make fun of something isn't particularly interesting. I try to not just do a parody of something or belittle something or disparage something.
You can parody and make fun of almost anything, but that does not turn the universe into a caricature.
I think there are barriers, but I think for me specifically, my barrier is being rejected from the kind of hip-hop elitists that think I'm not appropriating it, but just not serious about it. They think I'm a Lonely Island, Weird Al, you know - like a parody rapper. So that alienates me from a lot of things.
I see parody as another form of comedy.
Satire is a lesson, parody is a game.
Parody is homage gone sour.
I parody myself every chance I get. I try to make fun of myself and let people know that I'm a human being, and these things that have happened to me are real. I'm not just some cartoon who exists and suddenly doesn't exist.
After ten or twelve years you can only play something so long and then you start to parody it.
How do you be a 45-year-old man in a rock band, do it well, keep your dignity and not become a parody of yourself? I don't think it will be simple.
I'm actually incapable of lying. I'm like a parody of a person who can't lie.
When I was a kid, back in the '40s, I was a voracious comic book reader. And at that time, there was a lot of patriotism in the comics. They were called things like 'All-American Comics' or 'Star-Spangled Comics' or things like that. I decided to do a logo that was a parody of those comics, with 'American' as the first word.
If you aim for parody right off the bat and it misses, no offense to the filmmakers, but it is Meet the Spartans.
With parody, you're referencing and sending up a particular genre, and mostly your material is going to be taken out of that genre.
When I was young and it was someone's birthday, I didn't have the money to buy nice presents so I would take my mom's camera and make a movie parody for whoever's birthday it was. When I'd show it them, they'd die laughing. That reaction was a high for me, and I loved that feeling.
So that's why one of my rules of parody writing is that it's gotta be funny regardless of whether you know the source material. It has to work on its own merit.