I stream this radio station, Radio Nova, that's based in Paris. They curate a beautiful set that's really all over the place - they'll play blues or some West African music, then A Tribe Called Quest, then funk from Ethiopia, then James Brown, and then the Beatles. It's an amazing mix.
What we think about Paris is a part of how we feel about it. Our idea of Paris is our idea and we don't know that that's not necessarily the way it really is. It feels so real.
The boarding-school experience in Paris was very hard, I didn't put up with it very well. I was sick all the time, or in any case frail, on the edge of a nervous breakdown.
My dad was fairly well-off, so I was raised in a very comfortable environment: the very nice suburbs of Paris. It was a very idyllic life. I also spent nearly all my summers in Britain, and Christmas, too, because my grandparents lived there.
I know a lot of Americans in Paris who have married Frenchmen. They keep bringing up their experience, the clash of civilizations, the clash of personalities.
Paris is a wonderful city. I can't say I belong to an especially anglophone community.
Well, let's say we acknowledged the School of French Painting - the Paris School of painting as the leading force and vitality of the time. I think that was understood and felt and experienced.
Good talkers are only found in Paris.
I was going to be the best failed novelist in Paris. That was certainly not the worst thing in the world that one could be.
I'm the person friends come to when they want to find the perfect restaurant or boutique hotel on the outskirts of Paris. As opposed to scouring the Internet for a travel guide, wouldn't you rather ask the people who are really cool who go there? That's what I do.
I have specific playlists for arrivals in different cities. Tokyo skews new wave, Paris more jazz, and New York is Top 40.
I went to Paris when I was about 18 and then went to Miami and New York. I did all of that alone. I did it to myself.
I attended private Catholic schools in Paris and Los Angeles through high school.
You show up in Paris, and on the drive from the airport to the hotel you're like, 'This is so cool! I want to see something! I want to go to the Eiffel Tower!' And then you leave the next morning. You think, Oh, I didn't get to do anything. I tell people: I've been just about everywhere, but I've seen nothing.
When I'm sitting in a casting room in Paris, I'm not the thinnest model. Sometimes I'm not the most flat-chested, either.
I had enjoyed life in Paris, and, taking all things into consideration, enjoyed it wholesomely.
It is this research into pure painting that is the problem at the present moment. I do not know any painters in Paris who are really searching for this ideal world.
Because of my job, I get a lot of opportunity to grab a few days here and there in many cool cities for press commitments, magazine shoots and premieres - Barcelona, Madrid, Rome, Paris, Stockholm, New York, Berlin. I always try to get to a gallery or museum if there's time.
If you come from Paris to Budapest you think you are in Moscow.
I don't like Paris so much, and it's only eight shows. I mean, don't tell them that, of course. But everyone always thinks they're so important. And I'm sure they are. But to me, my happiness is more important.
While my calendar with Moda Operandi often takes me to fashionable locales like Milan and Paris, I am thrilled when opportunities to visit new places present themselves.
One of the special characteristics of New York is that it is different from a London or a Paris because it's the financial capital, and the cultural capital, but not the political capital.
I guess I wanted to leave America for awhile. It wasn't that I wanted to become an expatriate, or just never come back, I needed some breathing room. I'd already been translating French poetry, I'd been to Paris once before and liked it very much, and so I just went.
When I went to Paris, I had a lot of ideas about it that were formed in the sort of ether that flows about if you watch too many recent Woody Allen movies or took French classes as a kid. I was certainly full of those.
London is the financial capital of Europe, a great platform to America and Asia. I love the fact that in British culture you can be whoever you want, and people don't even look at you. I don't feel that in Paris or Milan.
Paris is a beautiful city.
As a younger actor, I had delusions. I would dream of Scorsese and De Niro; I would meet people, and it would be like this, and it would change moviemaking in France, and Paris would become the center of the world.
I seemed to belong to three countries: I had an apartment in Paris, a house in Hollywood, and when I married British theater director Peter Hall, I moved to London.
The art galleries of Paris contain the finest collection of frames I ever saw.
Where was Paris Hilton a year ago? She's a fabulous character to write about.
If I have a day off, I want to get on a plane and go to Paris! If I have a couple hours off work, I want to run to the market and make a four-course meal. I like to do things that are unexpected.
By the time Napoleon abandoned his army to its fate in Poland - arriving back in Paris on 5 December - it numbered fewer than 10,000 effectives. It was a disaster from which he would never recover.
In fact, my mom always told me because I was the daughter of an Army officer born overseas in Paris, France, that under the Constitution she believed that I could never run for president.
They got into fact checking at the 'Paris Review,' and it was mortifying. There was a wrangle about Hemingway's lost stories that nearly killed me. It turns out he didn't lose those stories. They weren't stolen from the platform.
Everyone dreams of living in Paris.
I was to Japanese visitors to Washington what the Mona Lisa is to Americans visiting Paris.